BiblioVault - Books about Fraleigh, Sondra

Back to the Dance Itself

Phenomenologies of the Body in Performance

Edited with Essays by Sondra Fraleigh

University of Illinois Press, 2018

In Back to the Dance Itself, Sondra Fraleigh edits essays that illuminate how scholars apply a range of phenomenologies to explore questions of dance and the world; performing life and language; body and place; and self-knowing in performance. Some authors delve into theoretical perspectives, while others relate personal experiences and reflections that reveal fascinating insights arising from practice. Collectively, authors give particular consideration to the interactive lifeworld of making and doing that motivates performance. Their texts and photographs study body and the environing world through points of convergence, as correlates in elemental and constant interchange modeled vividly in dance. Selected essays on eco-phenomenology and feminism extend this view to the importance of connections with, and caring for, all life.

Contributors: Karen Barbour, Christine Bellerose, Robert Bingham, Kara Bond, Hillel Braude, Sondra Fraleigh, Kimerer LaMothe, Joanna McNamara, Vida Midgelow, Ami Shulman, and Amanda Williamson.

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Butoh

Metamorphic Dance and Global Alchemy

Sondra Fraleigh

University of Illinois Press, 2010

Both a refraction of the bombings of Hiroshima and Nagasaki and a protest against Western values, butoh is a form of Japanese dance theater that emerged in the aftermath of World War II. Sondra Fraleigh chronicles the growth of this provocative art form from its mid-century founding under a sign of darkness to its assimilation in the twenty-first century as a poignant performance medium with philosophical and political implications.

Through highly descriptive, thoughtful, and emotional prose, Fraleigh traces the transformative alchemy of this metaphoric dance form by studying the international movement inspired by its aesthetic mixtures. While butoh has retained a special identity related to its Japanese background, it also has blossomed into a borderless art with a tolerant and inclusive morphology gaining prominence in a borderless century.

Employing intellectual and aesthetic perspectives to reveal the origins, major figures, and international development of the dance, Fraleigh documents the range and variety of butoh artists around the world with first-hand knowledge of butoh performances from 1973 to 2008. Her definitions of butoh's morphology, alchemy, and philosophy set a theoretical framework for poetic and engaging articulations of twenty butoh performances in Japan, Europe, India, and the West. With a blend of scholarly research and direct experience, she also signifies the unfinished nature of butoh and emphasizes its capacity to effect spiritual transformation and bridge cultural differences.

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Moving Consciously

Somatic Transformations through Dance, Yoga, and Touch

Edited by Sondra Fraleigh

University of Illinois Press, 2015

The popularity of yoga and Zen meditation has heightened awareness of somatic practices. Individuals develop the conscious embodiment central to somatics work via movement and dance, or through touch from a skilled teacher or therapist often called a somatic bodyworker. Methods of touch and movement foster generative processes of consciousness in order to create a fluid interconnection between sensation, thought, movement, and expression. In Moving Consciously , Sondra Fraleigh gathers essays that probe ideas surrounding embodied knowledge and the conscious embodiment of movement and dance. Using a variety of perspectives on movement and dance somatics, Fraleigh and other contributors draw on scholarship and personal practice to participate in a multifaceted investigation of a thriving worldwide phenomenon. Their goal: to present the mental and physical health benefits of experiencing one's inner world through sensory awareness and movement integration. A stimulating addition to a burgeoning field, Moving Consciously incorporates concepts from East and West into a timely look at life-changing, intertwined practices that involve dance, movement, performance studies, and education. Contributors: Richard Biehl, Robert Bingham, Hillel Braude, Alison East, Sondra Fraleigh, Kelly Ferris Lester, Karin Rugman, Catherine Schaeffer, Jeanne Schul, and Ruth Way.

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Somatics in Dance, Ecology, and Ethics

The Flowing Live Present

Sondra Fraleigh

Intellect Books, 2023

Elucidates the field of movement and dance somatics.

Somatics in Dance, Ecology, and Ethics explores the relationships between self, world, and earth to understand the experience of being alive and corporeal. In doing so, Sondra Fraleigh develops a philosophy of an ethical world gaze that promises to enliven the senses. Chapters borrow from wide-ranging intellectual influences—phenomenology, Buddhism, butoh, dialogics, aesthetics, poetry, feminism, ecology, and more—Fraleigh describes the ways somatics can help people to feel well, practice empathetic communication, and recognize the psychic, unpredictable edges of experience as they move. An interview with Amanda Williamson complements the chapters. “The body is the fascinating home for all our dispositions,” Fraleigh tells hers. “Spiritual qualities are embodied. We dance and sing them into being.”

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