front cover of The Hanford Reach
The Hanford Reach
A Land of Contrasts
Text by Susan Zwinger; Photographs by Skip Smith
University of Arizona Press, 2004
The desert country along the Columbia River is one of the West’s least-known desert places—one that most people don’t even drive through unless they are unusually curious travelers. The Hanford Reach is the last free stretch of the river between the McNary and Priest Rapids Dams, a place boasting a varied landscape of floodplains, wetlands, deserts, orchards—and nuclear reactors. This is not a place that people think to visit. Known primarily for hosting the country’s most toxic nuclear outpost, it is public land that barely exists in public consciousness. But because the Reach has been posted off-limits by the military since 1943, this book offers readers a little-seen glimpse into what the Pacific Northwest’s arid east was like before the postwar boom. Susan Zwinger has kayaked the Columbia through Hanford Reach with scientists and activists who are helping to restore it, and in this book she outlines the geographical extent of the Reach, reviews its history, and takes readers through the terrain by foot, on road, and on the river. Here is a land of dark lava flows and basalt cliffs interspersed throughout subtle, pale shrub-steppe, a table of aridity cut through by one of the country’s most prodigious rivers. Zwinger’s sparkling text, enhanced by Skip Smith’s striking photos, captures the subtleties of the contrasting vistas, just as it makes clear the depth of the radioactive poisoning within the soil and wildlife. We have only just begun to unfold the land’s treasures—petroglyphs, ancient village sites, new species, and geological wonders—and in 2000, President Clinton protected 560 square miles of land as the Hanford Reach National Monument. This book celebrates what is preserved in that buffer zone at the dawn of a new era of environmental responsibility.
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front cover of Hard Scrabble
Hard Scrabble
Observations on a Patch of Land
By John Graves
Introduction by Rick Bass
University of Texas Press, 2016

“A kind of homemade book—imperfect like a handmade thing, a prize. It’s a galloping, spontaneous book, on occasion within whooping distance of that greatest and sweetest of country books, Ivan Turgenev’s A Sportsman’s Notebook.” —Edward Hoagland, New York Times Book Review

“His subjects are trees and brush, hired help, fences, soil, armadillos and other wildlife, flood and drought, local history, sheep and goats . . . and they come to us reshaped and reenlivened by his agreeably individual (and sometimes cranky) notions.” —New Yorker

“If Goodbye to a River was in some sense Graves’s Odyssey, this book is his [version of Hesiod’s] Works and Days. It is partly a book about work, partly a book about nature, but mostly a book about belonging. In the end John Graves has learned to belong to his patch of land so thoroughly that at moments he can sense in himself a unity with medieval peasants and Sumerian farmers, working with their fields by the Tigris.” —Larry McMurtry, Washington Post Book World

Hard Scrabble is hard pastoral of the kind we have learned to recognize in Wordsworth, Frost, Hemingway, and Faulkner. It celebrates life in accommodation with a piece of the ‘given’ creation, a recalcitrant four hundred or so acres of Texas cedar brake, old field, and creek bottom, which will require of any genuine resident all the character he can muster.” —Southwest Review

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front cover of Healing the Land and the Nation
Healing the Land and the Nation
Malaria and the Zionist Project in Palestine, 1920-1947
Sandra M. Sufian
University of Chicago Press, 2007
A novel inquiry into the sociopolitical dimensions of public medicine, Healing the Land and the Nation traces the relationships between disease, hygiene, politics, geography, and nationalism in British Mandatory Palestine between the world wars. Taking up the case of malaria control in Jewish-held lands, Sandra Sufian illustrates how efforts to thwart the disease were intimately tied to the project of Zionist nation-building, especially the movement’s efforts to repurpose and improve its lands. The project of eradicating malaria also took on a metaphorical dimension—erasing anti-Semitic stereotypes of the “parasitic” Diaspora Jew and creating strong, healthy Jews in Palestine. Sufian shows that, in reclaiming the land and the health of its people in Palestine, Zionists expressed key ideological and political elements of their nation-building project.

Taking its title from a Jewish public health mantra, Healing the Land and the Nation situates antimalarial medicine and politics within larger colonial histories. By analyzing the science alongside the politics of Jewish settlement, Sufian addresses contested questions of social organization and the effects of land reclamation upon the indigenous Palestinian population in a decidedly innovative way. The book will be of great interest to scholars of the Middle East, Jewish studies, and environmental history, as well as to those studying colonialism, nationalism, and public health and medicine.
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front cover of Hippie Homesteaders
Hippie Homesteaders
Arts, Crafts, Music and Living on the Land in West Virginia
Carter Taylor Seaton
West Virginia University Press, 2014

It’s the 1960s. The Vietnam War is raging and protests are erupting across the United States. In many quarters, young people are dropping out of society, leaving their urban homes behind in an attempt to find a safe place to live on their own terms, to grow their own food, and to avoid a war they passionately decry. During this time, West Virginia becomes a haven for thousands of these homesteaders—or back-to-the-landers, as they are termed by some. Others call them hippies.

When the going got rough, many left. But a significant number remain to this day. Some were artisans when they arrived, while others adopted a craft that provided them with the cash necessary to survive. Hippie Homesteaders tells the story of this movement from the viewpoint of forty artisans and musicians who came to the state, lived on the land, and created successful careers with their craft. There’s the couple that made baskets coveted by the Smithsonian Institution’s Renwick Gallery. There’s the draft-dodger that fled to Canada and then became a premier furniture maker. There’s the Boston-born VISTA worker who started a quilting cooperative. And, there’s the immigrant Chinese potter who lived on a commune.

Along with these stories, Hippie Homesteaders examines the serendipitous timing of this influx and the community and economic support these crafters received from residents and state agencies in West Virginia. Without these young transplants, it’s possible there would be no Tamarack: The Best of West Virginia, the first statewide collection of fine arts and handcrafts in the nation, and no Mountain Stage, the weekly live musical program broadcast worldwide on National Public Radio since 1983. Forget what you know about West Virginia.

Hippie Homesteaders isn’t about coal or hillbillies or moonshine or poverty. It is the story of why West Virginia was—and still is—a kind of heaven to so many.

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front cover of History Is in the Land
History Is in the Land
Multivocal Tribal Traditions in Arizona's San Pedro Valley
T. J. Ferguson and Chip Colwell-Chanthaphonh
University of Arizona Press, 2006
Arizona’s San Pedro Valley is a natural corridor through which generations of native peoples have traveled for more than 12,000 years, and today many tribes consider it to be part of their ancestral homeland. This book explores the multiple cultural meanings, historical interpretations, and cosmological values of this extraordinary region by combining archaeological and historical sources with the ethnographic perspectives of four contemporary tribes: Tohono O’odham, Hopi, Zuni, and San Carlos Apache.

Previous research in the San Pedro Valley has focused on scientific archaeology and documentary history, with a conspicuous absence of indigenous voices, yet Native Americans maintain oral traditions that provide an anthropological context for interpreting the history and archaeology of the valley. The San Pedro Ethnohistory Project was designed to redress this situation by visiting archaeological sites, studying museum collections, and interviewing tribal members to collect traditional histories. The information it gathered is arrayed in this book along with archaeological and documentary data to interpret the histories of Native American occupation of the San Pedro Valley.

This work provides an example of the kind of interdisciplinary and politically conscious work made possible when Native Americans and archaeologists collaborate to study the past. As a methodological case study, it clearly articulates how scholars can work with Native American stakeholders to move beyond confrontations over who “owns” the past, yielding a more nuanced, multilayered, and relevant archaeology.
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