front cover of Women Writing Jewish Modernity, 1919–1939
Women Writing Jewish Modernity, 1919–1939
Allison Schachter
Northwestern University Press, 2022
Finalist, 2023 National Jewish Book Award Winners in Women’s Studies

In Women Writing Jewish Modernity, 1919–1939, Allison Schachter rewrites Jewish literary modernity from the point of view of women. Focusing on works by interwar Hebrew and Yiddish writers, Schachter illuminates how women writers embraced the transgressive potential of prose fiction to challenge the patriarchal norms of Jewish textual authority and reconceptualize Jewish cultural belonging.
 
Born in the former Russian and Austro‑Hungarian Empires and writing from their homes in New York, Poland, and Mandatory Palestine, the authors central to this book—Fradl Shtok, Dvora Baron, Elisheva Bikhovsky, Leah Goldberg, and Debora Vogel—seized on the freedoms of social revolution to reimagine Jewish culture beyond the traditionally male world of Jewish letters. The societies they lived in devalued women’s labor and denied them support for their work. In response, their writing challenged the social hierarchies that excluded them as women and as Jews. As she reads these women, Schachter upends the idea that literary modernity was a conversation among men about women, with a few women writers listening in. Women writers revolutionized the very terms of Jewish fiction at a pivotal moment in Jewish history, transcending the boundaries of Jewish minority identities. Schachter tells their story and in so doing calls for a new way of thinking about Jewish cultural modernity.
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front cover of The Zionist Paradox
The Zionist Paradox
Hebrew Literature and Israeli Identity
Yigal Schwartz
Brandeis University Press, 2014
Many contemporary Israelis suffer from a strange condition. Despite the obvious successes of the Zionist enterprise and the State of Israel, tension persists, with a collective sense that something is wrong and should be better. This cognitive dissonance arises from the disjunction between “place” (defined as what Israel is really like) and “Place” (defined as the imaginary community comprised of history, myth, and dream). Through the lens of five major works in Hebrew by writers Abraham Mapu (1853), Theodor Herzl (1902), Yosef Luidor (1912), Moshe Shamir (1948), and Amos Oz (1963), Schwartz unearths the core of this paradox as it evolves over one hundred years, from the mid-nineteenth century to the 1960s.
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