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The Last of the Rephaim
Conquest and Cataclysm in the Heroic Ages of Ancient Israel
Brian R. Doak
Harvard University Press
The figure of the giant has haunted the literatures of the ancient Mediterranean world, from the Greek Gigantomachy and other Aegean epic literatures to the biblical contexts of the ancient Near East. In The Last of the Rephaim, Brian Doak argues that the giants of the Hebrew Bible are a politically, theologically, and historiographically generative group, and through their oversized bodies, readers gain insight into central aspects of Israel’s symbolic universe. All that is overgrown or physically monstrous represents a connection to primeval chaos, and stands as a barrier to creation and right rule. Giants thus represent chaos-fear, and their eradication is a form of chaos maintenance by both human and divine agents. Doak argues that these biblical traditions participate in a broader Mediterranean conversation regarding giants and the end of the heroic age—a conversation that inevitably draws the biblical corpus into a discussion of the function of myth and epic in the ancient world, with profound implications for the politics of monotheism and monarchy in ancient Israel.
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front cover of Of Giants
Of Giants
Sex, Monsters, And The Middle Ages
Jeffrey Jerome Cohen
University of Minnesota Press, 1999

Considers what monsters tell us about identity in the medieval period.

A monster lurks at the heart of medieval identity, and this book seeks him out. Reading a set of medieval texts in which giants and dismemberment figure prominently, Jeffrey Jerome Cohen brings a critical psychoanalytic perspective to bear on the question of identity formation-particularly masculine identity-in narrative representation. The giant emerges here as an intimate stranger, a monster who stands at the limits of selfhood.

Arguing that in the romance tradition of late fourteenth-century England, identity is inscribed on sexed bodies only through the agency of a monster, Cohen looks at the giant as the masculine body writ large. In the giant he sees an uncanny figure, absolutely other and curiously familiar, that serves to define the boundaries of masculine embodiment. Philosophically compelling, the book is also a philologically rigorous inquiry into the phenomenon of giants and giant-slaying in various texts from the Anglo-Saxon period to late Middle English, including Beowulf, Chrétien de Troyes’s The Knight and the Lion, Geoffrey of Monmouth’s History of the Kings of Britain, several works by Chaucer, Sir Gowther, Sir Gawain and the Green Knight, and more.A significant contribution to our understanding of medieval culture, Of Giants also provides surprising insights into questions about the psychosocial work of representation in its key location for the individual: the construction of gender and the social formation of the boundaries of gender identification. It will engage students of the Middle Ages as well as those interested in discourses of the body, social identity, and the grotesque. ISBN 0-8166-3216-2 Cloth £00.00 $47.95xxISBN 0-8166-3217-0 Paper £00.00 $18.95x240 Pages 5 black-and-white photos 5 7/8 x 9 MayMedieval Cultures Series, volume 17Translation inquiries: University of Minnesota Press
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