front cover of The Earth Remains Forever
The Earth Remains Forever
Generations at a Crossroads
By Rob Jackson
University of Texas Press, 2002

Writing especially for people who've tuned out the environmental debate, Rob Jackson persuasively argues that we're at a crucial turning point in environmental history, where choices we make now will determine the quality of life into the unforeseeable future. Laying out the scientific facts in plain language and with flashes of humor, he shows how the escalation of population growth and resource consumption in the twentieth century caused problems from ozone depletion to global warming, habitat destruction, and biodiversity loss. At the same time, however, he highlights ongoing solutions to these problems and ways in which we can create a sustainable future for subsequent generations and all life on earth. His urgent message is not that we've already failed, but that we can succeed.

[more]

front cover of From a Limestone Ledge
From a Limestone Ledge
Some Essays and Other Ruminations about Country Life in Texas
By John Graves
Foreword by Bill Wittliff
Illustrations by Glenn Wolff
University of Texas Press, 2016

“Another fine, reflective, anecdotal look at rural Texas.” —New Yorker

“Graves writes eloquently about a countryman’s concerns. There's not a false note in the book.” —Boston Globe

“Like the unmortared stone fences of Graves’s native hill country, From a Limestone Ledge is constructed of bits and pieces never designed to fit together, yet made to achieve a unity that is more enduring than the sum of its individual parts by the hands of a master craftsman.” —Southwestern Historical Quarterly

“The beauty of his work endures, and there is a greater pride in Texans’ hearts for their home, I think, than there would be if he hadn’t written the books he did.” —Rick Bass, Garden & Gun

“In describing the particulars of his surroundings, Graves often was describing the world in microcosm and the place and plight of humankind in it.” —Bryan Woolley, Dallas Morning News

[more]

front cover of Hard Scrabble
Hard Scrabble
Observations on a Patch of Land
By John Graves
Introduction by Rick Bass
University of Texas Press, 2016

“A kind of homemade book—imperfect like a handmade thing, a prize. It’s a galloping, spontaneous book, on occasion within whooping distance of that greatest and sweetest of country books, Ivan Turgenev’s A Sportsman’s Notebook.” —Edward Hoagland, New York Times Book Review

“His subjects are trees and brush, hired help, fences, soil, armadillos and other wildlife, flood and drought, local history, sheep and goats . . . and they come to us reshaped and reenlivened by his agreeably individual (and sometimes cranky) notions.” —New Yorker

“If Goodbye to a River was in some sense Graves’s Odyssey, this book is his [version of Hesiod’s] Works and Days. It is partly a book about work, partly a book about nature, but mostly a book about belonging. In the end John Graves has learned to belong to his patch of land so thoroughly that at moments he can sense in himself a unity with medieval peasants and Sumerian farmers, working with their fields by the Tigris.” —Larry McMurtry, Washington Post Book World

Hard Scrabble is hard pastoral of the kind we have learned to recognize in Wordsworth, Frost, Hemingway, and Faulkner. It celebrates life in accommodation with a piece of the ‘given’ creation, a recalcitrant four hundred or so acres of Texas cedar brake, old field, and creek bottom, which will require of any genuine resident all the character he can muster.” —Southwest Review

[more]

front cover of A John Graves Reader
A John Graves Reader
By John Graves
University of Texas Press, 1996

Since the publication of his haunting, elegiac Goodbye to a River in 1960, John Graves has become one of Texas' most beloved writers, whose circle of loyal readers extends far beyond the borders of his home state. A "regional" writer only by virtue of his gift for vividly evoking the spirit of the land and its people, Mr. Graves is also admired for the unerring craftsmanship of his prose.

Now the University of Texas Press takes great pleasure in publishing A John Graves Reader to introduce his writing to a new generation of readers. This anthology contains selections from Goodbye to a River and his two other major books, Hard Scrabble (1974) and From a Limestone Ledge (1980). It also includes short stories and essays, some of which have never been published before and others that Mr. Graves has reworked especially for this book.

All of the pieces in this anthology were chosen by Mr. Graves himself to be, in his words, "representative of my writing, for better or worse." They reflect various stages of his life and writing career—youth in Texas, World War II, sojourns in New York, Mexico, and Europe during the 1940s and 1950s, and his final return to Texas as home and as subject matter—as well as recurring themes in his writing, from the land and the people to fishing, traveling, and the enduring friendships that have enriched his life.

For those who have never read John Graves, this anthology will be the perfect introduction to the range and excellence of his work. At the same time, those who have read him faithfully for many years will find new pieces to enjoy, as well as old favorites to savor once again.

[more]

front cover of John Graves, Writer
John Graves, Writer
Edited by Mark Busby and Terrell Dixon
University of Texas Press, 2007

Runner-up, Violet Crown Award, Writer's League of Texas, 2008

Renowned for Goodbye to a River, his now-classic meditation on the natural and human history of Texas, as well as for his masterful ability as a prose stylist, John Graves has become the dean of Texas letters for a legion of admiring readers and fellow writers. Yet apart from his own largely autobiographical works, including Hard Scrabble, From a Limestone Ledge, and Myself and Strangers, surprisingly little has been written about Graves's life or his work. John Graves, Writer seeks to fill that gap with interviews, appreciations, and critical essays that offer many new insights into the man himself, as well as the themes and concerns that animate his writing.

The volume opens with the transcript of a revealing, often humorous symposium session in which Graves responds to comments and stories from his old friend Sam Hynes, his former student and contemporary art critic Dave Hickey, and co-editor Mark Busby. Following this is a more formal interview of Graves by Dave Hamrick, who draws the author out on issues relating to each of his major works. John Graves's friends Bill Wittliff, Rick Bass, Bill Broyles, John R. Erickson, Bill Harvey, and James Ward Lee speak to the powerful influence that Graves has had on fellow writers.

In addition to these personal observations, nine scholars analyze essential aspects of Graves's work. These include the place of Goodbye to a River within environmental literature and how its writing was a rite of passage for its author; Graves as a prose stylist and a literary, rather than polemical, writer; the ways in which Graves's major works present different aspects of a single narrative about our relationship to the land; the question of gender in Graves's work; and Graves's sometimes contentious relationship with Texas Monthly magazine. Mark Busby introduces the volume with a critical overview of Graves's life and work, and Don Graham concludes it with a discussion of Graves's reception and literary reputation. A bibliography of works by and about Graves rounds out the book.

John Graves, Writer confirms Graves's stature not only within Texas letters, but also within American environmental writing, where Graves deserves to be more widely known.

[more]

front cover of Myself and Strangers
Myself and Strangers
A Memoir of Apprenticeship
By John Graves
University of Texas Press, 2005

In Myself and Strangers, John Graves, the highly regarded author of Goodbye to a River and other classic works, recalls the decade-long apprenticeship in which he found his voice as a writer. He recounts his wanderings from Texas to Mexico, New York, and Spain, where, like Hemingway, he hoped to find the material with which to write books that mattered. With characteristic honesty, Graves admits the false starts and dead ends that dogged much of his writing, along with the exhilaration he felt when the words finally flowed. He frankly describes both the pleasures and the restlessness of expatriate life in Europe after World War II—as well as his surprising discovery, when family obligations eventually called him home to Texas, that the years away had prepared him to embrace his native land as the fit subject matter for his writing. For anyone seeking the springs that fed John Graves' best-loved books, this memoir of apprenticeship will be genuinely rewarding.

[more]

front cover of The Other Texas Frontier
The Other Texas Frontier
By Harry Huntt Ransom; edited by Hazel H. Ransom; foreword by John Graves
University of Texas Press, 1984

“One is tempted to say that wherever there was a frontier in America there was a counterfrontier and that the main purpose of this counterfrontier was not only to help man grow or dig or catch or kill his livng but also to put this man in communication with the traditions of his kind and thereby secure to his descendants the benefits of the free mind.” —Harry Huntt Ransom

The reflections of Harry Huntt Ransom (1908–1976) in The Other Texas Frontier present an alternative to the stereotypical picture of the brash, blustery heroes of the Texas frontier. Here, in six highly readable essays, Ransom posits a thesis of the counterfrontier: a quiet settling of the land by thoughtful, undramatic citizens who, he says, were the other Texans—the Texans without guns. Three of the essays are profiles of gifted men from Texas’ nineteenth century: Ashbel Smith, physician, diplomat, and first president of the Board of Regents of the University of Texas; Sherman Goodwin, physician, horticulturalist, bibliophile (and Ransom’s own grandfather); and Swante Palm, Swedish immigrant, bibliographer, and generous patron of the University of Texas libraries.

Harry Huntt Ransom, one of Texas’ most accomplished men of letters and for forty-one years an integral part of the University of Texas System as professor, dean, president, and chancellor, leaves an extraordinary legacy to Texas for both his educational and literary service. Though educated out of state, he returned to his native Texas after completion of his PhD at Yale to teach, research, and write in the fields of copyright law, literary history, and bibliography. As founder of the Humanities Research Center, he was squarely in the tradition of the men he was writing about.

Compiled and edited after Ransom’s death by his wife, Hazel H. Ransom, the literary sketches of The Other Texas Frontier form a book that Ransom himself had outlined but had not completed.

[more]

front cover of Town and Country
Town and Country
Race Relations in an Urban-Rural Context, Arkansas, 1865–1905
John Graves
University of Arkansas Press, 1990

A thoroughly researched and extensively documented look at race relations in Arkansas druing the forty years after the Civil War, Town and Country focuses on the gradual adjustment of black and white Arkansans to the new status of the freedman, in both society and law, after generations of practicing the racial etiquette of slavery.

John Graves examines the influences of the established agrarian culture on the developing racial practices of the urban centers, where many blacks living in the towns were able to gain prominence as doctors, lawyers, successful entrepreneurs, and political leaders. Despite the tension, conflict, and disputes within and between the voice of the government and the voice of the people in an arduous journey toward compromise, Arkansas was one of the most progressive states during Reconstruction in desegregating its people.

Town and Country makes a significant contribution to the history of the postwar South and its complex engagement with the race issue.

[more]


Send via email Share on Facebook Share on Twitter