front cover of Botticelli Blue Skies
Botticelli Blue Skies
An American in Florence
Merrill Joan Gerber
University of Wisconsin Press, 2002

When writer Merrill Joan Gerber is invited to join her husband, a history professor, as he takes a class of American college students to study in Florence, Italy, she feels terrified at the idea of leaving her comforts, her friends, and her aged mother in California. Her husband tries to assure her that her fear of Italy—and her lack of knowledge of the Italian language—will be offset by the discoveries of travel. "I can’t tell you exactly what will happen, but something will. And it will all be new and interesting." Botticelli Blue Skies is the tale of a woman who readily admits to fear of travel, a fear that many experience but are embarrassed to admit. When finally she plunges into the new adventure, she describes her experiences in Florence with wit, humor, and energy.
Instead of sticking to the conventional tourist path, Gerber follows her instincts. She makes discoveries without tour guides droning in her ear and reclaims the travel experience as her own, taking time to shop in a thrift shop, eat in a Chinese restaurant that serves "Dragon chips," make friends with her landlady who turns out to be a Countess, and visit the class of a professor at the university. She discovers a Florence that is not all museums and wine. With newfound patience and growing confidence, Gerber makes her way around Florence, Venice, and  Rome. She visits famous places and discovers obscure ones—in the end embracing all that is Italian. Botticelli Blue Skies (accompanied by the author’s own photographs) is an honest, lyrical, touching account of the sometimes exhausting, often threatening, but always enriching physical and emotional challenge that is travel.

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front cover of Glimmering Girls
Glimmering Girls
A Novel of the Fifties
Merrill Joan Gerber
University of Wisconsin Press, 2005
Glimmering Girls tells the story of three extraordinary American women during a time of sexual and cultural repression. Francie and her friends Liz and Amanda are college students, coming of age intellectually, emotionally, and physically in a setting where men were forbidden entry to women's dorm rooms, and women were locked into those rooms after curfew. College life for women was governed by one simple, cardinal rule: Marry Before Graduation or Be Lost Forever. Any thirst for adventure was supposed to be satisfied by the occasional panty raid. Francie and friends, however, find all this hard to swallow, and they resist their appointed futures as elementary school teachers and holders of the precious "MRS" degree. Doing the unthinkable, the three move off campus to live in a house with three men-Liz's boyfriend and two handsome, mysterious Southern twins who fix foreign cars in a shop off campus. There the young women's rebellion against expectations deepens, and they begin the real-world education of pursuing their dreams. Francie yearns to be a writer, and is encouraged by her Russian literature professor. Then she meets Joshua, a talented and dedicated piano student, who presents the ultimate challenge: does she maintain her "virtue," or give in to her sexual desires, finally breaking fully free of repressive "respectability"? Glimmering Girls follows Francie, Liz, and Amanda through this and other discoveries and adventures. Ultimately, each finds a way to live fully at a time when their entire culture seemed arrayed against them.
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front cover of Gut Feelings
Gut Feelings
A Writer'S Truths And Minute Inventions
Merrill Joan Gerber
University of Wisconsin Press, 2003
In these highly personal essays and powerful tales that verge on memoir, Merrill Joan Gerber opens to us her life and work as a writer. She is candid and unflinching in revealing the truths and inventions of a writer’s vision and the use of life as the raw material of art. Her personal essays range widely, from the mysteries of love and marriage to painful encounters with suicides and family deaths.

Gerber writes of her apprenticeships with celebrated writing teachers Andrew Lytle and Wallace Stegner and recounts her ghostly (and ghastly) experiences during a month at Yaddo, the famous retreat for artists. Gerber includes three pieces in the book—originally published as stories—but which blur the line between fiction and memoir, demonstrating Gerber’s contention that the deepest secrets in life beget the most passionate fictions.
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