front cover of Civil Twilight
Civil Twilight
Cynthia Huntington, 2012 National Book Award Finalist
Southern Illinois University Press, 2024

New collection from National Book Award finalist

Civil twilight is the astronomical term for the minutes just before sunrise and just after sunset. If one took a snapshot, it would be impossible to tell whether the light was increasing or diminishing. The poems in Civil Twilight arise in this liminal space. With luminous precision, Cynthia Huntington examines the civil twilight we live in now, unsure of whether the darkness is closing in or whether the light is about to break.

Here the poet is both skeptic and seeker, for any hope worth discovering needs to withstand the facts at hand. Is everything getting worse, or are things about to improve? Or is this the way things have always been, both hopeful and terrifying, and it is our questions that need to change? In part one, the speaker strives for balance by maintaining light and warmth in a cold season. In part two, American scenes of construction and destruction are set beside moments from history: Rome, the British Empire, and American immigration. Part three enfolds questions of history and power within winter scenes and the artist’s imagination. In part four, the speaker looks back and admits answers remain elusive, yet points to the new ways of thinking and feeling about survival that have resulted from the work. And here, the half-light shifts. In a world teetering on the edge of collapse, Civil Twilight wrestles hard-won hope from disquiet, coming to rest in what is. 

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front cover of Fire Muse
Fire Muse
Poems from the Salt House
Cynthia Huntington
Dartmouth College Press, 2016
In Fire Muse, Cynthia Huntington returns to the back shore of Provincetown and the beach and dunes that inspired her 1999 memoir, The Salt House. Reflecting on place, time, and memory, Huntington’s poems display a kind of ecstasy born of love for her surroundings and a keen awareness of their sweep and details. Attentive to the outer world as well as what lies within, in these poems we find Huntington exploring her deepening bond with a familiar place.
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front cover of Heavenly Bodies
Heavenly Bodies
Cynthia Huntington
Southern Illinois University Press, 2011
National Book Award Finalist 2012

In this blistering collection of lyric poems, Cynthia Huntington gives an intimate view of the sexual revolution and rebellion in a time before the rise of feminism. Heavenly Bodies is a testament to the duality of sex, the twin seductiveness and horror of drug addiction, and the social, political, and personal dramas of America in the 1960s.

From the sweetness of purloined blackberries to the bitter taste of pills, the ginger perfume of the Hawaiian Islands to the scream of the winter wind, Huntington’s fearless and candid poems offer a feast for the senses that is at once mystical and earthy, cynical and surreal. Echoing throughout are some of the most famous—and infamous—voices of the times: Joan Baez and Charles Manson, Frank Zappa and Betty Friedan. Jinns and aliens beckon while cities burn and revolutionaries thunder for change. At the center is the semiautobiographical Suzy Creamcheese, sensual and rebellious, both almighty and powerless in her sexuality. 

Achingly tender yet brutally honest, Heavenly Bodies is an unflinching reflection on the most personal of physical and emotional journeys.


Univeristy Press Books for Public and Secondary Schools 2013 edition

Finalist for the National Book Award in Poetry, 2012
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front cover of The Salt House
The Salt House
A Summer on the Dunes of Cape Cod
Cynthia Huntington
Dartmouth College Press, 2003
The Salt House is a beautifully observed and written memoir of a long summer's stay on the back shore of Cape Cod. Each chapter is like a prose poem, shedding increasing light on the challenge of finding "home" without the illusion of permanence, a quest based not on ownership but on affinity and familiarity with an area and its people. Cynthia Huntington expands her theme through images of the landscape, the shack, the new marriage. The shack, named "Euphoria," is built as a house set on stilts above the sand, to take the wind under it. Only a partial shelter, it is inhabited for only one season a year, yet it endures. The outer cape has the feel of a place for migrants and drifters -- for birds and other wildlife, and for people such as artists, fishermen, and coast guardsmen. A place where "year-round" often means several addresses. Similarly, her narrative describes improvised, fragile beginnings: a new marriage, learning to be at home in the world, becoming intimate with the natural world, without the necessity of settling down. The Salt House shares a world that is less natural history or memoir than it is neighborhood exploration -- the process of learning a place and becoming native to it.
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front cover of Terra Nova
Terra Nova
Cynthia Huntington
Southern Illinois University Press, 2017
Finalist, Balcones Poetry Prize, 2017

In this bold and ambitious book-length poem, National Book Award finalist Cynthia Huntington explores exile and migration—what it means to lose, seek, and find home in all its iterations—through a polyphonic work, written in multiple voices and evoking the method of Hart Crane’s The Bridge or the Nighttown episode in James Joyce’s Ulysses. Yet it is also a tough and vernacular work, owing as much to Patti Smith and the Clash as it does to High Modernism.

Again and again the work shows us outsiders forced into metaphorical and literal wildernesses, whether in a retelling of the biblical Israelites lost in the desert or in stories from Provincetown, Massachusetts, where the new world struggles into being at the edge of the sea. Yet the voices here, across many times and places, refuse to give in to desolation and despair.

Huntington’s approach is hybrid, oscillating between verse and lyrical prose to create a work that falls somewhere between an epic poem and a collection of lyric essays. Whether chronicling the creation of the world and the first exile from the Judeo-Christian Garden of Eden or imagining the terror and thrill of the first sea voyages, this is electric poetry: challenging, startling, and fulfilling.
 
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