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Blooming through the Ashes
An International Anthology on Violence and the Human Spirit
Chanin, Clifford
Rutgers University Press, 2008

The twentieth century is frequently characterized in terms of its unprecedented levels of bloodshed. More human beings were killed or allowed to die by human cause than ever before in history. The impact of the century’s carnage does not end with the lives that were taken; the atrocities continue to take their toll on those who survived, on those who bore witness, and on succeeding generations.

Blooming through the Ashes features over sixty writings about this historic violence and its aftermath in a global anthology that brings together the work of Nobel laureates Seamus Heaney, Toni Morrison, Czeslaw Milosz, Wole Soyinka, Elie Wiesel, Imre Kertesz, Alexandr Solzhenitsyn, Eugenio Montale, and Pablo Neruda. In non-fiction and fiction, these writers and others reflect on the litany of man-made violence that marred the twentieth century and that shadows the twenty-first, including the Holocaust, the Gulag, the Chinese Cultural Revolution, apartheid, repression in Latin America, genocides in Rwanda, Cambodia, and the attacks of 9/11.

The texts are arranged thematically, rather than by event, in order to highlight the shared themes of memory expressed across culture and geography. Starting with visceral reactions to a violent event, chapters proceed through recognitions of loss, and move into statements of public remembrance through which future generations attempt to understand the impact of past violence.

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Jansenism
An International Anthology
Shaun Blanchard
Catholic University of America Press, 2024
Jansenism: An International Anthology is the first comprehensive anthology of Jansenist texts in English translation. Covering the full sweep of the Jansenist movement from the 1630s until the early nineteenth century, this anthology is a major asset to historians of early modernity, theologians, advanced and beginner students, and interested non-specialists. Readers of English can now directly hear the voices of the women and men, nuns and priests, and politicians and pamphleteers embroiled in some of the most dynamic controversies of early modern Christianity. While giving due attention to France, the anthology showcases the geographic breadth of Jansenism, from Portugal to Lebanon. Consequently, a team of translators have provided texts translated not just from French and Latin; selections from German, Spanish, Portuguese, Italian, and Arabic also appear here. Blanchard and Yoder present a diverse range of texts, including letters, tracts, periodical excerpts, books, treatises, and synodal documents. These readings cover the controversies over divine grace and penance for which Jansenism is infamous, but they also show the widening scope of Jansenists’ reformist concerns as the movement developed and changed. They address issues such as liturgical reform, devotion to Mary and the saints, politics, religious toleration, prayer, gender and the role of women in the Church, polemics, and ecclesiastical reform. The whole volume is introduced by an essay introducing Jansenism, exposing the important themes, summarizing the relevant scholarship, and contextualizing the content that will follow. Jansenism: An International Anthology provides the first port-of-call for the study of Jansenism in English. The anthology presents a diverse and rich selection of primary source texts and draws on the best recent research into the fascinating and controversial transnational phenomena called “Jansenism.”
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Media Poetry
An International Anthology
Edited by Eduardo Kac
Intellect Books, 2007
Today's innovative poets no longer express their dissenting voice on the printed page but in the experimental realm of contemporary media, where holograms, video projections, and even biotechnology form the basis of a new syntax. Celebrated poet and artist Eduardo Kac's Media Poetry is the first anthology to document this radically new form, which is taking language beyond the confines of verse and into the non-linear world of digital interactivity and hyperlinkage.
This unparalleled volume takes up all the exhilarating incarnations of media poetry, from real-time text generation and spatiotemporal discontinuities to immateriality and visual tempo, exploring the international group of revolutionary poets responsible for such innovations. By embracing the vast possibilities made available by new media, the artists featured in this anthology have become the poetic pioneers of the next millennium.
 
 
 
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Surrealist Women
An International Anthology
Edited by Penelope Rosemont
University of Texas Press, 1998

Beginning in Paris in the 1920s, women poets, essayists, painters, and artists in other media have actively collaborated in defining and refining surrealism's basic project—achieving a higher, open, and dynamic consciousness, from which no aspect of the real or the imaginary is rejected. Indeed, few artistic or social movements can boast as many women forebears, founders, and participants—perhaps only feminism itself. Yet outside the movement, women's contributions to surrealism have been largely ignored or simply unknown.

This anthology, the first of its kind in any language, displays the range and significance of women's contributions to surrealism. Letting surrealist women speak for themselves, Penelope Rosemont has assembled nearly three hundred texts by ninety-six women from twenty-eight countries. She opens the book with a succinct summary of surrealism's basic aims and principles, followed by a discussion of the place of gender in the movement's origins. She then organizes the book into historical periods ranging from the 1920s to the present, with introductions that describe trends in the movement during each period. Rosemont also prefaces each surrealist's work with a brief biographical statement.

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