front cover of Envisioning the Framework
Envisioning the Framework
Jannette Finch
Assoc of College & Research Libraries, 2021
Data visualization—making sense of the world through images that tell a story—has a history that parallels human existence. The strength of visualization lies in its ability to reveal truth out of information that may remain hidden in lines of text, large data sets, or complex ideas. The Framework for Information Literacy for Higher Education presents complex threshold concepts, developed intentionally without prescriptive lists of skills and with flexible options for implementation, which can be explored and understood through visualization.

Envisioning the Framework offers a visual opportunity for thought, discovery, and sense-making of the Framework and its concepts. Seventeen chapters packed with full-color illustrations and tables explore topics including:
  • LibGuides creation through conceptual integration with the Framework
  • fostering interdisciplinary transference
  • the convergence of metaliteracy with the Framework
  • teaching multimodalities and data visualization
  • mapping a culturally responsive information literacy journal for international students
Chapters include content for credit-bearing information courses, one-shots, and teaching first-year students.

Twenty-first-century information literacy involves the metaliterate learner, reflects seismic changes in the duties and roles of teaching librarians, requires new partnerships with faculty and instructional designers, and emphasizes continuous assessment practices. Envisioning the Framework can help you use symbols and visuals for deeper understanding of the Framework, to map the Framework with teaching and learning objectives, and to tell a coherent story to students featuring the frames and the Framework. 
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The Framework of the New Testament Stories
Arnold Ehrhardt
Harvard University Press

Dr. Ehrhardt considers that New Testament teaching could benefit by being more closely related to its context and background than is often the case. He suggests that the method of the presentation of the Gospel is important, as well as the intention behind it.

In an examination of the background, Dr. Ehrhardt deals principally with two aspects. The first is the fact that the New Testament and the form Christianity took in the first few centuries after the death of Christ were subject to several influences. One of the most important was Greek and Dr. Ehrhardt traces Hellenistic influence in St. Paul's treatment of Christ, in Greek modes of thought in the preaching of the Gospel and the historical tradition in the Book of Acts. He then turns to Jewish and Roman practices and ideas which played a part in forming Church doctrine and ritual, such as ordination and baptism. Secondly, he discusses the daily life of the newly-converted Christians, the problems they met with and the changes that took place.

It is hoped that these essays, many of which aim at giving a fresh, rather than a final view, may prove stimulating by asking unfamiliar questions and offering new solutions.

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Sex Ed
Film, Video, and the Framework of Desire
Eberwein, Robert
Rutgers University Press, 1999
In a 1914 movie, Damaged Goods, a doctor shows a character the horrific effects of venereal disease. In contrast, many of today's sex ed videos encourage viewers to realize their sexuality more fully as a source of pleasure. In Sex Ed, Robert Eberwein demonstrates how films and videos used for sex education have provided a complex ideological framework in which questions of sexuality, gender, and race are compellingly foregrounded.

Eberwein starts his investigation in the silent and early sound eras with educational films used both to warn audiences about venereal disease and to provide basic contraception information. World War II movies, he states, waged their own war against venereal disease-in the armed services and at home. Newer works deal with birth control and focus in particular on AIDS.

Sex Ed also highlights the classroom. Eberwein draws connections between the earliest and most recent examples of educational films as he analyzes their ideological complexity. He concludes by examining marriage-manual films of the early 1970s and very recent videos for couples and individuals seeking instruction in sexual techniques to increase pleasure.
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