“You shall have no other gods besides Me.” This injunction, handed down through Moses three thousand years ago, marks one of the most decisive shifts in Western culture: away from polytheism toward monotheism. Despite the momentous implications of such a turn, the role of idolatry in giving it direction and impetus is little understood. This book examines the meaning and nature of idolatry—and, in doing so, reveals much about the monotheistic tradition that defines itself against this sin.The authors consider Christianity and Islam, but focus primarily on Judaism. They explore competing claims about the concept of idolatry that emerges in the Hebrew Bible as a “whoring after false gods.” Does such a description, grounded in an analogy of sexual relations, presuppose the actual existence of other gods with whom someone might sin? Or are false gods the product of “men’s hands,” simply a matter of misguided belief? The authors show how this debate, over idolatry as practice or error, has taken shape and has in turn shaped the course of Western thought—from the differentiation between Jewish and Christian conceptions of God to the distinctions between true and false belief that inform the tradition of religious enlightenment.Ranging with authority from the Talmud to Maimonides, from Marx to Nietzsche and on to G.E. Moore, this brilliant account of a subject central to our culture also has much to say about metaphor, myth, and the application of philosophical analysis to religious concepts and sensibilities. Its insights into pluralism and intolerance, into the logic and illogic of the arguments religions aim at each other, make Idolatry especially timely and valuable in these days of dark and implacable religious difference.

According to W. J. T. Mitchell, a “color-blind” post-racial world is neither achievable nor desirable. Against popular claims that race is an outmoded construct that distracts from more important issues, Mitchell contends that race remains essential to our understanding of social reality. Race is not simply something to be seen but is among the fundamental media through which we experience human otherness. Race also makes racism visible and is thus our best weapon against it.

The power of race becomes most apparent at times when pedagogy fails, the lesson is unclear, and everyone has something to learn. Mitchell identifies three such moments in America’s recent racial history. First is the post–Civil Rights moment of theory, in which race and racism have been subject to renewed philosophical inquiry. Second is the moment of blackness, epitomized by the election of Barack Obama and accompanying images of blackness in politics and popular culture. Third is the “Semitic Moment” in Israel-Palestine, where race and racism converge in new forms of anti-Semitism and Islamophobia. Mitchell brings visual culture, iconology, and media studies to bear on his discussion of these critical turning points in our understanding of the relation between race and racism.