For decades, Gershom Scholem kept these diaries locked away, returning to them only to refresh his memory of past events and eloquent observations. They remained unread by others until the meticulously edited German edition of this book appeared in 2002.

Lamentations of Youth gives insight into a crucial stage in Scholem's life, beginning when he was a student in Berlin during the First World War, a time of incubation and growth for his later ideas. Much of the journal writing, however, took place in Switzerland, a magnet for radical artists, socialist intellectuals, and revolutionaries fleeing war. The diaries are where Scholem forges his anarchic orthodoxy, and where he chronicles his intense relationship with Walter Benjamin. Many entries have the crisp quality of literary aphorisms crafted in the great German tradition of Kafka and Canetti.

For Scholem and Benjamin, the time they spent together in Switzerland spawned an astoundingly original view of literary criticism, interpretation, and cultural transmission. More personally, the themes of friendship, love, and heartbreak that dominate these pages later reemerge in Scholem's scholarship. No longer is the inner life of the critic seen as distinct from his textual criticism--they are deeply and esoterically intertwined.

A theoretical and exegetical exploration of trauma in the Hebrew Bible

David Janzen discusses the concepts of history and trauma and contrasts the ways historians and trauma survivors grapple with traumatic events, a contrast embodied in the very different ways the books of Kings and Lamentations react to the destruction of Jerusalem. Janzen’s study warns that explanations in histories will tend to silence the voices of trauma survivors, and it challenges traditional approaches that sometimes portray the explanations of traumatic events in biblical literature as therapeutic for victims.

Features:

• Exploration of history as a narrative explanation that creates a past readers can recognize to be true
• Examination of how trauma results in a failure of victims to fully experience or remember traumatic events.
• A case for why the past is a construction of cultures and historians