Michele Campo is living the bourgeois Italian dream. Now a speech pathologist in his forties, he resides in an expensive Naples home with his partner, Costanza, daughter of an upper-class family. Michele’s own family origins, however, are murkier. When he is assigned to work with five-year-old foster child Martina, he grows increasingly engrossed by her case, as his own buried family history slowly claws its way back to the surface. The first novel by acclaimed Italian writer Angelo Cannavacciuolo to be translated into English, When Things Happen tells a powerful and intriguing story of what we lose when we leave our origins behind. It presents a panoramic view of Neapolitan society unlike any in literature, revealing a city of extreme contrasts, with a glamorous center ringed by suburban squalor. Above all, it is a psychologically nuanced portrait of a man struggling to locate what he values in life and the poor vulnerable child who helps him find it.
Feminist thought has wrestled with the question of whether religion has been principally responsible for the oppression of women or instead has provided access to culture, public life, and--sometimes--power. This study of Italian women and Catholicism from the fourth through the twentieth century reflects this conflict and the tension between the masculine character of divinity in the Catholic Church and the potential for equality in the gospels and early writings ("neither male nor female, but one in Jesus").
The various chapters in this book consider the institutions within which religious women lived, many of which they themselves founded or reorganized. In addition to overviews of women and the religious life throughout the periods under study, specific chapters focus on mystical marriage, religious writings by women, secular writings by nuns, women in sacred images, women in the nineteenth-century Christian family, Marian pilgrimages, and depictions of sisters and saints in film. The authors, leading American, Italian, and French scholars, have drawn on rich resources to provide a panorama of sixteen centuries of Italian history, religious history, and women's history.
Literary evidence is often silent about the lives of women in antiquity, particularly those from the buried cities of Pompeii and Herculaneum. Even when women are considered, they are often seen through the lens of their male counterparts. In this collection, Brenda Longfellow and Molly Swetnam-Burland have gathered an outstanding group of scholars to give voice to both the elite and ordinary women living on the Bay of Naples before the eruption of Vesuvius.
Using visual, architectural, archaeological, and epigraphic evidence, the authors consider how women in the region interacted with their communities through family relationships, businesses, and religious practices, in ways that could complement or complicate their primary social roles as mothers, daughters, and wives. They explore women-run businesses from weaving and innkeeping to prostitution, consider representations of women in portraits and graffiti, and examine how women expressed their identities in the funerary realm. Providing a new model for studying women in the ancient world, Women’s Lives, Women’s Voices brings to light the day-to-day activities of women of all classes in Pompeii and Herculaneum.
In 1918, Woodrow Wilson’s image as leader of the free world and the image of America as dispenser of democracy spread throughout Italy, filling an ideological void after the rout of Caporetto and diverting attention from a hapless ruling class. Wilson’s popularity depended not only on the modernity of his democratic message, but also on a massive propaganda campaign he conducted across Italy, using as conduits the American Red Cross, the YMCA, and the Committee on Public Information.
American popularity, though, did not ensure mutual understanding. The Paris peace negotiations revealed the limits of policies on both sides, illustrated most clearly in Wilson’s disastrous direct appeal to the Italian public. The estranged countries pulled inward, the Americans headed toward isolationism, the Italians toward fascism.
Rossini sets the Italian-American political confrontation within the full context of the two countries’ cultural perceptions of each other, different war experiences, and ideas about participatory democracy and peace. A stellar example of the new international history, this timely book highlights the impact of American ideology and sense of mission in the world.
This intellectually bold but accessible book seeks to go beyond limitations of the reigning neoclassical and institutional paradigms in explaining the organization of economic activity. It does this by construing “non-economic” factors such as institutions, cultures, and social practices as conventions, which coordinate economic actors by defining specific “frameworks of economic action.” In these conventional frameworks, the standard distinction between economic and non-economic no longer exists. The authors explore in detail four basic frameworks—or “possible worlds of production”—which underpin the mobilization of economic resources, the organization of production systems and factor markets, patterns of economic decision making, and forms of profitability. The case studies examine how these possible worlds act to support innovative production complexes in a variety of sectors in several countries.
Michael Storper and Robert Salais show that economic actors coordinate actions with one another and interpret what others are doing in ways that are constructed by convention. The principal challenge to economic policy today, they argue, is to reconcile internally coherent conventions with the external tests of product and financial markets, which tend increasingly to escape jurisdictional borders. There is no single model of growth and efficiency that brings these two sides together around the world today, even in narrowly defined product markets. If policies are to deal effectively with an increasingly unified global system of flows of commodities, money, and people, they must be aware of the diverse, economically viable action frameworks found in different industries, regions, and nations.
Leonardo Bruni (1370–1444) is widely recognized as the most important humanist historian of the early Renaissance. But why this recognition came about—and what it has meant for the field of historiography—has long been a matter of confusion and controversy. Writing History in Renaissance Italy offers a fresh approach to the subject by undertaking a systematic, work-by-work investigation that encompasses for the first time the full range of Bruni’s output in history and biography.
The study is the first to assess in detail the impact of the classical Greek historians on the development of humanist methods of historical writing. It highlights in particular the importance of Thucydides and Polybius—authors Bruni was among the first in the West to read, and whose analytical approach to politics led him in new directions. Yet the revolution in history that unfolds across the four decades covered in this study is no mere revival of classical models: Ianziti constantly monitors Bruni’s position within the shifting hierarchies of power in Florence, drawing connections between his various historical works and the political uses they were meant to serve.
The result is a clearer picture of what Bruni hoped to achieve, and a more precise analysis of the dynamics driving his new approach to the past. Bruni himself emerges as a protagonist of the first order, a figure whose location at the center of power was a decisive factor shaping his innovations in historical writing.
The Bolognese nun Diodata Malvasia was presumed to have authored only one work, The Arrival and the Miraculous Workings of the Glorious Image of the Virgin (1617). In her recently discovered second manuscript chronicle, A Brief Discourse on What Occurred to the Most Reverend Sisters of the Joined Convents of San Mattia and San Luca (1575), her writing demonstrates active resistance to Tridentine convent reform. Together, Malvasia’s works read as the bookends to a lifelong crusade on behalf of her convent.
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