front cover of Contested Boundaries
Contested Boundaries
Itinerancy and the Reshaping of the Colonial American Religious World
Timothy D. Hall
Duke University Press, 1994
The First Great Awakening in eighteenth-century America challenged the institutional structures and raised the consciousness of colonial Americans. These revivals gave rise to the practice of itinerancy in which ministers and laypeople left their own communities to preach across the countryside. In Contested Boundaries, Timothy D. Hall argues that the Awakening was largely defined by the ensuing debate over itinerancy. Drawing on recent scholarship in cultural and social anthropology, cultural studies, and eighteenth-century religion, he reveals at the center of this debate the itinerant preacher as a catalyst for dramatic change in the religious practice and social order of the New World.
This book expands our understanding of evangelical itinerancy in the 1740s by viewing it within the context of Britain’s expanding commercial empire. As pro- and anti-revivalists tried to shape a burgeoning transatlantic consumer society, the itinerancy of the Great Awakening appears here as a forceful challenge to contemporary assumptions about the place of individuals within their social world and the role of educated leaders as regulators of communication, order, and change. The most celebrated of these itinerants was George Whitefield, an English minister who made unprecedented tours through the colonies. According to Hall, the activities of the itinerants, including Whitefield, encouraged in the colonists an openness beyond local boundaries to an expanding array of choices for belief and behavior in an increasingly mobile and pluralistic society. In the process, it forged a new model of the church and its social world.
As a response to and a source of dynamic social change, itinerancy in Hall’s powerful account provides a prism for viewing anew the worldly and otherworldly transformations of colonial society. Contested Boundaries will be of interest to students and scholars of colonial American history, religious studies, and cultural and social anthropology.
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front cover of Yiddish Empire
Yiddish Empire
The Vilna Troupe, Jewish Theater, and the Art of Itinerancy
Debra Caplan
University of Michigan Press, 2018
Yiddish Empire tells the story of how a group of itinerant Jewish performers became the interwar equivalent of a viral sensation, providing a missing chapter in the history of the modern stage. During World War I, a motley group of teenaged amateurs, impoverished war refugees, and out- of- work Russian actors banded together to revolutionize the Yiddish stage. Achieving a most unlikely success through their productions, the Vilna Troupe (1915– 36) would eventually go on to earn the attention of theatergoers around the world. Advancements in modern transportation allowed Yiddish theater artists to reach global audiences, traversing not only cities and districts but also countries and continents. The Vilna Troupe routinely performed in major venues that had never before allowed Jews, let alone Yiddish, upon their stages, and operated across a vast territory, a strategy that enabled them to attract unusually diverse audiences to the Yiddish stage and a precursor to the organizational structures and travel patterns that we see now in contemporary theater. Debra Caplan’s history of the Troupe is rigorously researched, employing primary and secondary sources in multiple languages, and is engagingly written.
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