front cover of The Works of Hrotsvit of Gandersheim
The Works of Hrotsvit of Gandersheim
Hrotsvit of Gandersheim
Harvard University Press, 2025

The complete works of the first known woman playwright

Hrotsvit, a canoness at the convent of Gandersheim in Saxony during the tenth century, is the first Latin dramatist since late antiquity whose work survives. While her plays are still frequently performed, her other works are not readily available in English.

A desire to provide a morally superior, elegant alternative to Terence motivated Hrotsvit—instead of lascivious women, chaste virgins; instead of misbehaving young men defying their fathers, well-behaved young women obeying their mothers and defying male superiors; instead of erotic love, the love of Christ. Her plays are preeminently women’s plays: written for an audience of women and principally about women. Her female characters have extensive speaking parts; they are active, assertive, and self-directed.

In addition to the plays, Hrotsvit composed poems centered on saints and holy persons such as the Virgin Mary, Saint Denis, and the early Christian martyr Agnes. She also wrote epics on Otto the Great and on the founding of Gandersheim Abbey. Her poems for Theophilus and for Saint Basil both present versions of the Faustus legend. The Works of Hrotsvit of Gandersheim includes all of these texts, plus her introductory letters and several shorter poems, in this first complete translation of Hrotsvit into English.

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front cover of The Works of Hrotsvit of Gandersheim
The Works of Hrotsvit of Gandersheim
Facsimile of the First Edition (1581)
Hrotsvit of Gandersheim. Edited by David H. Price.
University of Illinois Press, 2017
Hrotsvit of Gandersheim, born circa 935, was a canoness at Gandersheim, a Benedictine monastery in Saxony. She may have come from the Saxon nobility, and she had the education to refer to ancient authors like Ovid and Virgil. Hrotsvit died around the year 975. David H. Price is professor of religious studies, history, and Jewish studies at the University of Illinois at Urbana-Champaign.
 
These works by a tenth-century woman, who wrote plays when no one else in Europe was writing plays and who imitated the style of Terence when most people thought the classics had been forgotten, caused a literary sensation when they were first published in 1501.
 
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