front cover of Bear, Diamonds and Crane
Bear, Diamonds and Crane
Claire Kageyama-Ramakrishnan
Four Way Books, 2011
Bear, Diamonds and Crane depicts the sansei, the grandchildren of Japanese immigrants to America in villanelles, haiku, and lyric poems collaged from family letters. Kageyama-Ramakrishnan recounts her relatives’ internment in Manzanar, the California concentration camp where Japanese Americans were imprisoned during World War II. Honoring Sadako Sasaki, who, “after Hiroshima and Nagasaki, / […] folded / a thousand cranes/ for world peace,” Bear, Diamonds and Crane looks to the yonsei (fourth generation) to transform “the wound” that “resists erasure and cultural amnesia”: “For you, I will keep the ripe weight,/ […]/ The limes and climbing wisteria vines.”
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front cover of Mentor and Muse
Mentor and Muse
Essays from Poets to Poets
Edited by Blas Falconer, Beth Martinelli, and Helena Mesa
Southern Illinois University Press, 2010

In Mentor and Muse, a collection of twenty-nine insightful essays by some of today’s leading poetic minds, editors Blas Falconer, Beth Martinelli, and Helena Mesa have brought together an illuminating anthology that draws upon both established and emerging poets to create a one-of-a-kind resource and unlock the secrets of writing and revising poetry.
            Gathered here are numerous experts eager to share their wisdom with other writers. Each author examines in detail a particular poetic element, shedding new light on the endless possibilities of poetic forms. Addressed within are such topics as the fluid possibilities of imagery in poetry; the duality of myth and the personal, and the power of one to unlock the other; the surprising versatility of traditional poetic forms; and the pleasure of collaboration with other poets. Also explored in depth are the formative roles of cultural identity and expectations, and their effect on composition; advice on how to develop one’s personal poetic style and approach; the importance of setting in reading and meaning; and the value of indirection in the lyric poem. Challenges to conventional concepts of beauty are examined through Shakespeare’s sonnets, and the ghost of Longfellow is called upon to guide students through the rewards and roadblocks of writing popular poetry. Poetic persona is demystified through Newton’s law of gravity, while the countless permutations of punctuation are revealed with analysis of e. e. cummings and W. S. Merwin.

            The essays include the full text of the poems discussed, and detailed, relevant writing exercises that allow students the opportunity to directly implement the strategies they have learned. While many advanced topics such as authenticity, discordant music, and prosody are covered, this highly readable volume is as user-friendly as it is informative. Offering a variety of aesthetics and approaches to tackling the issues of composition, Mentor and Muse takes poets beyond the simple stages of poetic terms and strategies. These authorsinvite students to explore more advanced concepts, enabling them to draw on the traditions of the past while at the same time forging their own creative paths into the future.

 Chosen as one of the "Best Books for Writers" by Poets & Writers magazine

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front cover of Shadow Mountain
Shadow Mountain
Claire Kageyama-Ramakrishnan
Four Way Books, 2008
Shadow Mountain is the winner of the Four Way Books Intro Series in Poetry, selected by acclaimed poet Kimiko Hahn. The first years of the 21st century have been marked by a global uneasiness over untold stories: forgotten prisoners, unjustified wars, secret decisions. In Shadow Mountain Claire Kageyama-Ramakrishnan gives voice to older, too-easily forgotten tragedies, urging us to learn a present lesson. She draws on the stories of Japanese-Americans interned at Manzanar Relocation Center, California, and on her own childhood and memories of her grandparents, examining the fault-line between family life and communal experience. Shadow Mountain is captivating in its imagery, enchanting in its sounds, and a must read for anyone interested in the history of Japanese-American citizens and their children. Ranging in her forms from sonnet to terzanelle to fragmented, obstructed free verse, Kageyama-Ramakrishnan is a heartfelt interlocutor. “A socially-conscious writer whose issues of war and passion bring us back, then forward again… Shadow Mountain, a plaintive first book, will be read by those who love poetry—and by those who will begin that love, here.” —Kimiko Hahn
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