front cover of Colonial Legacies in Chicana/o Literature and Culture
Colonial Legacies in Chicana/o Literature and Culture
Looking Through the Kaleidoscope
Vanessa Fonseca-Chávez
University of Arizona Press, 2020
Colonial Legacies in Chicana/o Literature and Culture exposes the ways in which colonialism is expressed in the literary and cultural production of the U.S. Southwest, a region that has experienced at least two distinct colonial periods since the sixteenth century.

Vanessa Fonseca-Chávez traces how Spanish colonial texts reflect the motivation for colonial domination. She argues that layers of U.S. colonialism complicate how Chicana/o literary scholars think about Chicana/o literary and cultural production. She brings into view the experiences of Chicana/o communities that have long-standing ties to the U.S. Southwest but whose cultural heritage is tied through colonialism to multiple nations, including Spain, Mexico, and the United States.

While the legacies of Chicana/o literature simultaneously uphold and challenge colonial constructs, the metaphor of the kaleidoscope makes visible the rupturing of these colonial fragments via political and social urgencies. This book challenges readers to consider the possibilities of shifting our perspectives to reflect on stories told and untold and to advocate for the inclusion of fragmented and peripheral pieces within the kaleidoscope for more complex understandings of individual and collective subjectivities.

This book is intended for readers interested in how colonial legacies are performed in the U.S. Southwest, particularly in the context of New Mexico, Texas, and Arizona. Readers will relate to the book’s personal narrative thread that provides a path to understanding fragmented identities.
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front cover of The Invention of the Kaleidoscope
The Invention of the Kaleidoscope
Paisley Rekdal
University of Pittsburgh Press, 2007
The Invention of the Kaleidoscope is a book of poetic elegies that discuss failures: failures of love, both sexual and spiritual; failures of the body; failures of science, art and technology; failures of nature, imagination, memory and, most importantly, the failures inherent to elegiac narratives and our formal attempt to memoralize the lost. But the book also explores the necessity of such narratives, as well as the creative possibilities implicit within the “failed elegy,” all while examining the various ways that self-destruction can turn into self-preservation.
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Kaleidoscope of Poland
A Cultural Encyclopedia
Oscar E. Swan
University of Pittsburgh Press, 2015
Foreword by Adam Zamoyski

Kaleidoscope of Poland is a highly readable volume containing short articles on major personalities, places, events, and accomplishments from the thousand-year record of Polish history and culture. Featuring approximately 900 compact text entries and 600 illustrations, it will be a handy reference at home, a perfect supplement to traditional guide books when traveling, an aid to language study, or simply browsed with enjoyment from cover to cover by anyone with an interest in Poland.
The entries describe essential features of Poland from the mundane to the sublime. Whether it is bagels or the Bug River, Chopin or Madame Curie, the authors offer colorful and often witty snapshots of significant individuals, customs, folklore, historic events, phrases, places, geography, and much, much more. Beginning with the emergence of the Polish state in 966 under Mieszko I, to the resurrection of present-day Poland within the European Union, it’s also a sweeping account of the tumult and triumphs the nation has witnessed through much of its history.
This highly entertaining yet informative book is essentially a “cultural dictionary”—offering a knowledge base that can be referred to time and time again. Kaleidoscope of Poland will be welcomed by readers of Polish descent, students of Polish, or anyone planning to visit Poland—anyone seeking a greater insight into this fascinating land.
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Kaleidoscope
Redrawing an American Family Tree
Margaret Jones Bolsterli
University of Arkansas Press, 2015
In 2005 Margaret Jones Bolsterli learned that her great-great-grandfather was a free mulatto named Jordan Chavis, who owned an antebellum plantation near Vicksburg, Mississippi. The news was a shock; Bolsterli had heard about the plantation in family stories told during her Arkansas Delta childhood, but Chavis’s name and race had never been mentioned. With further exploration Bolsterli found that when Chavis’s children crossed the Mississippi River between 1859 and 1875 for exile in Arkansas, they passed into the white world, leaving the family’s racial history completely behind.

Kaleidoscope is the story of this discovery, and it is the story, too, of the rise and fall of the Chavis fortunes in Mississippi, from the family’s first appearance on a frontier farm in 1829 to ownership of over a thousand acres and the slaves to work them by 1860. Bolsterli learns that in the 1850s, when all free colored people were ordered to leave Mississippi or be enslaved, Jordan Chavis’s white neighbors successfully petitioned the legislature to allow him to remain, unmolested, even as three of his sons and a daughter moved to Arkansas and Illinois. She learns about the agility with which the old man balanced on a tightrope over chaos to survive the war and then take advantage of the opportunities of newly awarded citizenship during Reconstruction. The story ends with the family’s loss of everything in the 1870s, after one of the exiled sons returns to Mississippi to serve in the Reconstruction legislature and a grandson attempts unsuccessfully to retain possession of the land. In Kaleidoscope, long-silenced truths are revealed, inviting questions about how attitudes toward race might have been different in the family and in America if the truth about this situation and thousands of others like it could have been told before.
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