Nominated for Eisner Award | Winner of the 2018 Ray and Pat Browne Award | Winner of the Charles Hatfield Book Prize from the CSS

Histories and criticism of comics note that comic strips published in the Progressive Era were dynamic spaces in which anxieties about race, ethnicity, class, and gender were expressed, perpetuated, and alleviated. The proliferation of comic strip children—white and nonwhite, middle-class and lower class, male and female—suggests that childhood was a subject that fascinated and preoccupied Americans at the turn of the century. Many of these strips, including R.F. Outcault’s Hogan’s Alley and Buster Brown, Rudolph Dirks’s The Katzenjammer Kids and Winsor McCay’s Little Nemo in Slumberland were headlined by child characters. Yet no major study has explored the significance of these verbal-visual representations of childhood. Incorrigibles and Innocents addresses this gap in scholarship, examining the ways childhood was depicted and theorized in late nineteenth- and early twentieth-century comic strips. Drawing from and building on histories and theories of childhood, comics, and Progressive Era conceptualizations of citizenship and nationhood, Lara Saguisag demonstrates that child characters in comic strips expressed and complicated contemporary notions of who had a right to claim membership in a modernizing, expanding nation. 

In 1956, John C. Behrendt had just earned his master’s degree in geophysics and obtained a position as an assistant seismologist in the International Geophysical Year glaciological program. He sailed from Davisville, Rhode Island to spend eighteen months in Antarctica with the IGY expedition as part of a U.S. Navy-supported scientific expedition to establish Ellsworth Station on the Filchner Ice Shelf. Innocents on the Ice is a memoir based on Behrendt’s handwritten journals, looking back on his daily entries describing his life and activities on the most isolated of the seven U.S. Antarctic stations.
 

Nine civilians and thirty Navy men lived beneath the snow together, and intense personal conflicts arose during the dark Antarctic winter of 1957. Little outside contact was available to ease the tension, with no mail delivery and only occasional radio contact with families back home. The author describes the emotional stress of the living situation, along with details of his parties’ explorations of the Filchner-Ronne Ice Shelf system during the summers of 1957 and 1958. Along the hazardous 1,300-mile traverse in two Sno-Cats, the field party measured ice thickness and snow accumulation as part of an international effort to determine the balance of the Antarctic ice sheet, and made the first geological observations of the spectacular Dufek Massif in the then-unexplored Pensacola Mountains. Behrendt also draws upon his forty years of continual participation in Antarctic research to explain the changes in scientific activities and environmental awareness in Antarctica today.
 

Including photos, maps, and a glossary identifying various forms of ice, Innocents on the Ice is a fascinating combination of the diary of a young graduate student and the reflections of the accomplished scientist he became. 

Massacre of the Innocents is the work of a secular poet who admires the basic texts—the angry qualities of fairytales equally along with the humorous virtues of sacred scriptures. Speaking with the voice of mature accomplishments, Ramke's poems do not struggle for their words but release them from a near-inexhaustible source.

As Ramke has said, “Poems are like children and have minds and manners of their own, luckily beyond the control of parents and poets.” These poems talk back—and they talk to each other. By stripping away the distractions of received meaning from the words he uses, Ramke makes necessary connections between reader and poem that can freshen meaning—make it new—as is often claimed for poetry but seldom achieved so well as in his work.