front cover of Fashioning America
Fashioning America
Grit to Glamour
Michelle Tolini Finamore
University of Arkansas Press, 2022
The companion volume to Crystal Bridges Museum of American Art’s first fashion exhibition, Fashioning America: Grit to Glamour celebrates the history of American attire, from the cowboy boot to the zoot suit. From dresses worn by First Ladies to art-inspired garments to iconic moments in fashion that defined a generation, Fashioning America showcases uniquely American expressions of innovation, spotlighting stories of designers and wearers that center on opportunity and self-invention, and amplifying the voices of those who are often left out of dominant fashion narratives.

With nearly one hundred illustrations of garments and accessories that span two centuries of design, Fashioning America celebrates the achievements of a wide array of makers—especially immigrants, Native Americans, and Black Americans. Incorporating essays by fashion historians, curators, and journalists, this volume takes a fresh look at the country’s fashion history while exploring its close relationship with Hollywood and media in general, illuminating the role that American designers have played in shaping global visual culture and demonstrating why American fashion has long resonated around the world.
 
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front cover of Glamour in a Golden Age
Glamour in a Golden Age
Movie Stars of the 1930s
McLean, Adrienne L
Rutgers University Press, 2010
Shirley Temple, Clark Gable, Errol Flynn and Olivia de Havilland, Fred Astaire and Ginger Rogers, Bette Davis, Joan Crawford and Norma Shearer, Marlene Dietrich and Greta Garbo, William Powell and Myrna Loy, Jean Harlow, and Gary Cooper-Glamour in a Golden Age presents original essays from eminent film scholars that analyze movie stars of the 1930s against the background of contemporary American cultural history.

Stardom is approached as an effect of, and influence on, the particular historical and industrial contexts that enabled these actors and actresses to be discovered, featured in films, publicized, and to become recognized and admired-sometimes even notorious-parts of the cultural landscape. Using archival and popular material, including fan and mass market magazines, other promotional and publicity material, and of course films themselves, contributors also discuss other artists who were incredibly popular at the time, among them Ann Harding, Ruth Chatterton, Nancy Carroll, Kay Francis, and Constance Bennett.
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front cover of New York Sports
New York Sports
Glamour and Grit in the Empire City
Stephen Norwood
University of Arkansas Press, 2018

New York has long been both America’s leading cultural center and its sports capital, with far more championship teams, intracity World Series, and major prizefights than any other city. Pro football’s “Greatest Game Ever Played” took place in New York, along with what was arguably history’s most significant boxing match, the 1938 title bout between Joe Louis and Max Schmeling. As the nation’s most crowded city, basketball proved to be an ideal sport, and for many years it was the site of the country’s most prestigious college basketball tournament. New York boasts storied stadiums, arenas, and gymnasiums and is the home of one of the world’s two leading marathons as well as the Belmont Stakes, the third event in horse racing’s Triple Crown.

New York sportswriters also wield national influence and have done much to connect sports to larger social and cultural issues, and the vitality and distinctiveness of New York’s street games, its ethnic institutions, and its sports-centered restaurants and drinking establishments all contribute to the city’s uniqueness.

New York Sports collects the work of fourteen leading sport historians, providing new insight into the social and cultural history of America’s major metropolis and of the United States. These writers address the topics of changing conceptions of manhood and violence, leisure and social class, urban night life and entertainment, women and athletics, ethnicity and assimilation, and more.
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front cover of The Politics of Glamour
The Politics of Glamour
Ideology and Democracy in the Screen Actors Guild
David F. Prindle
University of Wisconsin Press, 1988

Rarely are the off-screen lives of actors examined for evidence of deep thinking or good citizenship. Still more rarely do the internal workings of labor unions attract public scrutiny. Nevertheless, as David Prindle shows in his examination of democracy in the Screen Actors Guild, this actors’ union has for over 50 years been an arena for idealistic, yet intense and hardboiled political maneuvering.
    In The Politics of Glamour, readers become aware of the seriousness and political commitment displayed by people whom the general public has generally admired more for their artistic skills. After reading this account of politics among America’s screen royalty, no one could wonder about where Ronald Reagan, a former SAG president, received his political training.
    Besides analyzing the politics of SAG, however, the author follows a good story wherever it leads. The reader can expect to learn something about the political economy of Hollywood and the American labor movement, the value of celebrity within the acting community, the impact of technological change, and even a bit of gossip.

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