The Cuzco Valley of Peru was both the sacred and the political center of the largest state in the prehistoric Americas—the Inca Empire. From the city of Cuzco, the Incas ruled at least eight million people in a realm that stretched from modern-day Colombia to Chile. Yet, despite its great importance in the cultural development of the Americas, the Cuzco Valley has only recently received the same kind of systematic archaeological survey long since conducted at other New World centers of civilization.
Drawing on the results of the Cuzco Valley Archaeological Project that Brian Bauer directed from 1994 to 2000, this landmark book undertakes the first general overview of the prehistory of the Cuzco region from the arrival of the first hunter-gatherers (ca. 7000 B.C.) to the fall of the Inca Empire in A.D. 1532. Combining archaeological survey and excavation data with historical records, the book addresses both the specific patterns of settlement in the Cuzco Valley and the larger processes of cultural development. With its wealth of new information, this book will become the baseline for research on the Inca and the Cuzco Valley for years to come.
By examining the stunning stone buildings and dynamic spaces of the royal estate of Chinchero, Nair brings to light the rich complexity of Inca architecture. This investigation ranges from the paradigms of Inca scholarship and a summary of Inca cultural practices to the key events of Topa Inca’s reign and the many individual elements of Chinchero’s extraordinary built environment.
What emerges are the subtle, often sophisticated ways in which the Inca manipulated space and architecture in order to impose their authority, identity, and agenda. The remains of grand buildings, as well as a series of deft architectural gestures in the landscape, reveal the unique places that were created within the royal estate and how one space deeply informed the other. These dynamic settings created private places for an aging ruler to spend time with a preferred wife and son, while also providing impressive spaces for imperial theatrics that reiterated the power of Topa Inca, the choice of his preferred heir, and the ruler’s close relationship with sacred forces.
This careful study of architectural details also exposes several false paradigms that have profoundly misguided how we understand Inca architecture, including the belief that it ended with the arrival of Spaniards in the Andes. Instead, Nair reveals how, amidst the entanglement and violence of the European encounter, an indigenous town emerged that was rooted in Inca ways of understanding space, place, and architecture and that paid homage to a landscape that defined home for Topa Inca.
Inca constructions, designed to conform to a state aesthetic, reveal the worldview of these masters of social and architectural engineering. In her meticulous analysis of Callachaca—the fifteenth-century estate of the royal Amaro Topa Inca and his retainers near the ancient capital of Cuzco—Susan Niles shows us that the physical order seen in this planned community reflects the Inca vision of an appropriate social order.
Callachaca: Style and Status in an Inca Community will be valuable reading for archaeologists, art historians, geographers, architects with an interest in pre-Columbian cultures, landscape architects, anthropologists, folklorists, and historians with a special interest in the Andes. Since she focuses on all the varied architectural remains at one site in the Inca heartland, Niles provides a unique model for examining royal Inca architecture and society.
Before the Spanish conquest in the sixteenth century A.D., the Inka Empire stretched along the Pacific side of South America, all the way from Ecuador to northwest Argentina. Though today many Inka researchers focus on the imperial capital of Cuzco, Peru, and surrounding areas, ruins of Inka settlements abound throughout the vast territory of the former empire and offer many clues about how the empire was organized, managed, and defended. These outlying settlements, as well as those in the Cuzco area, form the basis for John Hyslop's detailed study Inka Settlement Planning.
Using extensive aerial photography and detailed site maps, Hyslop studies the design of several dozen settlements spread throughout the empire. In addition to describing their architecture and physical infrastructure, he gives special emphasis to the symbolic aspects of each site's design. Hyslop speculates that the settlement plans incorporate much iconography expressive of Inka ideas about the state, the cosmos, and relationships to non-Inka peoples—iconography perhaps only partially related to the activities that took place within the sites. And he argues that Inka planning concepts applied not only to buildings but also to natural features (stone outcrops, water sources, and horizons) and specialized landscaping (terracing).
Of interest to a wide readership in archaeology, architecture, urbanization, empire building, and Andean travel, Inka Settlement Planning charts one of Native America's greatest achievements.
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