This fascinating volume explores an important fifteenth-century illustrated manuscript tradition that provides a revealing glimpse of how western Europeans conceptualized the world.

From the classical encyclopedias of Pliny to famous tales such as The Travels of Marco Polo, historical travel writing has had a lasting impact, despite the fact that it was based on a curious mixture of truth, legend, and outright superstition. One foundational medieval source that expands on the ancient idea of the “wonders of the world” is the fifteenth-century French Book of the Marvels of the World, an illustrated guide to the globe filled with oddities, curiosities, and wonders—tales of fantasy and reality intended for the medieval armchair traveler. The fifty-six locales featured in the manuscript are presented in a manner that suggests authority and objectivity but are rife with stereotypes and mischaracterizations, meant to simultaneously instill a sense of wonder and fear in readers.

In The Book of Marvels, the authors explore the tradition of encyclopedias and travel writing, examining the various sources for geographic knowledge in the Middle Ages. They look closely at the manuscript copies of the French text and its complex images, delving into their origins, style, content, and meaning. Ultimately, this volume seeks to unpack how medieval white Christian Europeans saw their world and how the fear of difference—so pervasive in society today—is part of a long tradition stretching back millennia.

This volume is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from June 11 to September 1, 2024, and at the Morgan Library & Museum from January 24 to May 25, 2025.

Where do you draw the line? In the context of geopolitics, much hinges on the answer to that question. For thousands of years, it has been the work of diplomats to draw the lines in ways that were most advantageous to their leaders, fellow citizens, and sometimes themselves. Carving Up the Globe offers vivid documentation of their handiwork. With hundreds of full-color maps and other images, this atlas illustrates treaties that have determined the political fates of millions. In rich detail, it chronicles everything from ancient Egyptian and Hittite accords to the first Sino-Tibetan peace in 783 CE, the Sykes-Picot Agreement of 1916, and the 2014 Minsk Protocol looming over the war in Ukraine.

But there is more here than shifting territorial frontiers. Throughout history, diplomats have also drawn boundaries around valuable resources and used treaties to empower, liberate, and constrain. Carving Up the Globe encompasses these agreements, too, across land, sea, and air. Missile and nuclear pacts, environmental treaties, chemical weapons conventions, and economic deals are all carefully rendered.

Led by Malise Ruthven, a team of experts provides lively historical commentary, which—together with finely crafted visuals—conjures the ceaseless ambition of princes and politicians. Whether they sought the glory and riches of empire or pursued hegemony, security, stability, and GDP within the modern international system, their efforts culminated in lines on a map—and the enormous real-life consequences those lines represent and enforce.

How do squatting settlements in Kyrgyzstan and Kazakhstan differ from right-wing squatting in Germany? What commonalities does squatting activism in Brazil and Spain share with squatting in post-World War II UK and Australia? In Comparative Approaches to Informal Housing Around the Globe historians, anthropologists, political scientists, sociologists, urban planners, and political activists come together to break new ground in exploring the globalization of knowledge about informal housing. Coming from a diverse collection of perspectives and places, they compare informal settlements, unauthorized occupation of flats, illegal housing construction, and political squatting all around the world.
 
The contributors to Comparative Approaches to Informal Housing Around the Globe engage with a sweeping variety of topics and contribute specialist knowledge from Africa, Asia, Australia, the Middle East, North and South America, and Eastern and Western Europe. Bringing together such a wide range of authors and subjects demonstrates the power of comparative research to open new perspectives.
 

From the 1830s to the 1900s, a circuit of lecture halls known as the “lyceum movement” flourished across the United States. At its peak, up to a million people a week regularly attended talks in local venues, captivated by the words of visiting orators who spoke on an extensive range of topics. The movement was a major intellectual and cultural force of this nation-building period, forming the creative environment of writers and public figures such as Frederic Douglass, Ralph Waldo Emerson, Anna Dickinson, and Mark Twain. 

The phenomenon of the lyceum has commonly been characterized as inward looking and nationalistic. Yet as this collection of essays reveals, nineteenth-century audiences were fascinated by information from around the globe, and lecturers frequently spoke to their fellow Americans of their connection to the world beyond the nation and helped them understand “exotic” ways of life. Never simple in its engagement with cosmopolitan ideas, the lyceum provided a powerful public encounter with international currents and crosscurrents, foreshadowing the problems and paradoxes that continue to resonate in our globalized world.

This book offers a major reassessment of this important cultural phenomenon, bringing together diverse scholars from history, rhetoric, and literary studies. The twelve essays use a range of approaches, cover a wide chronological timespan, and discuss a variety of performers both famous and obscure. In addition to the volume editor, contributors include Robert Arbour, Thomas Augst, Susan Branson, Virginia Garnett, Peter Gibian, Sara Lampert, Angela Ray, Evan Roberts, Paul Stob, Mary Zboray, and Ronald Zboray.

This book focuses on regulatory challenges of creating and sustaining freedom of speech and freedom of information two decades after the fall of the Berlin wall, in global, comparative context. Some chapters overview, others address specific issues, or describe country case studies. Instead of trying to provide an exhaustive assessment which in one volume might not reach deeper analyzes of contextual details, this book will shed light on and help better understanding of general challenges for freedom of speech and information through varying comparative examples and highlighting important regulatory questions.

At the end of the nineteenth century, several countries were developing journalistic traditions similar to what we identify today as literary reportage or literary journalism. Yet throughout most of the twentieth century, in particular after World War I, that tradition was overshadowed and even marginalized by the general perception among democratic states that journalism ought to be either “objective,” as in the American tradition, or “polemical,” as in the European. Nonetheless, literary journalism would survive and, at times, even thrive. How and why is a story that is unique to each nation.

Though largely considered an Anglo-American phenomenon today, literary journalism has had a long and complex international history, one built on a combination of traditions and influences that are sometimes quite specific to a nation and at other times come from the blending of cultures across borders. These essays examine this phenomenon from various international perspectives, documenting literary journalism's rich and diverse heritage and describing its development within a global context. 

In addition to the editors, contributors include David Abrahamson, Peiqin Chen, Clazina Dingemanse, William Dow, Rutger de Graaf, John Hartsock, Nikki Hessell, Maria Lassila-Merisalo, Edvaldo Pereira Lima, Willa McDonald, Jenny McKay, Sonja Merljak Zdovc, Sonia Parratt, Norman Sims, Isabel Soares,and Soenke Zehle.

Singers generating cultural identity from K-Pop to Beverly Sills

Around the world and across time, singers and their songs stand at the crossroads of differing politics and perspectives. Levi S. Gibbs edits a collection built around the idea of listening as a political act that produces meaning. Contributors explore a wide range of issues by examining artists like Romani icon Esma Redžepova, Indian legend Lata Mangeshkar, and pop superstar Teresa Teng. Topics include gendered performances and the negotiation of race and class identities; the class-related contradictions exposed by the divide between highbrow and pop culture; links between narratives of overcoming struggle and the distinction between privileged and marginalized identities; singers’ ability to adapt to shifting notions of history, borders, gender, and memory in order to connect with listeners; how the meanings we read into a singer’s life and art build on one another; and technology’s ability to challenge our ideas about what constitutes music.

Cutting-edge and original, Social Voices reveals how singers and their songs equip us to process social change and divergent opinions.

Contributors: Christina D. Abreu, Michael K. Bourdaghs, Kwame Dawes, Nancy Guy, Ruth Hellier, John Lie, Treva B. Lindsey, Eric Lott, Katherine Meizel, Carol A. Muller, Natalie Sarrazin, Anthony Seeger, Carol Silverman, Andrew Simon, Jeff Todd Titon, and Elijah Wald

Higher education has long been contested terrain. From student movements to staff unions, the fight for accessible, critical and quality public education has turned university campuses globally into sites of struggle.

Whether calling for the decommodification or the decolonization of education, many of these struggles have attempted to draw on (and in turn, resonate with) longer histories of popular resistance, broader social movements and radical visions of a fairer world. In this critical collection, Aziz Choudry, Salim Vally and a host of international contributors bring grounded, analytical accounts of diverse struggles relating to higher education into conversation with each other.

Featuring contributions written by students and staff members on the frontline of struggles from 12 different countries, including Canada, Chile, France, India, Mexico, Nigeria, Occupied Palestine, the Philippines, South Africa, Turkey, the UK and the USA, the book asks what can be learned from these movements' strategies, demands and visions.

In today’s death-denying, success-driven society, older women’s countercultural voices call for our attention. Recounting emotionally charged conversations from across the world, A View from Life’s Edge reflects on women’s comfort with impending death, gratitude forged by catastrophe, and humility that makes way for wonder.
 
Speaking with nearly one hundred women over the age of eighty in four locations—northern Iceland, south India, a retirement community in California, and a convent in upstate New York—Corinne G. Dempsey finds that, as we near life’s end, we gain clarity about what really matters in life. Women’s stories and reflections, in which sorrow and loss are central to a life well lived, help to expand our sense of what it means to be human.
 
Drawing on the paradoxical wisdom of world religions and mystical traditions to frame late-life tendencies across cultures, Dempsey portrays these accounts as a corrective to mainstream values that defeat and diminish us. Dempsey encourages us to turn away from ageist fears rather than denying life’s inevitable end. Learning from older women’s perspectives, we might move their edge-of-life views closer to the center.

In A Wide Net of Solidarity, Anne Garland Mahler traces the impact of the Anti-Imperialist League of the Americas (LADLA, Liga Antimperialista de las Américas) on racial justice and anti-extractive struggles from the early twentieth century to the present. Founded in 1925 in Mexico City by a group of multinational activists, LADLA brought together trade unions, agrarian organizations, and artist groups across fourteen chapters in the Americas, with highest activity in the Greater Caribbean and United States. Within two years, LADLA activists joined the League Against Imperialism, formed at the 1927 Brussels Congress, where they met with US Black activists and anticolonial leaders from Africa and Asia. Drawing on extensive archival research, Mahler uncovers LADLA’s role in fostering Black, Indigenous, and immigrant-led resistance movements while positioning these struggles within a broader hemispheric and global struggle against the racialized accumulation of capital. By unearthing LADLA’s multiracial analysis of capitalist exploitation as well as its emphasis on mutual solidarity across difference, Mahler shows us how the organization provides vital insight for social movements fighting racial and economic injustice today.