When an idealistic American named Edmund Stevens arrived in Moscow in 1934, his only goal was to do his part for the advancement of international Communism. His job writing propaganda led to a reporting career and an eventual Pulitzer Prize in 1950 for his uncensored descriptions of Stalin’s purges. This book tells how Stevens became an accidental journalist—and the dean of the Moscow press corps.

            The longest-serving American-born correspondent working from within the Soviet Union, Stevens was passionate about influencing the way his stateside readers thought about Russia’s citizens, government, and social policy. Cheryl Heckler now traces a career that spanned half a century and four continents, focusing on Stevens’s professional work and life from 1934 to 1945 to tell how he set the standards for reporting on Soviet affairs for the Christian Science Monitor.

            Stevens was a keen observer and thoughtful commentator, and his analytical mind was just what the Monitor was looking for in a foreign correspondent. He began his journalism career reporting on the Russo-Finnish War in 1939 and was the Monitor’s first man in the field to cover fighting in World War II. He reported on the Italian invasion of Greece, participated in Churchill’s Moscow meeting with Stalin as a staff translator, and distinguished himself as a correspondent with the British army in North Africa.

Drawing on Stevens’s memoirs—to which she had exclusive access—as well as his articles and correspondence and the unpublished memoirs of his wife, Nina, Heckler traces his growth as a frontline correspondent and interpreter of Russian culture. She paints a picture of a man hardened by experience, who witnessed the brutal crushing of the Iron Guard in 1941 Bucharest and the Kharkov hangings yet who was a failure on his own home front and who left his wife during a difficult pregnancy in order to return to the war zone. Heckler places his memoirs and dispatches within the larger context of events to shed new light on both the public and the private Stevens, portraying a reporter adapting to new roles and circumstances with a skill that journalists today could well emulate.

By exposing the many facets of Stevens’s life and experience, Heckler gives readers a clear understanding of how this accidental journalist was destined to distinguish himself as a war reporter, analyst, and cultural interpreter. An Accidental Journalist is an important contribution to the history of war reporting and international journalism, introducing readers to a man whose inside knowledge of Stalinist Russia was beyond compare as it provides new insight into the Soviet era.

In 1990, the New York Times wrote, "Government corruption was not invented in West Virginia. But there are people who contend that West Virginia officials have done more than their share over the years to develop state-of-the-art techniques in vote theft, contract kickbacks, influence peddling and good old-fashioned bribery, extortion, fraud, tax evasion and outright stealing." While investigating such events as the Invest Right scandal, Thomas Stafford, a former journalist for the Charleston Gazette, would find himself in a very precarious position. As a reporter he felt obligated to tell the whole truth, and he believed in the need to serve the public and those West Virginians who were being abused by a political machine.

In Afflicting the Comfortable, Stafford relates such tales of the responsibility of journalism and politics in coordination with scandals that have unsettled the Mountain State over the past few decades. His probing would take him from the halls of Charleston to the center of our nation's ruling elite. Guided by his senses of duty, right, and fairness, he plunged head first into the misdeeds of West Virginia's politicians. His investigations would be the preface to the downfall of a governor and an adminstration that had robbed the state and the citizens of West Virginia for years.

"The host had brought out a pair of boxing gloves and asked the president if any of his friends would like to indulge in the Australian sport of boxing kangaroos. Once the president of the United States had selected me, there was almost no way out, unless I ran home to tell my mother."

In Boxing the Kangaroo: A Reporter's Memoir, Robert J. Donovan shares many exciting events that highlighted his stellar journalistic career. As an investigative reporter during five presidential administrations, Donovan has had many "insider" experiences. His memoir delightfully humanizes each of the five presidents he reported on: Truman, Eisenhower, Kennedy, Johnson, and Nixon.

Donovan began his career working as a night copyboy for the Buffalo Courier-Express, earning seven dollars a week. In 1937, he got a job as a reporter for the New York Herald Tribune, where he worked for many years. By 1942 the Herald Tribune had assigned Donovan to cover City Hall and the lively activities of Fiorello La Guardia. After his service in World War II he returned to the Herald Tribune to cover the man from Missouri who followed FDR. Ultimately, Donovan served as chief of the New York Herald Tribune Washington bureau and the Los Angeles Times Washington bureau.

Donovan traveled across the country with Harry S. Truman during his "Give 'Em Hell, Harry" campaign. He covered Dwight D. Eisenhower's election, about which he says there was never a doubt--Ike, the war hero, mesmerized the country. He was a personal friend of John F. Kennedy, having written about the President's PT-109 heroics in World War II, and was on the scene the day Kennedy was assassinated: "The drama in the second press bus, in which I rode in the presidential motorcade in Dallas, is unforgettable. `Why has the motorcade stopped?' a reporter asked as we drew near the Texas School Book Depository. . . . `I heard a shot,' another said. A voice in the rear contradicted him. `That was a motorcycle backfiring.'" Donovan would find out shortly before the rest of the world that, in fact, it was not a motorcycle backfiring, but the firing of an assassin's bullet that killed the nation's thirty-fifth president.

Boxing the Kangaroo is one of the best "I was there" accounts of American history. This fascinating book will appeal to journalists, American history buffs, and the general reader alike.

Anthony Collings found himself in his share of difficult situations in his thirty-four years as a newsman. Like being captured by AK-47–toting Syrians in Lebanon in 1981 while looking for missiles that threatened a new outbreak of hostilities with Israel, or being “detained” by the KGB in Moscow in 1967 during his first foreign posting for the Associated Press filing stories about Soviet dissidents.

To attract readers, journalists have long trafficked in the causes of trauma--crime, violence, warfare--as well as psychological profiling of deviance and aberrational personalities. Novelists, in turn, have explored these same subjects in developing their characters and by borrowing from their own traumatic life stories to shape the themes and psychological terrain of their fiction. In this book, Doug Underwood offers a conceptual and historical framework for comprehending the impact of trauma and violence in the careers and the writings of important journalist-literary figures in the United States and British Isles from the early 1700s to today.

Grounded in the latest research in the fields of trauma studies, literary biography, and the history of journalism, this study draws upon the lively and sometimes breathtaking accounts of popular writers such as Charles Dickens, Ernest Hemingway, Dorothy Parker, Graham Greene, and Truman Capote, exploring the role that trauma has played in shaping their literary works. Underwood notes that the influence of traumatic experience upon journalistic literature is being reshaped by a number of factors, including news media trends, the advance of the Internet, the changing nature of the journalism profession, the proliferation of psychoactive drugs, and journalists' greater self-awareness of the impact of trauma in their work.

The most extensive scholarly examination of the role that trauma has played in the shaping of our journalistic and literary heritage, Chronicling Trauma: Journalists and Writers on Violence and Loss discusses more than a hundred writers whose works have won them fame, even at the price of their health, their families, and their lives.

This superb biography provides for the first time a candid look at the remarkable life of Walter Williams, the man who founded the world's first school of journalism and perhaps contributed more toward the promotion of professional journalism than any other person of his time.

Williams, the youngest of six children, was born in Boonville, Missouri, in 1864. Never an athletic child, he always had a love of books and of learning; yet, he scarcely had a high school education. He began his journalistic career as a printer's devil at seventy cents per week and eventually became editor and part- owner of a weekly in Columbia, Missouri. During his time as an editor, Williams became convinced that journalism would never reach its potential until its practitioners had the opportunity for university training in their field. After years of crusading, he established the first journalism school, on the University of Missouri campus. Later, he was chosen president of the University of Missouri, which he led with distinction during the Great Depression.

Williams was an unwavering advocate of high professional standards. His Journalist's Creed became one of the most widely circulated codes of professional ethics. Williams inspired the confidence of his fellow journalists, and he carried his message to nearly every country in which newspapers were published. Not only did he invent journalism education, he also created global organizations of journalists and spread the gospel of professionalism throughout the world. His death, in 1935, was mourned throughout the United States, and editorial tributes came from around the world. As one British editor succinctly put it, "Williams was not born to greatness. Neither was it thrust upon him. Literally, he achieved greatness."

Dark Days in the Newsroom traces how journalists became radicalized during the Depression era, only to become targets of Senator Joseph McCarthy and like-minded anti-Communist crusaders during the 1950s. Edward Alwood, a former news correspondent describes this remarkable story of conflict, principle, and personal sacrifice with noticeable élan. He shows how McCarthy's minions pried inside newsrooms thought to be sacrosanct under the First Amendment, and details how journalists mounted a heroic defense of freedom of the press while others secretly enlisted in the government's anti-communist crusade.

Relying on previously undisclosed documents from FBI files, along with personal interviews, Alwood provides a richly informed commentary on one of the most significant moments in the history of American journalism. Arguing that the experiences of the McCarthy years profoundly influenced the practice of journalism, he shows how many of the issues faced by journalists in the 1950s prefigure today's conflicts over the right of journalists to protect their sources.

The Seventh Volume in the Deaf Lives Series

Elizabeth Thompson’s hearing loss was detected when she was in elementary school, and her hearing continued to deteriorate until she became completely deaf. Like many other hard of hearing and late-deafened individuals, her hearing loss complicated the general challenges of life. She struggled through school, worked as a secretary, married, had a daughter, and then found herself living as a single mother. She remarried, and soon after learned that she had contracted Multiple Sclerosis (MS). Despite these hurdles, Thompson always expressed her determination to enjoy the best life had to offer. Her astonishing exuberance might have gone unnoticed if she hadn’t accepted a new position as a reporter/columnist in 1998 for the Suburban News Publications (SNP). Day by Day: The Chronicles of a Hard of Hearing Reporter presents a marvelous blend of her experiences and best SNP columns that illustrate how she crafted her remarkable outlook.

In her columns, Thompson presented how she handled her hearing loss as a personal guide for readers. She used every stratagem available to function full-throttle – hearing aids, FM systems, lights for alarms, TTYs, even training her dog Snert. She also gently counseled readers on how to treat deaf and hard of hearing people with practical consideration and respect. Her pursuit of a fully realized life enabled her to do what she loved most, to meet and write about inspiring persons, many of whom are profiled in her memoir. Thompson eventually underwent cochlear implantation that restored 95% of her hearing, an exalting moment for her. Yet, Day by Day celebrates the entire arc of her life, a wonderful testament to her joyous resilience.

Devil's Game traces the amazing career of Charles A. Dunham, Civil War spy, forger, journalist, and master of dirty tricks. Writing for a variety of New York papers under alternate names, Dunham routinely faked stories, created new identities, and later boldly cast himself to play those roles. He achieved his greatest infamy when he was called to testify in Washington concerning Abraham Lincoln's assassination. Many parts of Dunham's career remain shadowy, but Cumming offers the first detailed tour of Dunham's convoluted, high-stakes, international deceits, including his effort to sell Lincoln on plans for a raid to capture Jefferson Davis. 

Exhaustively researched and unprecedented in depth, this carefully crafted assessment of Dunham's motives, personality, and the complex effects of his schemes changes assumptions about covert operations during the Civil War.

The correspondence of these two prominent women reveals their concerns with love, career, and marriage. Their letters tell the story of the first generation of women to come of age during the twentieth century, as they tried to cope with problems that still face women today.

E. James West's fresh and fascinating exploration of Ebony’s political, social, and historical content illuminates the intellectual role of the iconic magazine and its contribution to African American scholarship. He also uncovers a paradox. Though Ebony provided Bennett with space to promote a militant reading of black history and protest, the magazine’s status as a consumer publication helped to mediate its representation of African American identity in both past and present.

Mixing biography, cultural history, and popular memory, West restores Ebony and Bennett to their rightful place in African American intellectual, commercial, and political history.

"This is a book that anyone interested in South Carolina history, the emergence of the New South, and the southern press, so important to the regional culture, will find valuable. Clark has researched all the important manuscript collections and a wide variety of other sources. He also writes in a style that is lucid and imaginative." —Journal of Southern History

In 1937 and 1938, Ernest Hemingway made four trips to Spain to cover its civil war for the North American News Alliance wire service and to help create the pro-Republican documentary film The Spanish Earth. Hemingway’s Second War is the first book-length scholarly work devoted to this subject.

In the Shadow of the Bear chronicles the author's return, after a forty-year absence, to the site of his childhood summer vacations at Little Glen Lake in northwestern Lower Michigan's Leelanau  peninsula.
     The ancient Ojibwa legend that gave a name to the area's most striking geographical feature, the Sleeping Bear Sand Dunes, offers a way of understanding his mother's powerful but sometimes restless force of love and ambition in the family, as well as his father's quieter, often self-sacrificing love. Chapters devoted to the return to Leelanau, to each of his parents, and to his father's family culminate in the narrative of his daughter's 2005 Leelanau wedding.
     Jim McGavran tells his story of self-discovery in prose that is alternatively frank and lyrical as he recaptures his bewildered yet enchanted boyhood self, filtered through his consciousness of longing and loss, lending the writing a particular poignancy.

An affectionate, humorous account of small town Alabama during the civil rights era.

When Frank Sikora's six-year-old daughter contracted pneumonia in 1962, his wife Millie vowed that would be the last winter she would spend in Ohio. Despite their misgivings about the racial tensions erupting there, they moved their family of six south, where Frank hoped to fulfill his dream of becoming a newspaper reporter. But when those dreams didn't materialize immediately, mounting bills, repossession, and eviction forced them to move in with Millie's parents, Dan and Minnie Belle Helms, in rural Wellington, Alabama.

With even slimmer prospects for employment in impoverished Calhoun County, the Sikoras came to depend heavily upon the Helmses and extended family members and all their lives became closely intertwined. The Helmses were uneducated, unpolished people, but Sikora's narration of his life with them—often humorous but never condescending—provides a compelling portrait of the attitudes and lifestyle of poor whites in Alabama during the second half of the 20th century, just as James Agee's monumental work, Let Us Now Praise Famous Men, illuminated the Depression years in Hale County, Alabama. Sikora illustrates how resourceful, southern women, in particular, held their families together through trying times.

Interwoven with this commentary on rural white culture in the Deep South is the story of Sikora's developing career as a newsman. Determined to succeed, he finally lands a job with the Gadsden Times reporting the news of black citizens. From that introduction to journalism, Sikora becomes one of Alabama's most acclaimed chroniclers of the civil rights movement, eventually writing some of the acknowledged masterpieces about the subject. Like his landmark book, Selma, Lord, Selma, Sikora's newest work tells the stories of ordinary Alabamians and their perspectives on extraordinary times.

At the turn of the twentieth century, the bustling railroad town of Lone Rock, Wisconsin, was home to about a thousand residents, and Freeland Dexter seemed to know the business of every single one. Dexter reported all the news from Lone Rock—from the significant to the trivial, the tragic to the comical—for the Weekly Home News of neighboring Spring Green from 1884 to 1912.

This collection of Dexter’s most fascinating, amusing, and poignant stories and observations brings back to life the colorful characters of his time and takes readers on a journey to a world that was both simpler and changing fast. Whether he was reporting who grew the biggest watermelon, teasing the local lovebirds, or taking a side on the ever-controversial question of whether the town should go dry, Dexter wrote with a distinctive wit and an obvious affection for his town and its people. The News from Lone Rock also provides an illuminating window into a time period of rapid technological progress, showing how the introduction of electric light, telephones, and cars changed lives and connected this quaint village more and more to the outside world.

An American reporter of Russian heritage assigned to Soviet-era Moscow might seem to have an edge on his colleagues, but when he’s falsely accused of spying, any advantage quickly evaporates. . . . .           

As a young UPI correspondent in Moscow during the early 1960s, Nicholas Daniloff hoped to jump-start his career in his father’s homeland, but he soon learned that the Cold War had its own rules of engagement. In this riveting memoir, he describes the reality of journalism behind the Iron Curtain: how Western reporters banded together to thwart Soviet propagandists, how their “official sources” were almost always controlled by the KGB—and how those sources would sometimes try to turn newsmen into collaborators.

Leaving Moscow for Washington in 1965, Daniloff honed his skills at the State Department, then returned to Moscow in 1981 to find a more open society. But when the FBI nabbed a Soviet agent in 1986, Daniloff was arrested in retaliation and thrown into prison as a spy—an incident that threatened to undo the Reykjavik summit until top aides to Reagan and Gorbachev worked out a solution.

In addition to recounting a career in the thick of international intrigue, Of Spies and Spokesmen is brimming with inside information about historic events. Daniloff tells how the news media played a crucial role in resolving the Cuban Missile Crisis, recalls the emotional impact of the JFK assassination on Soviet leadership, and describes the behind-the-scenes struggles that catapulted Mikhail Gorbachev to power. He even shares facts not told to the public: how the SAC would warn Moscow that its submarines were too close to American shores, why the Soviets shot down the KAL airliner without visual identification, and how American reporters in Moscow sometimes did dangerous favors for our government that could easily have been mistaken for espionage.

Daniloff sheds light not only on prominent figures such as Nikita Khrushchev and Henry Kissinger but also on suspected spies Frederick Barghoorn, John Downey, and ABC correspondent Sam Jaffe—unfairly branded a Soviet agent by the FBI. In addition, he assesses the performance of Henry Shapiro, dean of American journalists in Moscow, whose forty years in the adversary’s capital often provoke questions about his role and reputation.

 In describing how the Western press functioned in the old Soviet Union—and how it still functions in Washington today—Daniloff shows that the Soviet Russia he came to know was far more complex than the “evil empire” painted by Ronald Reagan: a web of propaganda and manipulation, to be sure, but also a place of hospitality and friendship. And with Russia still finding its way toward a new social and political order, he reminds us that seventy years of Communist rule left a deep impression on its national psyche. As readable as it is eye-opening, Of Spies and Spokesmenprovides a new look at that country’s heritage—and at the practice of journalism in times of crisis. 

Although today he is virtually unknown, during his lifetime Cummings was one of the most famous newspapermen in the United States, in part because of stories like these. Complete with a biographical sketch and historical introduction, A Remarkable Curiosity is an enjoyable read for anybody interested in the American West in the latter half of the nineteenth century.

A southern journalist campaigns for racial understanding during the
struggle over school desegregation in Virginia.

In 1958 the nation's attention was focused on Norfolk,
Virginia, where nearly ten thousand students were locked out of their schools.
Rather than comply with the desegregation mandate of Brown v. Board
of Education, Governor J. Lindsay Almond, supported by the powerful
political machine of Senator Harry F. Byrd, Sr., had closed Norfolk's white
secondary schools.

Massive resistance to integration transformed Norfolk
into a civil rights arena. Although the process by which Norfolk's schools
were integrated was far from orderly, the transition was characterized
by debate, political maneuvering, and judicial action--not violence. Lenoir
Chambers, editor of the Norfolk Virginian-Pilot, conducted a five-year
editorial campaign supporting the peaceful implementation of the Court's
order. The Pilot was Virginia's only white newspaper to take this
position. Chambers was later awarded a Pulitzer Prize for his editorials.

Utilizing a wide range of primary and secondary sources,
Standing before the Shouting Mob examines Chambers's campaign, explores
the influences that shaped his racial views, and places him within the
context of southern journalism. The book also provides a detailed analysis
of Virginia's massive resistance and Norfolk's school closing.

In this groundbreaking study, Joyce Hoffmann examines a critical twenty-five-year period in the work of one of the most influential journalists of the twentieth century. Theodore H. White was already a celebrated reporter when Jacqueline Kennedy summoned him for an exclusive interview in the aftermath of her husband's assassination. With her help, White would preserve what the First Lady claimed had been John F. Kennedy's vision of the New Frontier as an incarnation of that wistful, romantic kingdom--Camelot. Over the years, friends and advisers to Kennedy declared that they had never heard the president speak of Camelot. But White's article, which ran in Life magazine, created a myth that still endures in the popular consciousness.

That story was just one of many by Theodore White that had a lasting impact on the nation. As a correspondent for several of the country's most popular magazines, he covered the crucial events of the 1940s, '50s, and '60s. His best-selling book The Making of the President 1960 changed political reporting forever.

A gifted and likable man with a remarkable skill for ingratiating himself with others, White earned the confidence of key political, military, and diplomatic leaders. First in the Far East, later in Europe, and finally in Washington, D.C., he became a confidant and adviser rather than an adversary to the figures he covered for the news, following a pattern set by elite journalists. Even as he played the impartial reporter, White kept secrets in order to maintain access to his important sources, and he occasionally allowed his subjects, including John F. Kennedy and Nelson Rockefeller, to make changes in his work before publication.

Clinging to the illusion of objectivity, White--like other leading journalists in the postwar years--wrote about the world not as it was but as he believed it ought to be. Hoffmann relates the little-known episode in White's career when he intentionally obscured the truth about Chiang Kai-shek's corrupt and inept Nationalist government because he believed that undermining China's cause would be "a disservice to democracy."

No other book so thoroughly documents how a first-rank journalist can become a political insider and distort the news without losing the gloss of impartiality that is supposed to accompany the profession. Impressively researched, skillfully written, Theodore H. White and Journalism as Illusion is an unflinching look at a key figure in the history of American journalism and at the profession itself.

For fifty years, William Allen White, first as a reporter and later as the long-time editor of the Emporia Gazette, wrote of his small town and its Mid-American values. By tailoring his writing to the emerging urban middle class of the early twentieth century, he won his “gospel of Emporia” a nationwide audience and left a lasting impact on he way America defines itself.

Investigating White’s life and his extensive writings, Edward Gale Agran explores the dynamic thought of one of America’s best-read and most-respected social commentators. Agran shows clearly how White honed his style and transformed the myth of conquering the western frontier into what became the twentieth-century ideal of community building.

Once a confidante of and advisor to Theodore Roosevelt, White addressed, and reflected in his work, all the great social and political oscillations of his time—urbanization and industrialism, populism, and progressivism, isolationism internationalism, Prohibition, and New Deal reform. Again and again, he asked the question “What’s the matter?” about his times and townspeople, then found the middle ground. With great care and discernment, Agran gathers the man strains of White’s messages, demonstrating one writer’s pivotal contribution to our idea of what it means to be an American.

Choice 1997 Outstanding Academic Book

Why have some traditional cold warriors opposed involvement in Iraq and the former Yugoslavia, while many vocal critics of the Vietnam war supported the use of U.S. forces in Somalia, Haiti, and the Balkans? What do these debates tell us about American attitudes toward the use of military force to achieve foreign policy goals? The authors examine the ethical and moral underpinnings of U.S. international relations by exploring the attitudes of decision makers and foreign policy elites toward war. Their unique contribution is to bring together the various doctrines in the literature and to characterize them using behavioral methodologies, in an attempt to bring normative questions back into the mainstream of political science.

This highly readable book provides a unique glimpse into the rough-and-tumble Chicago news business as seen through the eyes of one of its legendary players. From his first news job working as a legman for Daily News columnist Jack Mabley in the 1950s to his later role as a news anchor and political commentator at CBS-owned WBBM, Walter Jacobson battled along the front lines of an industry undergoing dramatic changes. While it is ultimately Jacobson’s story, a memoir of a long and distinguished (and sometimes highly controversial) career, it is also an insider’s account of the inner workings of Chicago television news, including the ratings games, the process of defining news and choosing stories, the media’s power and its failures, and the meddling by corporate and network executives.

As a reporter, Jacobson was regularly contentious and confrontational. He was fired on a number of occasions and was convicted of libeling tobacco company Brown and Williamson, resulting in a multimillion-dollar federal court judgment against him and CBS. Yet it was this gutsy attitude that put him at the top of the news game. With an engaging writing style, Jacobson recollects his interactions with Chicago mayors Richard J. and Richard M. Daley, Jane Byrne, Harold Washington, and Rahm Emanuel; recounts his coverage of such fascinating news stories as the violent 1968 Democratic National Convention and the execution of convicted mass murderer John Wayne Gacy; and recalls his reporting on and interviews with Louis Farrakhan, governors George Ryan and Rod Blagojevich, and Barack Obama. More than a memoir, Walter’s Perspective is the extraordinary journey of one reporter whose distinctive career followed the changing face of Chicago’s local news.

Just weeks after CBS correspondent George Polk was murdered in Greece in 1948, his peers created the "George Polk Award" to honor the best in American journalism. Polk would have been bitterly disappointed, however, had he known that the "best in American journalism" accepted, largely without protest, an investigation into his death in which evidence was not only ignored but manufactured to convict innocent men—an investigation in which politics played a bigger role than the truth.

Reconstructing the murder, investigation, trial, and aftermath, Who Killed George Polk? offers a penetrating analysis of the willingness of the American media—including CBS and a committee of prominent journalists headed by Walter Lippmann—to accept the government's version of events despite numerous inconsistencies. The book also explores the fate of the handful of journalists who had questioned the original coverup and shows that even when additional developments turned the official version on its head, they were no longer in a position to press for a new investigation. All had become victims of anticommunist witchhunts.

Arguing that this mainstream media and the U.S. government were so blinded by cold war political considerations that they overlooked the most obvious culprits for the Polk murder, Elias Vlanton proves that Polk was likely killed neither by the communists, as originally charged, nor by corrupt Greek government officials, as claimed by a recent book and in a CBS "Sixty Minutes" broadcast. Instead, based on evidence uncovered during Vlanton's 19-year investigation, the author presents the only plausible scenario of how and why Polk was murdered.

At its core, this perceptive interrogation explores how the press served U.S. national interests at the expense of the truth and journalistic integrity.

For twenty-five years, Charlotte Curtis was a society/women's reporter and editor and an op-ed editor at the New York Times. As the first woman section editor at the Times, Curtis was a pioneering journalist and one of the first nationwide to change the nature and content of the women's pages from fluffy wedding announcements and recipes to the more newsy, issue-oriented stories that characterize them today. In this riveting biography, Marilyn Greenwald describes how a woman reporter from Columbus, Ohio, broke into the ranks of the male-dominated upper echelon at the New York Times. It documents what she did to succeed and what she had to sacrifice.

Charlotte Curtis paved the way for the journalists who followed her. A Woman of the Times offers a chronicle of her hard-won journey as she invents her own brand of feminism during the 1960s and 1970s. In the telling of this remarkable woman’s life is the story, as well, of a critical era in the nation’s social history.

This illustrated biography is the first account of the colorful life of Chicago newspaper columnist Mike Royko, Pulitzer Prize winner, best-selling author, and legendary journalist who personified Chicago in all its rough-edged charm. Drawing on exclusive photos and interviews with Royko’s family and intimates, the book chronicles Royko’s rise from a “flat-above-a-tavern” youth—raised above a bar on Chicago’s Polish northwest side—to one of the best-known names in American journalism.
    Readers will get the inside scoop on Royko’s epic battles with Mayor Richard J. Daley and other politicians and his hilarious columns featuring “Slats Grobnik.” They’ll also meet a softer, largely unknown, side of Royko, through the love letters he sent to his wife-to-be from an Air Force base in Washington State.
    More than 100 photos—many never before available to the public—capture the man and his times. Millions of readers—in 800 newspapers around the world—followed Royko’s work and life. In The World of Mike Royko—he lives again.