The writings are arranged chronologically, beginning with “Indiana Street,” a vivid autobiographical account of the artist’s early years in Kansas City, Missouri. Have I Reasons includes reflections on Morris’s own site-specific installations; transcripts of seminars he conducted in conjunction with exhibitions; and the textual element of The Birthday Boy, the two-screen video-and-sound piece he installed at the Galleria dell’Accademia in Florence, Italy, on the occasion of the five hundredth anniversary of Michelangelo’s David. Essays range from original interpretations of Cézanne’s Mont Sainte-Victoire paintings and Jasper Johns’ early work to engagements with one of Morris’s most significant interlocutors, the philosopher Donald Davidson. Have I Reasons conveys not only Morris’s enduring deep interest in philosophy and issues of resemblance and representation but also his more recent turn toward directly addressing contemporary social and political issues such as corporate excess and preemptive belligerence.
Father Paul M. Washington rose to local and nation prominence as an unflagging supporter of civil and women's rights. One of a handful of black priests in a traditionally white church, he fought for understanding among all people, eventually serving twenty-five years as the Rector of the Episcopal Church of the Advocate in an inner-city Philadelphia neighborhood. Though his ideas about equality often went against the views of the Episcopal church leadership, he rejected threats of withdrawn funding or retaliation to follow his heart and his theology.
Father Washington's story is a window of insight into the struggles for justice and dignity in the latter half of the twentieth century. In the tumultuous 1960s he supported the Black Power movement, the Black Panther Party, and many other groups working for peace and justice, providing meeting places and guidance. He often found himself in the midst of racial disturbances—the riots on Susquehanna Avenue in 1963 and on Columbia Avenue in 1964, in front of the Board of Education where high school students protested the Eurocentric curriculum, and outside the walls of Girard College where citizens and civic leaders demonstrated against the school's exclusion of black children. In the 1980s, he helped Philadelphia city officials negotiate with MOVE members and was a vocal supporter of Ramona Africa, fighting for her release from prison. It was in his church on the corner of 18th and Diamond Streets that women were first ordained a priests in the Episcopal church. And it was one of his congregation, Barbara Harris, who became the first female Episcopal bishop.
In his evocative voice, Father Washington describes the pivotal events of his life and how each impacted upon his evolving ideas of the relationship between religion and justice. Spanning seven decades, his account is at once an insightful and unique historical account of political action, of the reformation of the church, of the changing urban landscape, and of a life graced by leadership and spiritual enlightenment.
The story of the making of To Have and Have Not (1944) is an exciting and complex one, ranging from the widely reported romance between its stars, Humphrey Bogart and the unknown nineteen-year old Lauren Bacall, to one of the more subtle developments in the wartime alliance between the United States and the Batista regime in Cuba. Bruce F. Kawin's substantial and informed introduction reflects this excitement while explaining the complexities, helping all film scholars, students, and buffs to gain a fuller appreciation of one of Hollywood's most memoriable melodramas.
This is a story also of a collaboration amoung four important writers: Ernest Hemingway, Howard Hawks, Jules Furthman, and William Faulkner.
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