front cover of Belonging
Belonging
Virginia Tibbs-Brelje
Gallaudet University Press, 1986
"A 1987 Outstanding Book for Young Adults" --University of Iowa Poll "Gustie Blaine is 15 when she contracts meningitis. After a long recovery period during which she loses the small amount of residual hearing she had seemed to retain, Gustie tries to pick up the pieces of her life. Her parents are unrealistic and over protective; her best friend rejects her; her teachers run the gamut from being convinced Gustie cannot function in the mainstream to being supportive... through a new boyfriend who has a deaf brother and sister-in-law, and through Gustie's visit with an understanding special education teacher to a class of predominately congenitally deaf students, readers are made aware of the tremendous range of difference among deaf and hard of hearing people, the ways in which they communicate and the technical aids available to them. Realistic and involving...[Young Adults] will identify with Gustie and her wish to belong; the book should touch them and be popular." --School Library Journal Virginia M. Scott is a writer. Like Gustie, the main character in her novel, Ms. Scott became deaf as an adolescent.
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front cover of Between Watergate and the Gulag
Between Watergate and the Gulag
The French Press and Politics, 1970–1985
Charles R. Eisendrath
Michigan Publishing Services, 2022
This book analyzes the relationship of the French press to political power. The bedrock concept of “innocent until proven guilty” is reversed for French journalists in libel cases; they enter courtrooms presumed guilty. Royal holdovers live on: Louis XIV’S system of indirect control through revocable favors persists in the form of state financial aid to the press.  The weekly Le Canard Enchaîné is a journalistic court jester that plays the same role as the fops at Versailles, telling truth to power in joke form on topics that “serious” journals avoid.

Also introduced: “surplus freedom” a novel approach for gauging self-censorship by comparing the degree of free expression a legal system permits to what publications actually exercise.
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front cover of Bim, Bam, Bop . . . and Oona
Bim, Bam, Bop . . . and Oona
Jacqueline Briggs Martin
University of Minnesota Press, 2019

An irresistible read-aloud picture book, in which a little odd-duck-out discovers her unique strengths


When these ducks go to the pond, it is Bim, Bam, Bop . . . and Oona, always last. They’re all ducks, but Bim, Bam, and Bop are runners, and Oona’s a waddler. “Last is a blot on my life,” she says to her frog friend, Roy. “I don’t feel as big as a duck should feel.” But she’s good with gizmos, Roy reminds her. So Oona tinkers with things, scraps, and strings, and eventually creates just the right gadget to get her to the pond first.

Spunky Oona will inspire and delight all who see her final triumphant creation. With its fun read-aloud words (from Brrrrrring to OOO-hoolie-hoo!), her story is wonderful to hear. Its charming illustrations invite readers to imagine our own new gizmos, and her victory reminds us to look for our own special gifts. A tale about being true to yourself, building confidence, and finding friendship, Bim, Bam, Bop . . . and Oona is sure to bring smiles to readers and listeners of all ages. 

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front cover of Birds Every Child Should Know
Birds Every Child Should Know
Neltje Blanchan
University of Iowa Press, 2000

Originally published in 1907, Birds Every Child Should Know is a collection of storylike descriptions of more than one hundred birds commonly found in the United States. Neltje Blanchan's detailed descriptions of birds—their physical attributes, calls, nesting and mating habits, and other behaviors—are nothing less than enchanting, and some read almost like fairy tales. Take for instance the mockingbird's call:

“when the moonlight sheds a silvery radiance about every sleeping creature, the mockingbird sings to his mate such delicious music as only the European nightingale can rival. Perhaps the stillness of the hour, the beauty and fragrance of the place where the singer is hidden among the orange blossoms or magnolia, increase the magic of his almost pathetically sweet voice; but surely there is no lovelier sound in nature on this side of the sea.”

or the yellow warbler's nest:

“an exquisite little cradle of silvery plant fiber, usually shreds of milkweed stalk, grass, leaves, and caterpillar's silk, neatly lined with hair, feathers, and downy felt of fern fronds.”

Blanchan includes folk history (how Native Americans and southern slaves thwarted mosquitoes by hanging gourds to attract purple martins) as well as common threats to birds that foreshadow current dangers to avian life (the toll taken on songbirds by lighthouses and electric towers). Such informative details, along with the author's disarming enthusiasm for her subject, will charm adult bird-watchers as well as children.

Cornelia Mutel's informative foreword places Blanchan's writing in the historical context of a turn-of-the-century environmental reawakening and burgeoning activism and research by women on behalf of dwindling bird populations.

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front cover of Bones on the Ground
Bones on the Ground
Elizabeth O'Maley
Indiana Historical Society Press, 2014
What happened to the Indians of the Old Northwest Territory? Conflicting portraits emerge and answers often depend on who’s telling the story, with each participant bending and stretching the truth to fit their own view of themselves and the world. This volume presents biographical sketches and first-person narratives of Native Americans, Indian traders, Colonial and American leaders, and events that shaped the Indians’ struggle to maintain possession of their tribal lands in the face of the widespread advancement of white settlement. It covers events and people in the Old Northwest Territory from before the American Revolution through the removal of the Miami from Indiana in 1846. As America’s Indian policy was formed, and often enforced by the U.S. military, and white settlers pushed farther west, some Indians fought the white intruders, while others adopted their ways. In the end, most Indians were unable to hold their ground, and the evidence of their presence now lingers only in found relics and strange-sounding place names.
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front cover of The Boo Baby Girl
The Boo Baby Girl
Meets the Ghost of Mable's Gable
Jim May
Parkhurst Brothers, Inc., 2014
Horror overcome by humor in a classic tale retold by a modern storyteller

Something of a quest story for the picture book set, this playful horror tale sets young protagonists against “the Ghost of of Mable’s Gable.”  In Jim May’s version of a story from children’s folklore, eighth grade boys swagger but fail, only to be followed by outdone by an unlikely heroine, “the Boo Baby Girl,” a toddler who will not be denied.
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