A new edition of Frangello’s explosive retelling of Freud’s infamous “Dora” case study

Kirby is a young woman attempting to come to terms with a failed bout of therapy and the truth about her identical twin, Kendra. Since girlhood, Kirby both idolized and envied Kendra, a fearless and charismatic ballet dancer who commanded the attention of everyone in their orbit. In the aftermath of tragedy, Kirby is sent a case study by a former psychiatrist intent on publishing a distorted version of her family’s secrets. She responds by using Kendra’s private and revealing journals to reconstruct their final months together, as well as her own “disastrous” time in therapy, to voice her own truth. 
 
Freud’s “Dora,” a young woman whose mysterious symptoms he contentiously chalked up to “hysteria,” appears at turns in the faces of each twin as they navigate a world of sexuality, familial dysfunction, and possibly-psychosomatic ailments. Reissued with a new foreword by Lidia Yuknavitch, Frangello’s groundbreaking early novel brings “Dora” into a new era. 
 

The collection that cemented Frangello’s reputation as a writer on the power dynamics of sexuality, gender, and the body

Through beauty, horror, humor, and chaos, Gina Frangello’s electric stories mine the human experience. A gay Latino man whose pious relatives are boycotting his commitment ceremony becomes caught up in hypocrisy and splendor when his lover’s Waspy mother hires a glitzy wedding coordinator. A desperate teen “seduces” her teacher in order to blackmail him into funding her young stepmother’s escape from their violent home. A wife turns to infidelity and drugs to distract her from chronic pain following an accident. A teenage boy attempts atonement in Amsterdam after having exploited and betrayed his naive girlfriend at home. A socialite must confront her dark past as her husband’s deteriorating illness erodes both her bank account and social standing. 
 
Intimate and raw, this new edition of Frangello’s short fiction includes two previously unpublished stories. A foreword by Rebecca Makkai explains how Frangello’s incendiary work has opened the door for writing about deeply flawed and fascinating women.