front cover of Spent behind the Wheel
Spent behind the Wheel
Drivers' Labor in the Uber Economy
Julietta Hua
University of Minnesota Press, 2021

Exploring professional passenger driving and the gig economy through feminist theories of labor

Are taxi drivers in today’s era of the ride-hail app performing care work akin to domestic and household labor? So argue the authors of Spent behind the Wheel. Bringing together sociological and legal perspectives with feminist theoretical insights, Julietta Hua and Kasturi Ray examine the case study of contemporary professional passenger driving in the United States. On the one hand, they show, the rise of the gig economy has brought new attention to the industry of professional passenger driving. On the other hand, the vulnerabilities that professional drivers experience remain hidden. 

Drawing on interviews with drivers, labor organizers, and members of licensing commissions, as well as case law and other published resources, Hua and Ray argue that working for ride-hail companies like Uber and Lyft shares similarities with driving for taxi companies in the impact on driver lives. Lyft and Uber sell the idea of industry disruption, but in fact they entrench long-standing modes of extracting the reproductive labor of their drivers for the benefit of consumer lives. Reproductive labor—conventionally understood as feminized labor—is extracted, but masked, behind the masculinized, racialized bodies of drivers. Professional driving is thus best understood alongside domestic and other gendered service work as reproductive labors devalued and often demonetized to benefit the national economy. 

Spent behind the Wheel is a must for readers interested in critical studies of technological change and the gig economy, showing how drivers’ capacities are drained for the benefit of riders, corporations, and the maintenance of the racial state. 

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Trafficking Women’s Human Rights
Julietta Hua
University of Minnesota Press, 2011

The history of human beings bought and sold, forced into lives of abject servitude or sexual slavery, is a story as old as civilization and yet still of global concern today. How this story is told, Julietta Hua argues, says much about our cultural beliefs. Through a critical inquiry into representations of human trafficking, she reveals the political, social, and cultural strains underlying our current preoccupation with this issue and the difficulty of framing human rights in universal terms.

In Trafficking Women’s Human Rights, Hua maps the ways in which government, media, and scholarship have described sex trafficking for U.S. consumption. As her investigation takes us from laws like the Victims of Trafficking and Violence Protection Act to political speeches and literary and media images, it uncovers dark assumptions about race, difference, and the United States’ place in the world expressed—and often promoted—by such images. The framing itself, exploiting dichotomies of victim/agent, rescued/rescuer, trafficked/smuggled, illustrates the limits of universalism in addressing human rights.

Uniquely broad in scope, this work considers the laws of human trafficking in conjunction with popular culture. In doing so, it constructively draws attention to the ways in which notions of racialized sexualities form our ideas about national belonging, global citizenship, and, ultimately, human rights.

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