A SCHOLARLY BOOK REPOSITORY
The first book-length biography of an influential country/soul legend whose songs have been recorded by the Beatles, the Rolling Stones, and Bob Dylan.
Get a Shot of Rhythm and Blues chronicles the rise, fall, and rebirth of Arthur Alexander, an African American singer-songwriter whose music influenced many of the rock and soul musicians of the 1960s. Although his name is not well known today, Alexander's musical legacy is vast. His 1962 song "You Better Move On" was the first hit to emerge from the fledgling Muscle Shoals FAME studio in Alabama, and his fusion of country and soul and his heartfelt vocals on such songs as "Anna (Go to Him)" and "Every Day I Have to Cry" were revered by musicians including the Beatles, the Rolling Stones, and Bob Dylan, all of whom recorded his songs.
Alexander's story is a tragic one, with a brief, redemptive finale. His meteoric rise after the release of "You Better Move On" gave way to lean years caused both by his drug and alcohol abuse and by the mishandling of his career by producers and managers. In 1977, he quit the music business, but his music lived on. In 1992, Alexander returned to
the studio and recorded the critically praised album Lonely Just Like Me. Just three months after the album's release in March 1993, he suffered a heart attack in the offices of his music publisher in Nashville and died three days later.
In telling Alexander's story, Richard Younger captures the burgeoning music scenes in Muscle Shoals and Nashville during the 1960s and 1970s and recovers the life of a fascinating musician whose influence was international. Younger's account is enriched by his interviews with more than 200 artists, family members, and friends--such as Rick Hall, Billy Sherrill, Charlie McCoy, Chuck Jackson, Gerry Marsden, and Kris Kristofferson--and includes an abundance of never-before-seen photographs.
In 2013, NBA point guard Steph Curry wowed crowds when he sunk 11 out of 13 three-pointers for a game total of 54 points—only seven other players, including Michael Jordan and Kobe Bryant, had scored more in a game at Madison Square Garden. Four years later, the University of Connecticut women’s basketball team won its hundredth straight game, defeating South Carolina 66–55. And in 2010, one forecaster—an octopus named Paul—correctly predicted the outcome of all of Germany’s matches in the FIFA World Cup. These are surprising events—but are they truly improbable?
In Get in the Game, mathematician and sports analytics expert Tim Chartier helps us answer that question—condensing complex mathematics down to coin tosses and dice throws to give readers both an introduction to statistics and a new way to enjoy sporting events. With these accessible tools, Chartier leads us through modeling experiments that develop our intuitive sense of the improbable. For example, to see how likely you are to beat Curry’s three-pointer feat, consider his 45.3 percent three-point shooting average in 2012–13. Take a coin and assume heads is making the shot (slightly better than Curry at a fifty percent chance). Can you imagine getting heads eleven out of thirteen times? With engaging exercises and fun, comic book–style illustrations by Ansley Earle, Chartier’s book encourages all readers—including those who have never encountered formal statistics or data simulations, or even heard of sports analytics, but who enjoy watching sports—to get in the game.
Find out in Get the Picture, a personal history of fifty years of photojournalism by one of the top journalists of the twentieth century. John G. Morris brought us many of the images that defined our era, from photos of the London air raids and the D-Day landing during World War II to the assassination of Robert Kennedy. He tells us the inside stories behind dozens of famous pictures like these, which are reproduced in this book, and provides intimate and revealing portraits of the men and women who shot them, including Robert Capa, Henri Cartier-Bresson, and W. Eugene Smith. A firm believer in the power of images to educate and persuade, Morris nevertheless warns of the tremendous threats posed to photojournalists today by increasingly chaotic wars and the growing commercialism in publishing, the siren song of money that leads editors to seek pictures that sell copies rather than those that can change the way we see the world.
READERS
Browse our collection.
PUBLISHERS
See BiblioVault's publisher services.
STUDENT SERVICES
Files for college accessibility offices.
RECENTLY PUBLISHED
UChicago Accessibility Resources
home | accessibility | search | about | contact us
BiblioVault ® 2001 - 2024
The University of Chicago Press