front cover of Borgo Of The Holy Ghost
Borgo Of The Holy Ghost
Stephen McLeod foreword by Richard Howard
Utah State University Press, 2002
An accomplished poet with credits in such literary magazines as APR, Paris Review, Ploughshares, and many others, Stephen McLeod is the 2001 recipient of the May Swenson Poetry Award. Judge for the competition was Richard Howard, internationally known poet and winner of the Pulitzer and many other poetry awards.
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front cover of Child of the Holy Ghost
Child of the Holy Ghost
Robert Laxalt
University of Nevada Press, 1997
The second installment in Laxalt's Basque-family trilogy, this novel takes an adult-aged Pete to the Basque Country to uncover his parents' secret reasons for immigrating to the U.S. Pete finds himself stepping back into a medieval morality, into the rigid and unrelenting code of his ancestors, older and stronger than reason. Denied by his own blood kin, cold anger forges his determination to pierce the silence of the villagers and learn the circumstances of Maitia’s, his mother’s birth. One by one, the ghosts rise up, piecing together the story of Maitia’s shame and her resolve to gain the respect that could only be found in America. Interwoven is the story of Petya, Pete’s father, forced to flee the high Pyrenees by accident and find a new life as a lonely sheepherder in the northern deserts of Nevada. His struggles with loneliness and the temptations of emerging manhood provide a background for the stark reality of a young immigrant whose pain and growing sense of self-determination transform him into the essential being we know as American.
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front cover of Last Words of the Holy Ghost
Last Words of the Holy Ghost
Matt Cashion
University of North Texas Press, 2015

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The Trustus Plays
The Hammerstone, Drift, and Holy Ghost
Jon Tuttle
Intellect Books, 2009

The Trustus Plays collects three full-length, award-winning performance texts by American playwright Jon Tuttle. Each play was a winner of the national Trustus Playwrights Festival contest and was then produced by the Trustus Theatre in Columbia, South Carolina. The Hammerstone is a comedy about two professors aging gracelessly, Drift is a dark comedy about marriage and divorce, and Holy Ghost is the story of German POWs held in the camps in the American south. Jon Tuttle provides an introduction to the plays, and Trustus founder and artistic director, Jim Thigpen, offers a preface describing Tuttle’s work within the context of the Trustus theatre’s dedication to experimental, edgy social drama.

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