This dazzling book takes us on a voyage of discovery around the world at the turn of the last millennium, when for the first time the world was in essence a unity. Islam bridged Eurasia, western Europe, and North Africa. Vikings, with links to Scandinavia and Russia, had just arrived in North America. These and other peoples reached out to create links and put isolated cultures unwittingly in touch. John Man vividly captures these epochal events, and depicts the colorful peoples that defined the world’s mix of stability and change, of isolation and contact. In an immensely learned portrayal, he traces enduring cultural strands that became part of the world as we know it today.

In text, maps, and pictures, most in color, and drawing on the expertise of two dozen consultants, John Man has created a concise compendium of all the major cultures of the lost millennial world of 1000. In some cultures—Europe, Islam, China, and Japan—written records contain a vast range of materials, often revealing sharply focused details of life and personality. Here lie startling contrasts with today’s world, and even foreshadowing of the future that are equally astonishing in their familiarity. For nonliterate cultures—in the United States, Southeast Asia, Polynesia, Africa—this book draws on a wealth of archeological research, some of it made available to nonspecialists for the first time.

Giovanni Boccaccio’s Genealogy of the Pagan Gods is an ambitious work of humanistic scholarship whose goal is to plunder ancient and medieval literary sources so as to create a massive synthesis of Greek and Roman mythology. The work also contains a famous defense of the value of studying ancient pagan poetry in a Christian world.

The complete work in fifteen books contains a meticulously organized genealogical tree identifying approximately 950 Greco-Roman mythological figures. The scope is enormous: 723 chapters include over a thousand citations from two hundred Greek, Roman, medieval, and Trecento authors. Throughout the Genealogy, Boccaccio deploys an array of allegorical, historical, and philological critiques of the ancient myths and their iconography.

Much more than a mere compilation of pagan myths, the Genealogy incorporates hundreds of excerpts from and comments on ancient poetry, illustrative of the new spirit of philological and cultural inquiry emerging in the early Renaissance. It is at once the most ambitious work of literary scholarship of the early Renaissance and a demonstration to contemporaries of the moral and cultural value of studying ancient poetry. This is the first volume of a projected three-volume set of Boccaccio’s complete Genealogy.

Genealogy of the Pagan Gods by Giovanni Boccaccio (1313–1375) is an ambitious work of humanistic scholarship whose goal is to plunder ancient and medieval literary sources so as to create a massive synthesis of Greek and Roman mythology. The work also contains a famous defense of the value of studying ancient pagan poetry in a Christian world.

The complete work in fifteen books contains a meticulously organized genealogical tree identifying approximately 950 Greco-Roman mythological figures. The scope is enormous: 723 chapters include over a thousand citations from 200 Greek, Roman, medieval, and Trecento authors. Throughout the Genealogy, Boccaccio deploys an array of allegorical, historical, and philological critiques of the ancient myths and their iconography.

Much more than a mere compilation of pagan myths, the Genealogy incorporates hundreds of excerpts from and comments on ancient poetry, illustrative of the new spirit of philological and cultural inquiry emerging in the early Renaissance. It is at once the most ambitious work of literary scholarship of the early Renaissance and a demonstration to contemporaries of the moral and cultural value of studying ancient poetry.