front cover of The Land of the Elephant Kings
The Land of the Elephant Kings
Space, Territory, and Ideology in the Seleucid Empire
Paul J. Kosmin
Harvard University Press, 2014

A Choice Outstanding Academic Title of the Year

The Seleucid Empire (311–64 BCE) was unlike anything the ancient Mediterranean and Near Eastern worlds had seen. Stretching from present-day Bulgaria to Tajikistan—the bulk of Alexander the Great’s Asian conquests—the kingdom encompassed a territory of remarkable ethnic, religious, and linguistic diversity; yet it did not include Macedonia, the ancestral homeland of the dynasty. The Land of the Elephant Kings investigates how the Seleucid kings, ruling over lands to which they had no historic claim, attempted to transform this territory into a coherent and meaningful space.

“This engaging book appeals to the specialist and non-specialist alike. Kosmin has successfully brought together a number of disparate fields in a new and creative way that will cause a reevaluation of how the Seleucids have traditionally been studied.”
—Jeffrey D. Lerner, American Historical Review

“It is a useful and bright introduction to Seleucid ideology, history, and position in the ancient world.”
—Jan P. Stronk, American Journal of Archaeology

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Language, Power, and Ideology in Brunei Darussalam
Mis Sea#99
Geoffrey C. Gunn
Ohio University Press, 1996
Contrary to modern theories of developing nations, Brunei Darussalam, which has a very high rate of literacy, is also one of the few countries where the traditional elite retains absolute political power. Professor Gunn's comprehensive study, which assesses the state's efforts to implement national language policies, explores the aspects of the complex relationship between language and power including the oral tradition, the rise of Islamic literacy, print culture and mass literacy, and the electronic media and its effects.
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The Lesbian Menace
Ideology, Identity, and the Representation of Lesbian Life
Sherrie A. Inness
University of Massachusetts Press, 1997
Electroshock. Hysterectomy. Lobotomy. These are only three of the many "cures" to which lesbians have been subjected in this century. How does a society develop such a profound aversion to a particular minority? In what ways do images in the popular media perpetuate cultural stereotypes about lesbians, and to what extent have lesbians been able to subvert and revise those images? This book addresses these and other questions by examining how lesbianism has been represented in American popular culture in the twentieth century and how conflicting ideologies have shaped lesbian experiences and identity.

In the first section, "Inventing the Lesbian," Sherrie A. Inness explores depictions of lesbians in popular texts aimed primarily at heterosexual consumers. She moves from novels of the 1920s to books about life at women's colleges and boarding schools, to such contemporary women's magazines as Cosmopolitan, Glamour, and Vogue.

In the next section, "Forms of Resistance," Inness probes the ways in which lesbians have refashioned texts intended for a heterosexual audience or created their own narratives. One chapter shows how lesbian readers have reinterpreted the Nancy Drew mysteries, looking at them from a distinctly "queer" perspective. Another chapter addresses the changing portrayal of lesbians in children's books over the past two decades.

The last section, "Writing in the Margins," scrutinizes the extent to which lesbians, themselves a marginalized group, have created a society that relegates some of its own members to the outskirts. Topics include the geographic politics of lesbianism, the complex issue of "passing," and the meaning of butch identity in twentieth-century lesbian culture.
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Live Dead
The Grateful Dead, Live Recordings, and the Ideology of Liveness
John Brackett
Duke University Press, 2023
The Grateful Dead were one of the most successful live acts of the rock era. Performing more than 2,300 shows between 1965 and 1995, the Grateful Dead’s reputation as a “live band” was—and continues to be—sustained by thousands of live concert recordings from every era of the group’s long and colorful career. In Live Dead, musicologist John Brackett examines how live recordings—from the group’s official releases to fan-produced tapes, bootlegs to “Betty Boards,” and Dick’s Picks to From the Vault—have shaped the general history and popular mythology of the Grateful Dead for more than fifty years. Drawing on a diverse array of materials and documents contained in the Grateful Dead Archive, Live Dead details how live recordings became meaningful among the band and their fans not only as sonic souvenirs of past musical performances but also as expressions of assorted ideals, including notions of “liveness,” authenticity, and the power of recorded sound.
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The Loss and Recovery of Truth
Selected Writings of Gerhart Niemeyer
Gerhart Niemeyer
St. Augustine's Press, 2013


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