Interconnected like the Bonjour family itself, this novel is a tale of unpredictable and unforgettable characters that transports readers to a plane where ethnicity becomes universality.

A work of uncanny originality, David Huddle’s nineteenth book is the account of an extraordinary death trip taken by a charismatic and beloved woman, her husband, and an astonishing number of offspring, from infants to young adults. The Faulkes Chronicle explores how children grieve, and shows how the wit and courage of even the littlest brothers and sisters can be a source of resiliance. Familial conversation composes an intimate requiem, transforming loss into comprehension. Only one of our finest writers could manage this delicate material. The Faulkes Chronicle is a brief, autumnal novel — made of momentary details yet with an encompassing grandeur.

David Huddle’s twenty-first book, Hazel is a portrait of a woman both ordinary and exceptional, composed in glimpses of her life from child to elder. Hazel is a loner and somewhat of a pill. Although she’s not likeable in the regular ways, she’s rigorously honest in the way she examines her world, and in relationships with a few other people. Hazel’s nephew John Robert is captivated by the mystery of such a uniquely serious person. He assembles episodes from Hazel’s life, and the novel reveals a lifelong struggle by someone whose integrity is absolute. Huddle proves the complete life of almost anyone would be profoundly complex if seen whole.

Maura Nelson, who has a sophisticated background in science, medicine, and programming, has stumbled upon a way to execute someone using only the computers in her home office—silently, anonymously, leaving no trace of violence, so that her target appears to have died of natural causes. Maura tests her method by eliminating Syrian tyrant Bashar al-Assad, but this experience affects her so deeply that she doesn’t want to continue alone. She entices Jack Plymouth into a partnership to rid the world of those they decide “need to be dead.” Both a steamy romance and a cyber-thriller, My Immaculate Assassin raises disturbing and timely questions about the technology and morality of “idealistic” murder, carried out remotely.

Can we ever truly know another person, however well-loved? Brainy, decent, funny, and likeable, the members of Horace Houseman’s family and his closest friend possess quirky and compelling interior lives that they reveal to no one else. Nothing Can Make Me Do This, David Huddle’s tenth work of fiction, enters the minds of Horace, Eve, Hannah, Clara, Bill, and others over fifty years, leaping in chronology an intersecting the vantage points, in a kaleidoscopic vision of a contemporary clan (and their secrets).

Facing the blank page of the empty computer screen requires an unswerving belief in possibility, a steadfast assurance that something can and will come out of nothing. In The Writing Habit, David Huddle demystifies the writing task and shows that what may seem like alchemy is in reality a habit: the work itself, not magic, unlocks the writer’s potential. “A real writing life is not something you do merely for a day or a month or a year,” Huddle asserts. “For a writer, the one truly valuable possession is the ongoing work--the writing habit, which may take some getting used to, but which soon becomes so natural as to be almost inevitable.” Drawing from his own experience as a teacher and writer of poetry, fiction, and essays, Huddle explores the questions all writers--from novice to professional--face: Why write in the first place? How can writers fashion their lives to accommodate that all-important habit? What are some ways to deal with failure? What roles do memory, reality, and inspiration play in the creative process? How can prose best be crafted, characters brought alive, universal truths revealed from the bits and pieces of everyday life?