front cover of At Lincoln's Side
At Lincoln's Side
John Hay's Civil War Correspondence and Selected Writings
Edited by Michael Burlingame
Southern Illinois University Press, 2006

John Hay believed that “real history is told in private letters,” and the more than 220 surviving letters and telegrams from his Civil War days prove that to be true, showing Abraham Lincoln in action: “The Tycoon is in fine whack. I have rarely seen him more serene & busy. He is managing this war, the draft, foreign relations, and planning a reconstruction of the Union, all at once. I never knew with what tyrannous authority he rules the Cabinet, till now. The most important things he decides & there is no cavil.”

Along with Hay’s personal correspondence, Burlingame includes his surviving official letters. Though lacking the “literary brilliance of [Hay’s] personal letters,” Burlingame explains, “they help flesh out the historical record.” Burlingame also includes some of the letters Hay composed for Lincoln’s signature, including the celebrated letter of condolence to the Widow Bixby.

More than an inside glimpse of the Civil War White House, Hay’s surviving correspondence provides a window on the world of nineteenth-century Washington, D.C.

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front cover of Boundaries in China
Boundaries in China
John Hay
Reaktion Books, 1994
A crucial topic in the study of Chinese culture past or present is that of the "boundary". In this book the authors investigate the meaning of the boundary as metaphor and paradox, as threshold and interface across the whole spectrum of Chinese art and society. The essays range from early politics and society to contemporary public and private discourse; from the creation of a literary canon to the positioning of individuals in dynastic time; from the public spaces in today's Peking Opera to the intangible surfaces of self in 14th-century painting.

All the authors in this book are established Sinologists. Boundaries in China will be stimulating reading for anyone interested in the psycho-social dynamics of non-Western art and culture.

Includes essays by Robin D. S. Yates, Wu Hung, Pauline Yu, John Hay, Jonathan Hay, Dorothy Ko, Isabelle Duchesne, Rey Chow, Ann Anagnost.
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front cover of In Defense of Nature
In Defense of Nature
John Hay
University of Iowa Press, 1969
Frequently compared to Edward Abbey, Wendell Berry, and Gary Snyder, John Hay is one of this country’s greatest nature writers. Originally published in 1969, In Defense of Nature is an eloquent and prescient plea on behalf of the natural world. Devoid of sentimentality yet lyrical and deeply moving in its portrayals of our despoliation of nature, Hay’s classic work is now available to a new generation of readers.

Wendell Berry has called John Hay a “carrier of light and wisdom.” In Defense of Nature reveals why this is true. In it Hay has written an extended meditation on the environment and our place in it. Its lessons never more important, In Defense of Nature eerily presages the tenuous state of our environment and our place in it. As our technical abilities have moved forward, our judgment has not kept pace. “What we call natural resources cannot be limited to gas, oil, pulpwood, or uranium,we are starving the natural resources in ourselves. The soul needs to stretch; being needs to exercise.”
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front cover of Inside Lincoln's White House
Inside Lincoln's White House
The Complete Civil War Diary of John Hay
Edited by Michael Burlingame and John R. Turner Ettlinger
Southern Illinois University Press, 1999

On 18 April 1861, assistant presidential secretary John Hay recorded in his diary the report of several women that "some young Virginian long haired swaggering chivalrous of course. . . and half a dozen others including a daredevil guerrilla from Richmond named Ficklin would do a thing within forty eight hours that would ring through the world."

The women feared that the Virginian planned either to assassinate or to capture the president. Calling this a "harrowing communication," Hay continued his entry: "They went away and I went to the bedside of the Chief couché. I told him the yarn; he quietly grinned."

This is but one of the dramatic entries in Hay’s Civil War diary, presented here in a definitive edition by Michael Burlingame and John R. Turner Ettlinger. Justly deemed the most intimate record we will ever have of Abraham Lincoln in the White House, the Hay diary is, according to Burlingame and Ettlinger, "one of the richest deposits of high-grade ore for the smelters of Lincoln biographers and Civil War historians." While the Cabinet diaries of Salmon P. Chase, Edward Bates, and Gideon Welles also shed much light on Lincoln’s presidency, as does the diary of Senator Orville Hickman Browning, none of these diaries has the literary flair of Hay’s, which is, as Lincoln’s friend Horace White noted, as "breezy and sparkling as champagne." An aspiring poet, Hay recorded events in a scintillating style that the lawyer-politician diarists conspicuously lacked.

Burlingame and Ettlinger’s edition of the diary is the first to publish the complete text of all of Hay’s entries from 1861 through 1864. In 1939 Tyler Dennett published Lincoln and the Civil War in the Diaries and Letters of John Hay, which, as Civil War historian Allan Nevins observed, was "rather casually edited." This new edition is essential in part because Dennett omitted approximately 10 percent of Hay’s 1861–64 entries.

Not only did the Dennett edition omit important parts of the diaries, it also introduced some glaring errors. More than three decades ago, John R. Turner Ettlinger, then in charge of Special Collections at the Brown University Library, made a careful and literal transcript of the text of the diary, which involved deciphering Hay’s difficult and occasionally obscure writing. In particular, passages were restored that had been canceled, sometimes heavily, by the first editors for reasons of confidentiality and propriety. Ettlinger’s text forms the basis for the present edition, which also incorporates, with many additions and much updating by Burlingame, a body of notes providing a critical apparatus to the diary, identifying historical events and persons.

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front cover of Mind The Gap
Mind The Gap
The Education Of A Nature Writer
John Hay
University of Nevada Press, 2006
John Hay has been acclaimed as one of the most significant contemporary nature writers and environmentalists. In Mind the Gap, an autobiographic memoir and a passionate commentary on our place in the natural world, he retraces the paths that led to his career and explores the literary and environmental influences that shaped his interest in nature. Born into a respected old New York family, Hay grew up in upper-class Manhattan and rural New Hampshire, between the rigid proprieties of society and the delicious freedoms he discovered during his outdoor adventures. Travel, education, and his own sensitivity and curiosity helped to open the world to him. Shortly after World War II, he moved to a desolate, sandy lot on Cape Cod. Much of the book deals with his life in a small rural community on the Cape, addressing such subjects as the annual herring spawn, resident and migratory birds, local wildlife, his human neighbors, and the complex rhythms of life in this region of wind and sea. Hay’s closely observed descriptions of his surroundings support his insightful comments on nature and our relationship to it. He warns us that “in setting ourselves apart from the rest of living creatures, we fall victim to our own ice-bound conceit. It is only in sharing that we know anything at all.” Hay shares his knowledge generously, and as readers we are thereby enriched. Available in Hardcover and Paperback. 
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front cover of The Way to the Salt Marsh
The Way to the Salt Marsh
A John Hay Reader
John Hay
Brandeis University Press, 1998
"In common things are greater extensions of ourselves than we ever conceived of." "Life on earth springs from a collateral magic that we rarely consult," observes John Hay, naturalist, essayist, sage, and inveterate walker of byways. This collection from the 50-year long career of America's preeminent nature writer illustrates the full range of Hay's work. An elegant and lyrical stylist, he is, in Merrill's words, "the nature writer's writer, an illustrator of the Emersonian notion that 'the world is emblematic.'" And so Hay reveals the ubiquitous but often unnoticed emblems all around us. The mad, impossible rush of alewives flinging themselves upstream to mate, for example, represents "the drive to be, a common and terrible sending out, to which men are also bound in helplessness." In the migratory movements of the terns and the green turtles past his beloved Cape Cod Hay sees the mystery and magnificence of homing: "To know your direction and return through outer signs, is as new as it is ancient. We are still people of the planet, with all its original directions waiting in our being." Whether describing the rugosa or bayberry of a sand dune, the plight of stranded pilot whales, or a spider swinging on its gossamer, Hay encourages us to enlarge our inner universe by observing, appreciating, and preserving the outer one we so often ignore. As a result, he says, "we may find that we are being led onto traveled ways that were once invisible to us," and by recognizing our "deep alliance with natural forces we find a new depth in ourselves. This is the common ground for all living things."
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