In the 1970s, while communes bloomed like wildflowers across the land, most had no room for queer members. The so-called counterculture still clung to heterosexual norms, even as it preached freedom from traditional gender roles and the nuclear family. Juda Bennett’s engrossing memoir follows his escape from suburbia into the back-to-the-land movement—and chronicles the efforts it took for him to “drop back in” to mainstream society and the ways in which he and his compatriots continued to honor their communal vision.
After enduring the hollow promises of “progressive” communes, Bennett finally found what he didn’t know he was looking for at Lavender Hill, a rural queer commune of visionaries carving out a life beyond heteronormativity, beyond capitalism, beyond shame. They didn’t just survive; they built something messy, luminous, and defiantly alive. And when the commune began to unravel, they didn’t vanish. They evolved. Qtopia is a story of chosen family and radical transformation. It is a reminder that queer utopia isn’t behind us—it’s still out there on the horizon, singing its song of joy, defiance, and fabulousness.
Shinjuku Ni-chōme is a nightlife district in central Tokyo filled with bars and clubs targeting the city’s gay male community. Typically understood as a “safe space” where same-sex attracted men and women from across Japan’s largest city can gather to find support from a relentlessly heteronormative society, Regimes of Desire reveals that the neighborhood may not be as welcoming as previously depicted in prior literature. Through fieldwork observation and interviews with young men who regularly frequent the neighborhood’s many bars, the book reveals that the district is instead a space where only certain performances of gay identity are considered desirable. In fact, the district is highly stratified, with Shinjuku Ni-chōme’s bar culture privileging “hard” masculine identities as the only legitimate expression of gay desire and thus excluding all those men who supposedly “fail” to live up to these hegemonic gendered ideals.
Through careful analysis of media such as pornographic videos, manga comics, lifestyle magazines and online dating services, this book argues that the commercial imperatives of the Japanese gay media landscape and the bar culture of Shinjuku Ni-chōme act together to limit the agency of young gay men so as to better exploit them economically. Exploring the direct impacts of media consumption on the lives of four key informants who frequent the district’s gay bars in search of community, fun and romance, Regimes of Desire reveals the complexity of Tokyo’s most popular “gay town” and intervenes in debates over the changing nature of masculinity in contemporary Japan.
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