front cover of In Rare Form
In Rare Form
A Pictorial History of Baseball Evangelist Billy Sunday
W. A. Firstenberger
University of Iowa Press, 2005
From 1896 to 1935, the flamboyant and controversial Billy Sunday preached his version of the gospel to millions of people across the nation. In this nontraditional biography of the man regarded by his enthralled fans as God's unconventional messenger to a sinful world, the curator of the Billy Sunday Historic Site Museum recreates Sunday's life through a material culture lens. W. A. Firstenberger views the photographic record and the print record as well as the landscape, structure, and contents of the Sunday home in Winona Lake, Indiana, to give us an intimate view of Sunday and his family. Through an organizational scheme that incorporates memorabilia from childhood (samplers, Civil War badges), baseball (Billy's 1891 Philadelphia contract, scorecards), evangelism (cartoons, books such as Monkeys and Missing Links), social issues (KKK ads endorsing Sunday, his Women's Christian Temperance life membership certificate), life style (Arts and Crafts decorative pieces, extensive photos of the family's Mount Hood bungalow), and family relations (his personal possessions and those of his wife, Nell, and their children), In Rare Form brings together the inconsistencies between Sunday's material world and his spiritual world. Since Sunday might have objected to a materialistic analysis of his life, Firstenberger has allowed him a say: each section of the book begins with an apt quote from Sunday's sermons and writings. Firstenberger also includes appendixes providing detailed information on Sunday's revivals and speaking appearances, his 870,075 documented converts, the members of his evangelistic team, the overall structure of his family, and an extensive bibliography. Acknowledging Sunday's faults and contradictions alongside his heroic accomplishments, the author presents a wryly insightful and innovative perspective on this larger-than-life figure.
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front cover of In the Palace of Nezahualcoyotl
In the Palace of Nezahualcoyotl
Painting Manuscripts, Writing the Pre-Hispanic Past in Early Colonial Period Tetzcoco, Mexico
By Eduardo de J. Douglas
University of Texas Press, 2010

Around 1542, descendants of the Aztec rulers of Mexico created accounts of the pre-Hispanic history of the city of Tetzcoco, Mexico, one of the imperial capitals of the Aztec Empire. Painted in iconic script ("picture writing"), the Codex Xolotl, the Quinatzin Map, and the Tlohtzin Map appear to retain and emphasize both pre-Hispanic content and also pre-Hispanic form, despite being produced almost a generation after the Aztecs surrendered to Hernán Cortés in 1521. Yet, as this pioneering study makes plain, the reality is far more complex.

Eduardo de J. Douglas offers a detailed critical analysis and historical contextualization of the manuscripts to argue that colonial economic, political, and social concerns affected both the content of the three Tetzcocan pictorial histories and their archaizing pictorial form. As documents composed by indigenous people to assert their standing as legitimate heirs of the Aztec rulers as well as loyal subjects of the Spanish Crown and good Catholics, the Tetzcocan manuscripts qualify as subtle yet shrewd negotiations between indigenous and Spanish systems of signification and between indigenous and Spanish concepts of real property and political rights. By reading the Tetzcocan manuscripts as calculated responses to the changes and challenges posed by Spanish colonization and Christian evangelization, Douglas's study significantly contributes to and expands upon the scholarship on central Mexican manuscript painting and recent critical investigations of art and political ideology in colonial Latin America.

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Ink Trails II
Michigan's Famous and Forgotten Authors
Dave Dempsey
Michigan State University Press, 2016
From authors of bodice rippers and gallant figures to hometown poetry, hearty men, and tales of American originals, the history of literature in Michigan is deep and rich. The Wolverine State has been the birthplace, home, and inspiration to a tremendous number of men and women of letters, both the well-known and the obscure. Ink Trails II tells the stories of these fascinating and diverse writers whose talent is inextricably linked to Michigan.
Exploring the hidden treasures of otherwise forgotten authors while also acknowledging the Michigan-set stories of giants like Hemingway, Dave and Jack Dempsey delve into the state’s literary heritage, as robust, diverse, and inexhaustible as the natural beauty of the place that nurtured it. This second volume of “ink trails” continues to tell the story of the remarkable writers, powerful words, and sublime nature of Michigan in the same well-researched and entertaining prose as the first.
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front cover of Ink Trails
Ink Trails
Michigan's Famous and Forgotten Authors
Dave Dempsey
Michigan State University Press, 2012

Long revered as the birthplace of many of the nation’s best-known authors, Michigan has also served as inspiration to countless others. In this entertaining and well-researched book—the first of its kind—the secrets, legends, and myths surrounding some of Michigan’s literary luminaries are explored. Which Michigan poet inspired a state law requiring teachers to assign at least one of his compositions to all students? Which young author emerged from the University of Michigan with a bestselling novel derided by some critics as “vulgar”? And from what Michigan city did Arthur Miller, Robert Frost, and Jane Kenyon draw vital inspiration? The answers to these questions and more are revealed in this rich literary history that highlights the diversity of those whose impact on letters has been indelible and distinctly Michiganian.

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Inventing Paradise
The Greek Journey, 1937-47
Edmund Keeley
Northwestern University Press, 2002
In the looming shadow of dictatorship and imminent war, George Seferis and George Katsimbalis welcomed Henry Miller and Lawrence Durrell to their homeland. Together, as they spent evenings in tavernas, explored the Peloponnese, and considered the meaning of Greek life and freedom and art, they seemed to be inventing paradise. This blend of memoir, criticism, and storytelling takes readers on a journey into the poetry, friendships, and politics of an extraordinary time.
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Isolarion
A Different Oxford Journey
James Attlee
University of Chicago Press, 2007

Through the centuries, people from all walks of life have heard the siren call of a pilgrimage, the lure to journey away from the familiar in search of understanding. But is a pilgrimage even possible these days for city-dwellers enmeshed in the pressures of work and family life? Or is there a way to be a pilgrim without leaving one’s life behind? James Attlee answers these questions with Isolarion, a thoughtful, streetwise, and personal account of his pilgrimage to a place he thought he already knew—the Cowley Road in Oxford, right outside his door.

Isolarion takes its title from a type of fifteenth-century map that isolates an area in order to present it in detail, and that’s what Attlee, sharp-eyed and armed with tape recorder and notebook, provides for Cowley Road. The former site of a leper hospital, a workhouse, and a medieval well said to have miraculous healing powers, Cowley Road has little to do with the dreaming spires of the tourist’s or student’s Oxford. What Attlee presents instead is a thoroughly modern, impressively cosmopolitan, and utterly organic collection of shops, restaurants, pubs, and religious establishments teeming with life and reflecting the multicultural makeup of the surrounding neighborhood.

From a sojourn in a sensory-deprivation tank to a furtive visit to an unmarked pornography emporium, Attlee investigates every aspect of the Cowley Road’s appealingly eclectic culture, where halal shops jostle with craft jewelers and reggae clubs pulsate alongside quiet churchyards. But the very diversity that is, for Attlee, the essence of Cowley Road’s appeal is under attack from well-meaning city planners and predatory developers. His pilgrimage is thus invested with melancholy: will the messy glories of the Cowley Road be lost to creeping homogenization?

Drawing inspiration from sources ranging from Robert Burton’s The Anatomy of Melancholy to contemporary art, Attlee is a charming and companionable guide who revels in the extraordinary embedded in the everyday. Isolarion is at once a road movie, a quixotic stand against uniformity, and a rousing hymn in praise of the complex, invigorating nature of the twenty-first-century city.

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front cover of It's Official!
It's Official!
The Real Stories behind Arkansas’s State Symbols
David Ware
Butler Center for Arkansas Studies, 2015
Since Arkansas’s creation as an independent territory in 1819, its legislature has officially designated a wide assortment of symbols. Some of these refer to economic mainstays while others attest to the aspirations of those who saw a bright future for their extensive and varied community. This volume’s essays examine each of Arkansas’s officially designated symbols, outlining their genesis, their significance at the time of their adoption, and their place in modern Arkansas. Combining political narratives, natural history, and the occasional “shaggy dog” story, Ware makes a case for considering the symbols as useful keys to understanding both the Arkansas that has been and the one it hopes to be.

During the 2017 session, the Arkansas Legislative Assembly expanded the state’s complement of official state symbols. The second edition of this statewide bestseller includes an additional chapter on Arkansas’s newest symbol: the state dinosaur, Arkansaurus fridayi.

In It’s Official!, David Ware makes a case for considering the symbols as useful keys to understanding both the Arkansas that has been and the one it hopes to be.

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