front cover of Naked Lunch @ 50
Naked Lunch @ 50
Anniversary Essays
Edited by Oliver Harris and Ian MacFadyen
Southern Illinois University Press, 2009

Naked Lunch was banned, castigated, and recognized as a work of genius on its first publication in 1959, and fifty years later it has lost nothing of its power to astonish, shock, and inspire. A lacerating satire, an exorcism of demons, a grotesque cabinet of horrors, it is the Black Book of the Beat Generation, the forerunner of the psychedelic counterculture, and a progenitor of postmodernism and the digital age. A work of excoriating laughter, linguistic derangement, and transcendent beauty, it remains both influential and inimitable. 

This is the first book devoted in its entirety to William Burroughs’ masterpiece, bringing together an international array of scholars, artists, musicians, and academics from many fields to explore the origins, writing, reception, and complex meanings of Naked Lunch. Tracking the legendary book from Texas and Mexico to New York, Tangier, and Paris, Naked Lunch@50 significantly advances our understanding and appreciation of this most elusive and uncanny of texts.

           

Contributors:

Contributors:

Keith Albarn

Eric Andersen

Gail-Nina Anderson

Théophile Aries

Jed Birmingham

Shaun de Waal

Richard Doyle

Loren Glass

Oliver Harris

Kurt Hemmer

Allen Hibbard

Rob Holton

Andrew Hussey

Rob Johnson

Jean-Jacques Lebel

Ian MacFadyen

Polina Mackay

Jonas Mekas

Barry Miles

R. B. Morris

Timothy S. Murphy

Jurgen Ploog

Davis Schneiderman

Jennie Skerl

DJ Spooky

Philip Taaffe

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front cover of William Burroughs and the Secret of Fascination
William Burroughs and the Secret of Fascination
Oliver Harris
Southern Illinois University Press, 2006

Unraveling the mysteries of Naked Lunch, exploring the allure of fascination  

William Burroughs is both an object of widespread cultural fascination and one of America’s great writers. In this study, Oliver Harris elucidates the complex play of secrecy and revelation that defines the allure of fascination. Unraveling the mystifications of Burroughs the writer, Harris discovers what it means to be fascinated by a figure of major cultural influence and unearths a secret history behind the received story of one of America’s great original writers.

In William Burroughs and the Secret of Fascination, Harris examines the major works Burroughs produced in the 1950s—Junky, Queer, The Yage Letters, and Naked Lunch—to piece together an accurate, material record of his creative history during his germinal decade as a writer. Refuting the “junk paradigm” of addiction that has been used to categorize and characterize much of Burroughs’ oeuvre, Harris instead focuses on the significance of Burroughs’ letter writing and his remarkable and unsuspected use of the epistolary for his fiction. As Burroughs said to Allen Ginsberg about Naked Lunch, “the real novel is letters to you.” Drawing on rare access to manuscripts, the book suggests new ways of comprehending Burroughs’s unique politics and aesthetics and offers the first accurate account of the writing of Naked Lunch.

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