Explorer and geographer Alastair Bonnett takes us on a thought-provoking tour of the world’s most fascinating islands, featuring hand-drawn maps, color photos, and stories from his travels.

There are millions of islands on our planet. New islands are being built at an unprecedented rate, for tourism and territorial ambition. Many are also disappearing, besieged by rising sea levels. The story of our world’s islands is one of the great dramas of our time, and it is playing out around the planet—islands are sprouting or being submerged everywhere from the South China Sea to the Atlantic. Elsewhere is the story of this strange and mesmerizing planetary spectacle.
 
In this book, explorer and geographer Alastair Bonnett takes us on a thought-provoking tour of the world’s most fascinating islands. He traveled the globe to provide a firsthand look at numerous islands, sketching a vivid likeness of each one he visited. From a “crannog,” an ancient artificial island in a Scottish loch, to the militarized artificial islands China is building; from the disappearing islands that remain the home of native Central Americans to the ritzy new islands of Dubai; from Hong Kong to the Isles of Scilly—all have compelling stories to tell. As we journey around the world with Bonnett, he addresses urgent contemporary issues such as climate change, economic inequality, and the changing balance of world power as reflected in the fates of islands. Along the way, we also learn about the many ways islands rise and fall, the long and little-known history of human island-building and the prospect that the inland hills and valleys will one day be archipelagos.
 
Featuring Bonnett’s charming hand-drawn maps and 33 full-color photos, Elsewhere is a captivating travel book for any armchair adventurer.

Explore theories, readings and interpretations from island perspectives

In this collection the authors focus on contextual, cultural, and postcolonial criticisms. This work seeks to move beyond simply reacting to, rejecting, or recasting biblical interpretations that misunderstand or mischaracterize island space. Instead it serves as an entry point to thinking biblically through the island. The contributors are Margaret Aymer, Randall C. Bailey, Roland Boer, Steed Vernyl Davidson, Jione Havea, Hisako Kinukawa, Grant Macaskill, Mosese Ma'ilo, J. Richard Middleton, Althea Spencer Miller, Aliou C. Niang, Andrew Mein, Daniel Smith-Christopher, Nasili Vaka'uta, and Elaine M. Wainwright.

Features:

• Sixteen essays by islanders rooted in Asia, America, the Caribbean, Europe, and Oceania
• Essays that invite a conversation on how being islanders and islandedness condition the way islanders read biblical texts
• Three sections of articles, two of which engage the first

We are culturally conditioned to think of war and peace in binary terms of strict opposition. Correspondingly, we tend to focus our attention on conflict prevention or conflict resolution. But as Islands of Agreement demonstrates, peace and war are seldom polar totalities but increasingly can and do coexist within the confines of a single scenario.

Consequently, Gabriella Blum suggests that even where conflict exists, we regard it as only one dimension of an ongoing, multifaceted interstate relationship. The result is a shift in perspective away from the constricting notions of "prevention" or "resolution" toward a more holistic approach of relationship management.

This approach is especially pertinent because conflicts cannot always be prevented or resolved. Through case studies of long-enduring rivalries--India and Pakistan, Greece and Turkey, Israel and Lebanon--Blum shows how international law and politics can function in the battlefield and in everyday life, forming a hybrid international relationship.

Through a strategy she calls "islands of agreement," Blum argues that within the most entrenched and bitter struggles, adversaries can carve out limited areas that remain safe or even prosperous amid a tide of war. These havens effectively reduce suffering and loss and allow mutually beneficial exchanges to take place, offering hope for broader accords.

Since the late 1960s a ubiquitous feature of popular culture in Japan has been the "idol," an attractive young actor, male or female, packaged and promoted as an adolescent role model and exploited by the entertainment, fashion, cosmetic, and publishing industries to market trendy products. This book offers ethnographic case studies regarding the symbolic qualities of idols and how these qualities relate to the conceptualization of selfhood among adolescents in Japan and elsewhere in East Asia. The author explores how the idol-manufacturing industry absorbs young people into its system of production, molds them into marketable personalities, commercializes their images, and contributes to the construction of ideal images of the adolescent self.

Since the relationship between the idols and their consumers is dynamic, the study focuses on the fans of idols as well. Ultimately, Aoyagi argues, idol performances substantiate capitalist values in the urban consumer society of contemporary Japan and East Asia. Regardless of how crude their performances may appear in the eyes of critics, the idols have helped establish the entertainment industry as an agent of public socialization by driving public desires toward the consumption of commoditized fantasies.

Camilla Fojas explores a broad range of popular culture media—film, television, journalism, advertisements, travel writing, and literature—with an eye toward how the United States as an empire imagined its own military and economic projects. Impressive in its scope, Islands of Empire looks to Cuba, Guam, Hawai‘i, Puerto Rico, and the Philippines, asking how popular narratives about these island outposts expressed the attitudes of the continent throughout the twentieth century. Through deep textual readings of Bataan, Victory at Sea, They Were Expendable, and Back to Bataan (Philippines); No Man Is an Island and Max Havoc: Curse of the Dragon (Guam); Cuba, Havana, and Dirty Dancing: Havana Nights (Cuba); Blue Hawaii, Gidget Goes Hawaiian, and Paradise, Hawaiian Style (Hawai‘i); and West Side Story, Fame, and El Cantante (Puerto Rico), Fojas demonstrates how popular texts are inseparable from U.S. imperialist ideology.

Drawing on an impressive array of archival evidence to provide historical context, Islands of Empire reveals the role of popular culture in creating and maintaining U.S. imperialism. Fojas’s textual readings deftly move from location to location, exploring each island’s relationship to the United States and its complementary role in popular culture. Tracing each outpost’s varied and even contradictory political status, Fojas demonstrates that these works of popular culture mirror each location’s shifting alignment to the U.S. empire, from coveted object to possession to enemy state.

Everyone worries about privacy these days. As corporations and governments devise increasingly sophisticated data gathering tools and joining Facebook verges on obligatory, concerns over the use and abuse of personal information are undeniable. But the way privacy functions on the virtual frontier of the Internet is only a subset of the fascinating ways we work to achieve it throughout our everyday lives. In Islands of Privacy, Christena Nippert-Eng pries open the blinds, giving us an intimate view into the full range of ordinary people’s sometimes extraordinary efforts to preserve the border between themselves and the rest of the world.

Packed with stories that are funny and sad, familiar and strange, Islands of Privacy tours the myriad arenas where privacy battles are fought, lost, and won. Nippert-Eng explores how we manage our secrets, our phone calls and e-mail, the perimeters of our homes, and our interactions with neighbors. She discovers that everybody practices the art of selectively concealing and disclosing information on a daily basis. This important balancing act governs a wide range of behaviors, from deciding whether to give our bosses our cell phone numbers to choosing what we carry in our wallets or purses. Violations of privacy and anxiety about how we grant it to each other also come under Nippert-Eng’s microscope as she crafts a compelling argument that successfully managing privacy is critical for successfully maintaining our relationships with each other and our selves.

Roaming from the beach to the bank and from the bathroom to the bus, Nippert-Eng’s keenly observed and vividly told book gives us the skinny on how we defend our shrinking islands of privacy in the vast ocean of accessibility that surrounds us.

Hot, arid, and uninhabited, the western Midriff Islands lie in the Gulf of California, surrounded by an often-treacherous sea. Given these conditions, why would ancient people go there, and why would anybody go there today? Thomas Bowen addresses these questions in the first comprehensive history of these islands.

Bowen draws on a wide range of sources, including the first archaeological field work ever conducted on the islands, written accounts dating back to the sixteenth century, oral histories of native people, contemporary interviews, and his own firsthand experiences. Among those cast in the islands’ historical drama are the Seri (Comcaac) people of Sonora, the extinct Cochimís of Baja California, Spanish explorers, Jesuit missionaries, pearl fishers, egg collectors, guano miners, hydrographers, cartographers, small-scale Mexican fishermen, recreational anglers, writers, photographers, ecotourists, shipwreck victims, and, most importantly, scientists. The final chapter documents the impact of this human activity on the islands’ ecosystems and examines conservation efforts now underway. Compelling and richly illustrated, this broadly based work provides a unique picture of these extraordinary islands.

The Islands of the Sun and the Moon in Bolivia's Lake Titicaca were two of the most sacred locations in the Inca empire. A pan-Andean belief held that they marked the origin place of the Sun and the Moon, and pilgrims from across the Inca realm made ritual journeys to the sacred shrines there. In this book, Brian Bauer and Charles Stanish explore the extent to which this use of the islands as a pilgrimage center during Inca times was founded on and developed from earlier religious traditions of the Lake Titicaca region.

Drawing on a systematic archaeological survey and test excavations in the islands, as well as data from historical texts and ethnography, the authors document a succession of complex polities in the islands from 2000 BC to the time of European contact in the 1530s AD. They uncover significant evidence of pre-Inca ritual use of the islands, which raises the compelling possibility that the religious significance of the islands is of great antiquity. The authors also use these data to address broader anthropological questions on the role of pilgrimage centers in the development of pre-modern states.

Considered by most scholars to be the last play that Shakespeare wrote, The Tempest is a stormy tale of betrayal and forgiveness. After being banished by his brother Antonio, Prospero harnesses the magic of an otherworldly island full of monsters and spirits to seek revenge. In reworking this play for a twenty-first-century audience, Kenneth Cavander focuses on the humor and the magic in the tale, much of which has largely escaped modern audiences in recent years. 

Cavander’s translation of The Tempest, which premiered at the Alabama Shakespeare Festival in 2017, was written as part of the Play On! Shakespeare project, an ambitious undertaking from the Oregon Shakespeare Festival that commissioned new translations of 39 Shakespeare plays. These translations present the Bard’s work in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era. 

Boldly original and boundary defining, The Topological Imagination clears a space for an intellectual encounter with the shape of human imagining. Joining two commonly opposed domains, literature and mathematics, Angus Fletcher maps the imagination’s ever-ramifying contours and dimensions, and along the way compels us to re-envision our human existence on the most unusual sphere ever imagined, Earth.

Words and numbers are the twin powers that create value in our world. Poetry and other forms of creative literature stretch our ability to evaluate through the use of metaphors. In this sense, the literary imagination aligns with topology, the branch of mathematics that studies shape and space. Topology grasps the quality of geometries rather than their quantifiable measurements. It envisions how shapes can be bent, twisted, or stretched without losing contact with their original forms—one of the discoveries of the eighteenth-century mathematician Leonhard Euler, whose Polyhedron Theorem demonstrated how shapes preserve “permanence in change,” like an aging though familiar face.

The mysterious dimensionality of our existence, Fletcher says, is connected to our inhabiting a world that also inhabits us. Theories of cyclical history reflect circulatory biological patterns; the day-night cycle shapes our adaptive, emergent patterns of thought; the topology of islands shapes the evolution of evolutionary theory. Connecting literature, philosophy, mathematics, and science, The Topological Imagination is an urgent and transformative work, and a profound invitation to thought.

Alison Carey brings the confusion and mischief of Shakespeare’s comedy into the twenty-first century. 
 
Shakespeare’s Twelfth Night centers on power and love. One of the most perennially produced of Shakespeare’s comedies, it talks about shipwrecked twins, gender-bending romance, and a bumper crop of fools, from the wise to the ridiculous. Modernizing the language of the play, Alison Carey’s translation revives the joy of this comedy, taking the archaic humor and renewing it for a contemporary audience. 
 
This translation of Twelfth Night was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present the work of “The Bard” in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.