For almost three centuries, scholars have debated the credibility of the information provided in the colophon of Codex Parisinus graecus 1115. According to this inscription, the manuscript was copied in the year 1276 from another manuscript dating back to the year 774/5; the archetype originated in the papal library at Rome and contains a partial record of the Greek holdings of the library.
The majority of the texts included in the manuscript come from florilegia related to the ecumenical councils. This volume examines the use of florilegia—anthologies of earlier writings—by these councils. Analysis of the contents of the manuscript provides new information concerning, among other things, the beginning of the Filioque controversy and the use of Iconophile florilegia by the seventh ecumenical council in 787. Also revealed is the archetype's role in the negotiations between Rome and Constantinople that led to the Union of the Churches, proclaimed at the Council of Lyons II in 1274, and the indirect involvement of Thomas Aquinas through his Contra Errores Graecorurn.
Elvis Presley, Marilyn Monroe, and space aliens like the Transformers share a surprising connection along with James Bond, Indiana Jones, and Rocky Balboa. These beloved icons played active roles in movie and television projects set in the state of Nevada. Long time state film commissioner and movie reviewer Holabird explores the blending of icons and Nevada, along with her personal experiences of watching movies, talking with famous people, and showing off a diverse range of stunning and iconic locations like Las Vegas, Reno, Lake Tahoe, and Area 51.
Holabird shows how Nevada’s flash, flair, and fostering of the forbidden provided magic for singers, sexpots, and strange creatures from other worlds. She also gives readers an insider’s look into moviemaking in Nevada by drawing on her extensive experience as a film commissioner. This is a unique take on film history and culture, and Holabird explores eighteen film genres populated by one-of-a-kind characters with ties to Nevada. Along with being a film history of the state of Nevada written by a consummate insider, the book is a fun mixture of research, personal experiences, and analysis about how Nevada became the location of choice for a broad spectrum of well-known films and characters.
The mysteries of the physical world speak to us through equations--compact statements about the way nature works, expressed in nature's language, mathematics. In this book by the renowned Dutch physicist Sander Bais, the equations that govern our world unfold in all their formal grace--and their deeper meaning as core symbols of our civilization.
Trying to explain science without equations is like trying to explain art without illustrations. Consequently Bais has produced a book that, unlike any other aimed at nonscientists, delves into the details--historical, biographical, practical, philosophical, and mathematical--of seventeen equations that form the very basis of what we know of the universe today. A mathematical objet d'art in its own right, the book conveys the transcendent excitement and beauty of these icons of knowledge as they reveal and embody the fundamental truths of physical reality.
These are the seventeen equations that represent radical turning points in our understanding--from mechanics to electrodynamics, hydrodynamics to relativity, quantum mechanics to string theory--their meanings revealed through the careful and critical observation of patterns and motions in nature. Mercifully short on dry theoretical elaborations, the book presents these equations as they are--with the information about their variables, history, and applications that allows us to chart their critical function, and their crucial place, in the complex web of modern science.
Reading The Equations, we can hear nature speaking to us in its native language.
Byzantine and Russian Orthodox icons are perhaps the most enduring form of religious art ever developed—and one of the most mysterious. This book, featuring the painted panels made for churches and for prayer at home, provides an accessible guide to their story and power. Illustrated mostly with Cretan, Greek, and Russian examples from the British Museum, which houses Britain’s most important collection of icons, the book examines icons in the context of the history of Christianity, as well as within the perspective of art history.
Robin Cormack, a preeminent expert on the subject, explains how icons were made, framed, and displayed. He investigates their subject matter, showing how scenes can be identified, how the iconography developed over centuries, and what role portraiture plays in their imagery. Icons have not lost their power in much of the world, and Cormack considers their continuing use in our day—whether in a religious setting or as an inspiration to modern-day artists like Matisse.
A uniquely accessible and authoritative introduction to this distinctive art form, Icons defines its subject’s unusual place at the intersection of religion, Russian culture, and art history.
From the printing press to the telegraph to the camera and beyond, technology has always been tied closely to journalism. In The Technology of Journalism, Patricia L. Dooley proposes a history of news that heeds the social and cultural environments in which both technology and the press emerge and exist.
By placing this history solidly in its cultural context, Dooley can explore the effects of shifts in social, economic, and political systems and the impact of war. One such development with far reaching implications was Matthew Brady’s use of photography during the Civil War. Growth or decline in readership can also influence technological changes in journalism; most recently, the shift toward digital and Web-based journalism has reshaped the press.
Finally, Dooley assesses the legacy and future of print, deciding what happens to print journalism—and all forms of reportage—will depend on the willingness of industry leaders to innovate in ways that will help them connect, through their reporting, to Americans of all ages and walks of life.
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