With its rich variety of major and minor characters, speaking the language and reflecting the mores of the frontier, Border Beagles emerged upon the American literary scene in 1840 with a freshness and a vitality that mark the best of the realistic and humorous Southern tradition.

The first of William Gilmore Simms's Border Romance series, this is a vividly accurate and entertaining account of two very different societies in frontier Georgia during the height of the gold-rush era.

In this novelette, William Gilmore Simms records one of the awful realities of America's early frontier, that of women trapped in ill-fated marriages. Forced into a union with her lover, Helen Halsey is exploited and victimized in a domestic situation from which there is no release.Utilizing the compression of the short novel form, Simms weaves elaborate plot lines of violence, romance, and intrigue to create a fast-moving, action-packed tale of an America just beginning its search for identity, justice, and spiritual truth. Edgar Allan Poe said of Simms that "in invention, in vigor, in movement, in the power of exciting interest, and in the artistical arrangement of his themes," he surpassed "any of his countrymen."

With this collection of essays, the literary record of one of the first and most important men of letters from the South is finally reevaluated from the critical perspective time provides.

William Gilmore Simms (1806-1870) was a poet, critic, novelist, and correspondent whose accomplishment has long been overshadowed by the events of history. As a leading writer and advocate of the antebellum south, Simms suffered from the mercurial judgments of the established publishing and literary circles of the North. Since his death he has slipped into relative obscurity with the inability or unwillingness of most of his critics to separate Simms’s artistic achievements from what have been perceived as flaws in his character.

Together witht he collected letters of Simms—coedited by T.C. Duncan Eaves, to whose memory this book is dedicated—the essays included in Long Years of Neglect can now begin to rectify the damage done over time to the reputation of Simms and his writing, to supersede the options of the past with scholarly and critical appraisal of the work itself, and to offer fresh insight into William Gilmore Simms as a significant and intriguing figure in early American letters.

As editor Guilds speculates in his introduction, “It is conceivable that replacing myth with fact will become fashionable in Simms scholarship, and, even more important, that reading the works—instead of reading the reasons they should be avoided—will become standard practice for  Simms as it is for other authors of his stamp.” It was the aim of this book to initiate the realization of that goal.

William Gilmore Simms’s (1806–1870) body of work, a sweeping fictional portrait of the colonial and antebellum South in all its regional diversity, with its literary and intellectual issues, is probably more comprehensive than any other nineteenth-century southern author. Simms’s career began with a short novel, Martin Faber, published in 1833. This Gothic tale is reminiscent of James Hogg’s Confessions of a Sinner and was written four years before Edgar Allan Poe’s “William Wilson.” Narrated in the first person, it is considered a pioneering examination of criminal psychology. Martin seduces then murders Emily so that he might marry another woman, Constance. Martin confesses to his friend and is killed after attempting to stab Constance when she visits him in jail. The book was immediately successful and was well received by the northern media, thus starting Simms’s successful career as a writer, one that would rank him as the only major southern literary figure besides Poe before the Civil War. As with other volumes in the Arkansas Edition of Simms’s work, this volume includes a critical introduction by the editor and a Simms chronology, as well as appendices dealing with textual matters. This edition also includes Simms’s 1829 story, “Confessions of a Murderer,” which was the germ for his first book of fiction.

Originally published in 1838, Richard Hurdis portrays the "wild and savage" southwest frontier of the new Republic in the 1820s and 30s. When the narrator/protagonist Richard Hurdis daringly infiltrates the criminal network in an effort the stem the corruption and to avenge the brutal murder of his best friend, the scene is set for a powerful story. In Richard Hurdis, Simms the historian, the realist, and the novelist merge to create a memorable book.

One of the most important volumes of short fiction published before the Civil War. The Wigwam and the Cabin represents William Gilmore Simms at his very best. It is the work that led Poe to say of Simms, ". . . in invention, in vigor, in movement, in the power of exciting interest, and in the artistical management of his themes, he has surpassed, we think, any of his countrymen." Praised by critics on both sides of the Atlantic, The Wigwam and the Cabin focuses n the Southern frontier that Simms knew so well, a frontier whose vernacular, courage, humor, folklore, violence, injustice, and beauty are vividly brought to life through the strokes of his pen. "I have seen the life," Simms wrote, "—have lived it—and much of my material . . . is the planter, the squatter, the Indian, the negro—the bold and hardy pioneer, the vigorous yeomen—these are the subjects." Simms's portrayal of frontier life is the most realistic and graphic in all nineteenth-century American literature; and the Arkansas edition of The Wigwam and the Cabin, with Dr. Guilds's fine editing and informative introductin, brings back into print an invaluable contribution to the development of the short story in America.

Viewed from today's perspective, The Yemassee dramatically and unflinchingly bares the manipulation, exploitation, and eventual genocide of a proud indigenous nation that preferred extinction to the surrender of its land and the subjugation of its people.