This aptly named book contains 22 selections by John Muir, John McPhee, Barry Lopez, and others on Alaska and to some extent on the neighboring Yukon, accompanied by a small but evocative collection of photographs of Eskimos. The pieces, most of which are top-notch, vividly describe the harsh climate, the Arctic and sub-Arctic habitats, and the animals of Alaska, and tell the stories of the Native Americans and others who have made their home or worked in the North. This excellent sampler of some of the best writing on Alaska is recommended for academic and, especially, public libraries.
"All the wild and lonely places, the mountain springs are called now. They were not lonely or wild places in the past days. They were the homes of my people." --Chief Francisco Patencio, the Cahuilla of Palm Springs The Anza-Borrego Desert on California's southern border is a remote and harsh landscape, what author Lawrence Hogue calls "a land of dreams and nightmares, where the waking world meets the fantastic shapes and bent forms of imagination." In a country so sere and rugged, it's easy to imagine that no one has ever set foot there -- a wilderness waiting to be explored. Yet for thousands of years, the land was home to the Cahuilla and Kumeyaay Indians, who, far from being the "noble savages" of European imagination, served as active caretakers of the land that sustained them, changing it in countless ways and adapting it to their own needs as they adapted to it.In All the Wild and Lonely Places, Lawrence Hogue offers a thoughtful and evocative portrait of Anza-Borrego and of the people who have lived there, both original inhabitants and Spanish and American newcomers -- soldiers, Forty-Niners, cowboys, canal-builders, naturalists, recreationists, and restorationists. We follow along with the author on a series of excursions into the desert, each time learning more about the region's history and why it calls into question deeply held beliefs about "untouched" nature. And we join him in considering the implications of those revelations for how we think about the land that surrounds us, and how we use and care for that land."We could persist in seeing the desert as an emptiness, a place hostile to humans, a pristine wilderness," Hogue writes. "But it's better to see this as a place where ancient peoples tried to make their homes, and succeeded. We can learn from what they did here, and use that knowledge to reinvigorate our concept of wildness. Humans are part of nature; it's still nature, even when we change it."
Society for American Archaeology Book Award Winner
Many fundamental studies of the origins of states have built upon landscape data, but an overall study of the Near Eastern landscape itself has never been attempted. Spanning thousands of years of history, the ancient Near East presents a bewildering range of landscapes, the understanding of which can greatly enhance our ability to infer past political and social systems.
Tony Wilkinson now shows that throughout the Holocene humans altered the Near Eastern environment so thoroughly that the land has become a human artifact, albeit one that retains the power to shape human societies. In this trailblazing book—the first to describe and explain the development of the Near Eastern landscape using archaeological data—Wilkinson identifies specific landscape signatures for various regions and periods, from the early stages of complex societies in the fifth to sixth millennium B.C. to the close of the Early Islamic period around the tenth century A.D.
From Bronze Age city-states to colonized steppes, these signature landscapes of irrigation systems, tells, and other features changed through time along with changes in social, economic, political, and environmental conditions. By weaving together the record of the human landscape with evidence of settlement, the environment, and social and economic conditions, Wilkinson provides a holistic view of the ancient Near East that complements archaeological excavations, cuneiform texts, and other conventional sources.
Through this overview, culled from thirty years' research, Wilkinson establishes a new framework for understanding the economic and physical infrastructure of the region. By describing the basic attributes of the ancient cultural landscape and placing their development within the context of a dynamic environment, he breaks new ground in landscape archaeology and offers a new context for understanding the ancient Near East.
Deep inside the soul of Cuba are the campesinos—the men and women who have always worked the countryside across the length and breadth of Cuba, away from cities, towns, and often villages. Resilient, resourceful, and proud, campesinos are the heart and soul of Cuba. The fruit of years of travel among Cuba’s less-known and little-explored rural communities, Campesinos: Inside the Soul of Cuba is a collection of loving and intimate photographs by world-renowned photographers Chip Cooper and Julio Larramendi documenting people and places from every corner of the island nation, many never seen by Cubans themselves let alone visitors from abroad.
Into the center of this world traveled two photographers to document these extraordinary people. One, Julio Larramendi, was born in Cuba and has spent his whole life there. The other, Chip Cooper, came to visit for the first time from his native Alabama more than a decade ago. Together, Cooper and Larramendi have captured the light, sounds, and spirit of the campesino landscape and the humble and determined people who inhabit it, ways of living that have not changed, in many instances, for a century or more. From green tobacco fields and winding roads to the faces, both stern and smiling, of children and their close-knit families, Cooper and Larramendi have captured in this landmark volume the rhythms and traditions of contemporary rural Cuban life in ways never before documented.
Explores how perceptions and depictions of the physical landscape both reflected and influenced the history of the British colonial Caribbean
In Colonizing Paradise, historian Jefferson Dillman charts the broad spectrum of sentiments that British citizens and travelers held regarding their colonial possessions in the West Indies. Myriad fine degrees of ambivalence separated extreme views of the region as an idyllic archipelago or a nest of Satanic entrapments. Dillman shows the manner in which these authentic or spontaneous depictions of the environment were shaped to form a narrative that undergirded Britain’s economic and political aims in the region.
Because British sentiments in the Caribbean located danger and evil not just in indigenous populations but in Spanish Catholics as well, Dillman’s work begins with the arrival of Spanish explorers and conquistadors. Colonizing Paradise spans the arrival of English ships and continues through the early nineteenth century and the colonial era. Dillman shows how colonial entrepreneurs, travelers, and settlers engaged in a disquieted dialogue with the landscape itself, a dialogue the examination of which sheds fresh light on the culture of the Anglophone colonial Caribbean.
Of particular note are the numerous mythical, metaphorical, and biblical lenses through which Caribbean landscapes were viewed, from early views of the Caribbean landscape as a New World paradise to later depictions of the landscape as a battleground between the forces of Christ and Satan. The ideal of an Edenic landscape persisted, but largely, Dillman argues, as one that needed to be wrested from the forces of darkness, principally through the work of colonization, planting, cataloguing, and a rational ordering of the environment.
Ultimately, although planters and their allies continued to promote pastoral and picturesque views of the Caribbean landscape, the goal of such narratives was to rationalize British rule as well as to mask and obscure emerging West Indian problems such as diseases, slavery, and rebellions. Colonizing Paradise offers much to readers interested in Caribbean, British, and colonial history.
“The open road”—it’s a phrase that calls to mind a sense of freedom, adventure, and new possibilities that make driving one of our most liberating activities. In Drive, Iain Borden explores the way driving allows us to encounter landscapes and cities around the world. He takes particular notice of how driving is portrayed in film from America to Europe to Asia and from Hollywood to the avant-garde, covering over a century of history and referencing hundreds of movies.
From the dusty landscapes of The Grapes of Wrath to the city streets of The Italian Job; from the aesthetic delights of Rain Man and Traffic to the existential musings of Thelma and Louise and Vanishing Point;from the freeway pleasures of Radio On and London Orbital to the high-speed dangers of Crash, Bullitt, and C’était un Rendezvous; this book shows how driving with different speeds, cars, roads, and cities provides experiences and challenges beyond compare. Borden concludes that as an integral part of modern life, car driving is something to be celebrated and even encouraged, making Drive a timely riposte to anti-car attitudes, and those blind to the richness of life behind the wheel.
Earth and Mars: A Reflection
Stephen E. Strom and Bradford A. Smith University of Arizona Press, 2015 Library of Congress GB403.S87 2015 | Dewey Decimal 550
Nearly five billion years ago, Earth and Mars were born together as planetary siblings orbiting a young, emerging Sun. Yet today, one planet is water rich and life bearing, while the other is seemingly cold, dry, and forbidding.
Earth and Mars is a fusion of art and science, a blend of images and essays celebrating the successful creation of our life-sustaining planet and the beauty and mystery of Mars. Through images of terrestrial landscapes and photographs selected from recent NASA and European Space Agency missions to Mars, Earth and Mars reveals the profound beauty resulting from the action of volcanism, wind, and water. The accompanying text provides a context for appreciating the role of these elemental forces in shaping the surfaces of each planet, as well as the divergent evolutionary paths that led to an Earth that is teeming with life, and Mars that is seemingly lifeless.
Earth and Mars inspires reflection on the extraordinarily delicate balance of forces that has resulted in our good fortune: to be alive and sentient on a bountiful blue world.
Egotopiaexplains why individual political and economic interests have eclipsed aesthetic considerations in the rampant billboards, malls, and urban sprawl of the New American Landscape.
Egotopia begins where other critiques of the American landscape end: identifying the physical ugliness that defines and homogenizes America's cities, suburbs, and countryside. Believing that prevailing assessments of the American landscape are inadequate and injudicious, John Miller calls into question the conventional wisdom of environmentalists, urban planners,and architects alike. In this precedent-shattering examination of what he sees as the ugliness that is the American consumer society, Miller contends that our aesthetic condition can be fully understood only by explorers of the metaphoric environment.
Metaphorically, the ugliness of America's great suburban sprawl is the physical manifestation of our increasing narcissism- our egotopia. The ubiquity of psychotherapy as a medium promoting self-indulgence has deified private man as it has demonized public man. The New American Landscape, Miller argues, is no longer the physical manifestation of public and communal values. Instead it has become a projection of private fantasies and narcissistic self-indulgence. Individual interests and private passions can no longer tolerate, nor even recognize, aesthetic concerns in such a landscape dedicated to uncompromising notions of utility.
Embodiment of a Nation
Cecelia TICHI Harvard University Press, 2001 Library of Congress E169.1.T543 2001 | Dewey Decimal 973
From Harriet Beecher Stowe's image of the Mississippi's "bosom" to Henry David Thoreau's Cape Cod as "the bared and bended arm of Massachusetts," the American environment has been represented in terms of the human body. Exploring such instances of embodiment, Cecelia Tichi exposes the historically varied and often contrary geomorphic expression of a national paradigm.
In the modern world, the public looks to scientists and scholars for their expertise on issues ranging from the effectiveness of vaccines to the causes of natural disasters. But for early Americans, whose relationship to nature was more intimate and perilous than our own, personal experience, political allegiances, and faith in God took precedence over the experiments of the learned.
In Everyday Nature, Sara Gronim shows how scientific advances were received in the early modern world, from the time Europeans settled in America until just before the American Revolution. Settlers approached a wide range of innovations, such as smallpox inoculation, maps and surveys, Copernican cosmology, and Ben Franklin’s experiments with electricity, with great skepticism. New Yorkers in particular were distrustful because of the chronic political and religious factionalism in the colony. Those discoveries that could be easily reconciled with existing beliefs about healing the sick, agricultural practices, and the revolution of the planets were more readily embraced.
A fascinating portrait of colonial life, this book traces a series of innovations that were disseminated throughout the Atlantic world during the Enlightenment, and shows how colonial New Yorkers integrated new knowledge into their lives.
For fifty years geographer Wilbur Zelinsky has charted the social, cultural, and historical map of the American experience. A self-confessed incurable landscape voyeur, he has produced order and pattern from massive amounts of data, zestfully finding societal meaning in the terra incognita of our postmodern existence. Now he has gathered his most original and exciting explorations into a volume that captures the nature and dynamics of this remarkable phenomenon we call the United States of America. Each the product of Zelinsky's joyous curiosity, these energetic essays trace the innermost contours of our bewildering American reality.
Ray Gonzalez University of Arizona Press, 2009 Library of Congress PS3557.O476F34 2009 | Dewey Decimal 811.54
Faith Run offers the most recent work by the well-known poet Ray Gonzalez. The poetry here is—at once—perhaps his most personal and most universal. At the heart of these lyrical, sometimes ethereal, poems is a deep sense of the mystery and even the divinity of our human lives. Although Gonzalez invokes the names of many poets who have come before him, including Walt Whitman, Pablo Neruda, Robert Frost, Charles Wright, Allen Ginsberg, and Federico García Lorca, he writes in his own singular voice, one sculpted by the scorched and windblown landscapes of the American Southwest, by the complications of life in a borderland, by the voices of ancestors. With the confident touch of a master craftsman, he creates a new world out of the world we think we know. In his poems, the personal suddenly becomes the cosmic, the mundane unexpectedly becomes the sublime.
For Gonzalez, it seems, we humans can transcend the ordinary—just as these poems transcend genre and create a poetic realm of their own—but we never actually leave behind our rooted, earthbound lives. Although our landscape may be invisible to us, we never escape its powerful magnetism. Nor do we ever abandon our ancestors. No matter how fast or far we run, we can never outrun them. Like gravity, their influence is inexorable.
These poems enchant with their language, which often leaps unexpectedly from worldly to otherworldly in the same stanza, but they cling and linger in our memories—not unlike the voices of friends and relatives.
In this provocative work, Cheryl Claassen challenges long-standing notions about hunter-gatherer life in the southern Ohio Valley as it unfolded some 8,000 to 3,500 years ago. Focusing on freshwater shell mounds scattered along the Tennessee, Ohio, Green, and Harpeth rivers, Claassen draws on the latest archaeological research to offer penetrating new insights into the sacred world of Archaic peoples. Some of the most striking ideas are that there were no villages in the southern Ohio Valley during the Archaic period, that all of the trading and killing were for ritual purposes, and that body positioning in graves reflects cause of death primarily.
Mid-twentieth-century assessments of the shell mounds saw them as the products of culturally simple societies that cared little about their dead and were concerned only with food. More recent interpretations, while attributing greater complexity to these peoples, have viewed the sites as mere villages and stressed such factors as population growth and climate change in analyzing the way these societies and their practices evolved. Claassen, however, makes a persuasive case that the sites were actually the settings for sacred rituals of burial and renewal and that their large shell accumulations are evidence of feasts associated with those ceremonies. She argues that the physical evidence—including the location of the sites, the largely undisturbed nature of the deposits, the high incidence of dog burials, the number of tools per body found at the sites, and the indications of human sacrifice and violent death—not only supports this view but reveals how ritual practices developed over time. The seemingly sudden demise of shellfish consumption, Claassen contends, was not due to overharvesting and environmental change; it ended, rather, because the sacred rituals changed.
<i>Feasting with Shellfish in the Southern Ohio Valley</i> is a work bound to stir controversy and debate among scholars of the Archaic period. Just as surely it will encourage a new appreciation for the spiritual life of ancient peoples—how they thought about the cosmos and the mysterious forces that surrounded them.
Cheryl Claassen is a professor of anthropology at Appalachian State University. She is the author or editor of six previous books on Native American prehistory, including <i>Whistling Women, Women in Prehistory</i>, and <i>Shells</i>.
For nearly two centuries, the creation myth for the United States imagined European settlers arriving on the shores of a vast, uncharted wilderness. Over the last two decades, however, a contrary vision has emerged, one which sees the country's roots not in a state of "pristine" nature but rather in a "human-modified landscape" over which native peoples exerted vast control.Fire, Native Peoples, and the Natural Landscape seeks a middle ground between those conflicting paradigms, offering a critical, research-based assessment of the role of Native Americans in modifying the landscapes of pre-European America. Contributors focus on the western United States and look at the question of fire regimes, the single human impact which could have altered the environment at a broad, landscape scale, and which could have been important in almost any part of the West. Each of the seven chapters is written by a different author about a different subregion of the West, evaluating the question of whether the fire regimes extant at the time of European contact were the product of natural factors or whether ignitions by Native Americans fundamentally changed those regimes.An introductory essay offers context for the regional chapters, and a concluding section compares results from the various regions and highlights patterns both common to the West as a whole and distinctive for various parts of the western states. The final section also relates the findings to policy questions concerning the management of natural areas, particularly on federal lands, and of the "naturalness" of the pre-European western landscape.
Winner of the AAG’s John Brinckerhoff Jackson Prize
Winner of the Great Lakes American Studies Association/Ohio University Press Book Award
Throughout the nineteenth century, the southern shores of Lake Superior held great promise for developers imagining the next great metropolis. These new territories were seen as expanses to be filled, first with romantic visions, then with scientific images, and later with vistas designed to entice settlement and economic development. The Future City on the Inland Sea describes the attempts of explorers under government, commercial, or scientific sponsorship to project their imaginative visions on a region where the future did not happen as planned.
Author Eric D. Olmanson takes a fresh look at the settlements in the vicinity of Chequamegon Bay and the Apostle Islands by analyzing the texts and images left by the missionaries, geologists, ordinance surveyors, newspaper editors, and boosters. The Future City on the Inland Sea shows how new visions of the place absorbed and replaced the old ones, eventually producing what might be called for the first time “a region.”
More than a regional geography, The Future City on the Inland Sea is an appraisal of these early efforts to meld geographies of physical nature with those of human ideals, a demonstration of how thoroughly and paradoxically those two realms are entangled.
Twenty distinguished geographers examine the ways in which place fashions, recreates, and contextualizes human identity in North America. This volume discusses themes of population and habitat, displacement and circulation, resources and economic survival, through the experiences of several ethnic minorities. It covers such topics as Samoan communities in urban Southern California, South Asian migration to Canada, Native American health-care systems, and public housing for African Americans. Supported by statistical tables and graphs, maps, and photos that reflect a wide range of theoretical and historical approaches, the essays examine such topics as immigration, housing, and landscapes, complemented with discussions of religious ceremonies, women and marriage-mate selection, resource conflicts, health care, and social networking.
Geography of the Gaze offers a new history and theory of how the way we look at things influences what we see. Focusing on Western Europe from the seventeenth to nineteenth centuries, Renzo Dubbini shows how developments in science, art, mapping, and visual epistemology affected the ways natural and artificial landscapes were perceived and portrayed.
He begins with the idea of the "view," explaining its role in the invention of landscape painting and in the definition of landscape as a cultural space. Among other topics, Dubbini explores how the descriptive and pictorial techniques used in mariners' charts, view-oriented atlases, military cartography, and garden design were linked to the proliferation of highly realistic paintings of landscapes and city scenes; how the "picturesque" system for defining and composing landscapes affected not just art but also archaeology and engineering; and how the ever-changing modern cityscapes inspired new ways of seeing and representing the urban scene in Impressionist painting, photography, and stereoscopy. A marvelous history of viewing, Geography of the Gaze will interest everyone from scientists to artists.
George Washington’s childhood is famously the most elusive part of his life story. For centuries biographers have struggled with a lack of period documentation and an absence of late-in-life reflection in trying to imagine Washington’s formative years.
In George Washington Written upon the Land, Philip Levy explores this most famous of American childhoods through its relationship to the Virginia farm where much of it took place. Using approaches from biography, archaeology, folklore, and studies of landscape and material culture, Levy focuses on how different ideas about Washington’s childhood functioned—what sorts of lessons they sought to teach and how different epochs and writers understood the man and the past itself.
In a suggestive and far-reaching final chapter, Levy argues that Washington was present at the onset of the Anthropocene—the geologic era when human activity began to have a significant impact on world ecosystems. Interpreting Washington’s childhood farm through the lens of “big” history, he encourages scholars to break down boundaries between science and social science and between human and nonhuman.
Gettysburg: The Living and the Dead
Kent Gramm. Photographs by Chris Heisey Southern Illinois University Press, 2019 Library of Congress E475.53.G735 2019 | Dewey Decimal 973.7349
In Gettysburg: The Living and the Dead, writer Kent Gramm and photographer Chris Heisey tell the famous battle’s story through the eyes of those who lived and died there. Unlike histories that simply recount the three furious days in July 1863, this book transports readers onto the battlefield and into the event’s historical echoes, making for a delightful, immersive experience.
Creative nonfiction, fiction, dramatic dialogue, and poetry combine with full-color photographs to convey the essential reality of the famous battlefield as a place both terrible and beautiful. The living and the dead contained here include Confederates and Yankees, soldiers and civilians, male and female, young and old. Visitors to the battlefield after 1863, both well known and obscure, provide the voices of the living. They include a female admiral in the U.S. Navy and a man from rural Virginia who visits the battlefield as a way of working through the death of his son in Iraq. The ghostly voices of the dead include actual participants in the battle, like a fiery colonel and a girl in Confederate uniform, as well as their representatives, such as a grieving widow who has come to seek her husband.
Utilizing light as a central motif and fourscore and seven voices to evoke how Gettysburg continues to draw visitors and resound throughout history, alternately wounding and stitching the lives it touches, Gramm’s words and Heisey’s photographs meld for a historical experience unlike any other. Gettysburg: The Living and the Dead offers a panoramic view wherein the battle and battlefield of Gettysburg are seen through the eyes of those who lived through it and died on it as well as those who have sought meaning at the site ever since.
In June 1854 the Grand Excursion celebrated in festive style the completion of the Chicago and Rock Island Railroad to the Mississippi River. Hundreds of dignitaries including newspaper editors and other journalists; politicians; academics, writers and artists; business and industry leaders; and railroad officials were among those who traveled by rail from Chicago to Rock Island, Illinois, then by steamboat to St. Paul in Minnesota Territory. The travelers were shown a region undergoing rapid settlement by Europeans—an area of great natural beauty offering many promises for additional development.
One hundred and fifty years later, the thirteen essays in this volume examine the activities and environments of the 1854 Grand Excursion and place them in the context of an evolving regional identity for the Upper Mississippi River Valley based on the economy, culture, geography, and history of the area. In a series of “excursions,” the contributors explore the building of the Chicago and Rock Island Railroad, eastern newspaper accounts of the 1854 excursion, steamboating, the area’s pictorial landscape, passenger trains along the scenic river, the genesis and features of river towns, the control of the river for navigation, the development of preserves, parks, and recreation areas, the lumber industry, and commercial fishing. The book concludes by examining the resurgence of river-oriented development, as river towns are once again embracing the Mississippi.
Generously illustrated with maps, engravings, ephemera, and historic and present-day photographs, Grand Excursions on the Upper Mississippi River will be of interest to tourists and residents of the area, river aficionados, railroad and steamboat history buffs, as well as academics interested in the history, geography, and regional development of the area.
In 1848 news of the discovery of gold in California triggered an enormous wave of emigration toward the Pacific. Lured by the promise of riches, thousands of settlers left behind the forests, rain, and fertile soil of the eastern United States in favor of the rough-hewn lands of the American West. The dramatic terrain they struggled to cross is so familiar to us now that it is hard to imagine how frightening—even godforsaken—its sheer rock faces and barren deserts seemed to our forebears.
Hard Road West brings their perspective vividly to life, weaving together the epic overland journey of the covered wagon trains and the compelling story of the landscape they encountered. Taking readers along the 2,000-mile California Trail, Keith Meldahl uses the diaries and letters of the settlers themselves—as well as the countless hours he has spent following the trail—to reveal how the geology and geography of the West directly affected our nation’s westward expansion. He guides us through a corrugated landscape of sawtooth mountains, following the meager streams that served as lifelines through an arid land, all the way to California itself, where colliding tectonic plates created breathtaking scenery and planted the gold that lured travelers west in the first place.
“Alternates seamlessly between vivid accounts of the 19th-century journey and lucid explanations of the geological events that shaped the landscape traveled. . . . The reader comes away with both an appreciation for the arduous cross-continental wagon journey and an understanding of the events that created such a vast and difficult landscape.”—Library Journal
“[Meldahl] draws on his professional knowledge to explain the geology of the West, showing how centuries of geological activity had a direct effect on the routes taken by the travelers. . . . Meldahl provides a novel account of the largest overland migration since the Crusades.”—Science News
From the cliffs of Big Sur to the dunes at Cape Hatteras, from the bogs of the Boundary Waters to the deserts of the Rio Grande, the landscape of America has shaped us into the people we are. Not only is it central to ecological health and essential to the economy, it has helped form our culture and serves as a basis of national pride. The heart of America lies in the rock and soil, the mountains and the plains that surround us.In this illuminating portrait of America at the threshold of the new millennium, author Tim Palmer explores and assesses the landscape of the United States -- both timeless wonders of natural beauty and lost places scarred by human exploitation. He takes the reader on an informative and inspirational tour of our most vital landscapes, including mountains, forests, grasslands, deserts, rivers, lakes, wetlands, and seashores. He introduces us to the basic geography and ecological value of each landscape, describes historical patterns of land use, considers the most serious threats, and discusses what is being done to protect the landscape for future generations. Throughout, he instills a deeper understanding of the importance of the land, a sense of outrage at the damage that has been done, and a feeling of hope that those working to correct past abuses will succeed.Weaving together geographical, historical, and ecological information and insights, Palmer draws on thirty years of professional experience as a writer, photographer, conservationist, planner, landscape architect, and veteran traveler to present a fresh look at the past, present, and future of our land.Resounding in its account of these landscapes, compelling in the force of its information and the hope of its timely message, The Heart of America offers a fascinating measure of the land around us and a unique look at the place we call home.
By the Early Holocene (10,000 to 8,000 B.P.), small wandering bands of Archaic hunter-gatherers began to annually follow the same hunting trails, basing their temporary camps on seasonal conditions and the presence of food. The Pleistocene glaciers had receded by this time, making food more plentiful in some areas and living conditions less hazardous. Although these Archaic peoples have long been known from their primary activities as hunters and gatherers of wild food resources, recent evidence has been found that indicates they also began rudimentary cultivation sometime during the Middle Holocene.
Richard Jefferies—an Archaic specialist—comprehensively addresses the approximately 7,000 years of the prehistory of eastern North America, termed the Archaic Period by archaeologists. Jefferies centers his research on a 380-mile section of the Lower Ohio River Valley, an area rife with both temporary and long-term Archaic sites. He covers the duration of the Holocene and provides a compendium of knowledge of the era, including innovative research strategies and results. Presenting these data from a cultural-ecological perspective emphasizing the relationships between hunter-gatherers and the environments in which they lived, Jefferies integrates current research strategies with emerging theories that are beginning to look at culture history in creative ways
In 1997 the United Kingdom returned control of Hong Kong to China, ending the city’s status as one of the last remnants of the British Empire and initiating a new phase for it as both a modern city and a hub for global migrations. Hong Kong is a tour of the city’s postcolonial urban landscape, innovatively told through fieldwork and photography.
Caroline Knowles and Douglas Harper’s point of entry into Hong Kong is the unusual position of the British expatriates who chose to remain in the city after the transition. Now a relatively insignificant presence, British migrants in Hong Kong have become intimately connected with another small minority group there: immigrants from Southeast Asia. The lives, journeys, and stories of these two groups bring to life a place where the past continues to resonate for all its residents, even as the city hurtles forward into a future marked by transience and transition. By skillfully blending ethnographic and visual approaches, Hong Kong offers a fascinating guide to a city that is at once unique in its recent history and exemplary of our globalized present.
Presents a variety of archaeological case studies on daily life in a wide range of locations and circumstances.
Because archaeology seeks to understand past societies, the concepts of "home," "house," and "household" are important. Yet they can be the most elusive of ideas. Are they the space occupied by a nuclear family or by an extended one? Is it a built structure or the sum of its contents? Is it a shelter against the elements, a gendered space, or an ephemeral place tied to emotion? We somehow believe that the household is a basic unit of culture but have failed to develop a theory for understanding the diversity of households in the historic (and prehistoric) periods.
In an effort to clarify these questions, this volume examines a broad range of households—a Spanish colonial rancho along the Rio Grande, Andrew Jackson's Hermitage in Tennessee, plantations in South Carolina and the Bahamas, a Colorado coal camp, a frontier Arkansas farm, a Freedman's Town eventually swallowed by Dallas, and plantations across the South—to define and theorize domestic space. The essays devolve from many disciplines, but all approach households from an archaeological perspective, looking at landscape analysis, excavations, reanalyzed collections, or archival records. Together, the essays present a body of knowledge that takes the identification, analysis, and interpretation of households far beyond current conceptions.
Many students come to African history with a host of stereotypes that are not always easy to dislodge. One of the most common is that of Africa as safari grounds—as the land of expansive, unpopulated game reserves untouched by civilization and preserved in their original pristine state by the tireless efforts of contemporary conservationists. With prose that is elegant in its simplicity and analysis that is forceful and compelling, Jan Bender Shetler brings the landscape memory of the Serengeti to life. She demonstrates how the social identities of western Serengeti peoples are embedded in specific spaces and in their collective memories of those spaces. Using a new methodology to analyze precolonial oral traditions, Shetler identifies core spatial images and reevaluates them in their historical context through the use of archaeological, linguistic, ethnographic, ecological, and archival evidence. Imagining Serengeti is a lively environmental history that will ensure that we never look at images of the African landscape in quite the same way.
One of the most powerful nationalist ideas in modern Europe is the assertion that there is a link between people and their landscape. Focusing on the heart of German romanticism, the Rhineland, Thomas Lekan examines nature protection activities from Wilhelmine Germany through the end of the Nazi era to illuminate the relationship between environmental reform and the cultural construction of national identity.
In the late nineteenth century, anxieties about national character infused ecological concerns about industrialization, spurring landscape preservationists to protect the natural environment. In the Rhineland's scenic rivers, forests, and natural landmarks, they saw Germany as a timeless and organic nation rather than a recently patchworked political construct. Landscape preservation also served conservative social ends during a period of rapid modernization, as outdoor pursuits were promoted to redirect class-conscious factory workers and unruly youth from "crass materialism" to the German homeland. Lekan's examination of Nazi environmental policy challenges recent work on the "green" Nazis by showing that the Third Reich systematically subordinated environmental concerns to war mobilization and racial hygiene.
This book is an original contribution not only to studies of national identity in modern Germany but also to the growing field of European environmental history.
Table of Contents:
1. Nature's Homelands: The Origins of Landscape Preservation, 1885-1914 2. The Militarization of Nature and Heimat, 1914-1923 3. The Landscape of Modernity in theWeimar Era 4. From Landscape to Lebensraum: Race and Environment under Nazism 5. Constructing Nature in the Third Reich
Abbreviations Notes Sources Acknowledgments Index
Writing squarely within the idiom of the 'invented tradition' and the 'imagined nation,' Thomas Lekan argues that in the wake of belated unification and at a time of rapid industrialization, the German landscape came to be seen as a touchstone of national identity. He questions the idea that those engaged in landscape preservation were simply 'antimodern,' and he challenges both scholars who have seen a straightforward continuity from pre-1933 preservationist sentiment to Nazism and those who have made exaggerated claims for the Third Reich as the progenitor of modern green politics. This is a welcome contribution to the literature on local and national identity, joining works by Celia Applegate and Alon Confino, and on the environmental history of modern Germany. Both scholarly and original, Imagining the Nation in Nature is an impressive achievement. --David Blackbourn, Harvard University
This important and timely book contributes to our understanding of German identity as well as to modern concepts of environmentalism and nature. Lekan's valuable contribution elucidates the modern, technocratic, and therapeutic vision of preservation that linked Weimar and the Third Reich. His analysis of Nazi bio-nature is significant and thought-provoking. --Alon Confino, University of Virginia
Scattered throughout the Great Plains are many isolated areas of varying size and ecology, quite distinct from the surrounding grasslands. Such spaces can be uplands like the Black Hills, low hills like the Nebraska Sand Hills, or linear areas such as shallow river valleys and deeply incised canyons. While the notion of “islands” is not a new one among ecologists, its application in Plains archaeology is.
The contributors to this volume seek to illustrate the different ways that the spatial, structural, and temporal nature of islands conditioned the behavior and adaptation of past Plains peoples. This as a first step toward a more detailed analysis of habitat variation and its effects on Plains cultural dynamics and evolution. Although the emphasis is on ecology, several chapters also address social and ideological islands in the form of sacred sites and special hunting grounds.
Landscape, Nature, and the Body Politic explores the origins and lasting influences of two contesting but intertwined discourses that persist today when we use the words landscape, country, scenery, nature, national. In the first sense, the land is a physical and bounded body of terrain upon which the nation state is constructed (e.g., the purple mountain majesties above the fruited plain, from sea to shining sea). In the second, the country is constituted through its people and established through time and precedence (e.g., land where our fathers died, land of the Pilgrims’ pride). Kenneth Robert Olwig’s extended exploration of these discourses is a masterful work of scholarship both broad and deep, which opens up new avenues of thinking in the areas of geography, literature, theater, history, political science, law, and environmental studies.
Olwig tracks these ideas though Anglo-American history, starting with seventeenth-century conflicts between the Stuart kings and the English Parliament, and the Stuart dream of uniting Scotland with England and Wales into one nation on the island of Britain. He uses a royal production of a Ben Jonson masque, with stage sets by architect Inigo Jones, as a touchstone for exploring how the notion of "landscape" expands from artful stage scenery to a geopolitical ideal. Olwig pursues these contested concepts of the body politic from Europe to America and to global politics, illuminating a host of topics, from national parks and environmental planning to theories of polity and virulent nationalistic movements.
Landscape Of Desire
Greg Gordon Utah State University Press, 2003 Library of Congress F830.G67 2003 | Dewey Decimal 917.9250433
Landscape of Desire powerfully documents and celebrates a place and the evolutions that occur when human beings are intimately connected to their surroundings. Greg Gordon accomplishes this with a tapestry of writing that interweaves land use history, natural history, experiential education, and personal reflection. He tracks the geomorphology of southern Utah as well as the creatures and plants his student group encounters, the history lessons (planned and unplanned), the trials and joys of gathering so many individuals into a cohesive will, and his own personal epiphanies, restraints, insights, and disillusionments.
Landscape of Desire examines the plight of the western landscape. It discusses a wide range of issues, including mining, grazing, dams, recreation, wilderness, and land management. Since recreation has replaced extraction industries as the primary use of wilderness, especially in southern Utah, Gordon addresses its impactful qualities. He overviews the history of the conflict between preservation and development and places these issues in a cultural context. The text is presented in a narrative format, following the individuals of one field course Gordon lead that explored Muddy Creek and the Dirty Devil River from Interstate 70 to Lake Powell. Though each chapter focuses on the geologic formation the group is traveling through, the plants, animals, ecology, and human impacts are all tightly woven into the narrative. Not only does the land affect the members of the field course, but their attitudes and insights affect the land.
In Landscape of Desire Gordon achieves a vision of wholeness of this popular and contested region of Utah that centers around the implications of being human and also stewards of the wild.
What is it like to do field biology in a world that exalts experiments and laboratories? How have field biologists assimilated laboratory values and practices, and crafted an exact, quantitative science without losing their naturalist souls?
In Landscapes and Labscapes, Robert E. Kohler explores the people, places, and practices of field biology in the United States from the 1890s to the 1950s. He takes readers into the fields and forests where field biologists learned to count and measure nature and to read the imperfect records of "nature's experiments." He shows how field researchers use nature's particularities to develop "practices of place" that achieve in nature what laboratory researchers can only do with simplified experiments. Using historical frontiers as models, Kohler shows how biologists created vigorous new border sciences of ecology and evolutionary biology.
The Fraser Valley in British Columbia has been viewed historically as a typical setting of Indigenous-white interaction. Jeff Oliver now reexamines the social history of this region from pre-contact to the violent upheavals of nineteenth and early twentieth century colonialism to argue that the dominant discourses of progress and colonialism often mask the real social and physical process of change that occurred here—change that can be more meaningfully tied to transformations in the land.
The Fraser Valley has long been a scene of natural resource appropriation—furs and fish, timber and agriculture—with settlement patterns and land claims centering on the use of these materials. Oliver demonstrates how social change and cultural understanding are tied to the way that people use and remake the landscape. Drawing on ethnographic texts, archaeological evidence, cartography, and historical writing, he has created a deep history of the valley that enables us to view how human entanglements with landscape were creative of a variety of contentious issues. By capturing the multiple dynamics that were operating in the past, Oliver shows us not only how landscape transformations were implicated in constructing different perceptions of place but also how such changes influenced peoples’ understanding of history and identity.
This groundbreaking work examines engagement between people and the environment across a variety of themes, from aboriginal appropriation of nature to colonists’ reworking of physical and conceptual geographies, demonstrating the consequences of these interactions as they permeated various social and cultural spheres. It offers a new lens for viewing a region as it provides fresh insight into such topics as landscape change, perceptions of place, and Indigenous-white relations.
Born in Tehran but living in Germany, the eminent writer SAID has suffered two forms of exile. Forced to leave Iran for political reasons, he was also separated from his mother shortly after his birth when his parents divorced. At the age of forty-three, however, SAID received word that his mother was traveling abroad and wanted to see him. Landscapes of a Distant Mother is the account of their wrenching reunion. A memoir of longing and loss, the book offers a haunting portrait of a son's broken relationship with his mother and the Islamic dictatorship that shadows both their lives.
Landscapes of a Distant Mother gives English-speaking readers an introduction to one of Europe's most important immigrant writers. Unsentimental and spare, the book chronicles the discomfiting sensation of viewing one's mother as a stranger and all the psychological implications of their mutual disappointment. SAID's distance from his mother—whom he describes almost clinically, with her "particular way of speaking, the style laced with religious formulas, inclined to emotionalism, self-pity and expletives"—becomes a measure of the alienation he feels from everything around him. His book gives voice to the full meaning of modern exile—its political force, profound sadness, and perpetual yearning.
Over the past few decades, India has experienced a sudden and spectacular urban transformation. Gleaming business complexes encroach on fields and villages. Giant condominium communities offer gated security, indoor gyms, and pristine pools. Spacious, air-conditioned malls have sprung up alongside open-air markets.
In Landscapes of Accumulation, Llerena Guiu Searle examines India’s booming developments and offers a nuanced ethnographic treatment of late capitalism. India’s land, she shows, is rapidly transforming from a site of agricultural and industrial production to an international financial resource. Drawing on intensive fieldwork with investors, developers, real estate agents, and others, Searle documents the new private sector partnerships and practices that are transforming India’s built environment, as well as widely shared stories of growth and development that themselves create self-fulfilling prophecies of success. As a result, India’s cities are becoming ever more inaccessible to the country’s poor. Landscapes of Accumulation will be a welcome contribution to the international study of neoliberalism, finance, and urban development and will be of particular interest to those studying rapid—and perhaps unsustainable—development across the Global South.
AIDS activists are often romanticized as extremely noble and selfless. However, the relationships among HIV support group members highlighted in Landscapes of Activism are hardly utopian or ideal. At first, the group has everything it needs, a thriving membership, and support from major donors. Soon, the group undergoes an identity crisis over money and power, eventually fading from the scene. As government and development institutions embraced activist demands—decentralizing AIDS care through policies of health systems strengthening—civil society was increasingly rendered obsolete. Charting this transition—from subjects, to citizens, and back again—reveals the inefficacy of protest, and the importance of community resilience. The product of in-depth ethnography and focused anthropological inquiry, this is the first book on AIDS activists in Mozambique. AIDS activism’s strange decline in southern Africa, rather than a reflection of citizen apathy, is the direct result of targeted state and donor intervention.
Landscapes of Devils is a rich, historically grounded ethnography of the western Toba, an indigenous people in northern Argentina’s Gran Chaco region. In the early twentieth century, the Toba were defeated by the Argentinean army, incorporated into the seasonal labor force of distant sugar plantations, and proselytized by British Anglicans. Gastón R. Gordillo reveals how the Toba’s memory of these processes is embedded in their experience of “the bush” that dominates the Chaco landscape.
As Gordillo explains, the bush is the result of social, cultural, and political processes that intertwine this place with other geographies. Labor exploitation, state violence, encroachment by settlers, and the demands of Anglican missionaries all transformed this land. The Toba’s lives have been torn between alienating work in sugar plantations and relative freedom in the bush, between moments of domination and autonomy, abundance and poverty, terror and healing. Part of this contradictory experience is culturally expressed in devils, evil spirits that acquire different features in different places. The devils are sources of death and disease in the plantations, but in the bush they are entities that connect with humans as providers of bush food and healing power. Enacted through memory, the experiences of the Toba have produced a tense and shifting geography. Combining extensive fieldwork conducted over a decade, historical research, and critical theory, Gordillo offers a nuanced analysis of the Toba’s social memory and a powerful argument that geographic places are not only objective entities but also the subjective outcome of historical forces.
From the actions of Europeans in the seventeenth century to the real estate deals of the modern era, people making a living off the land in southern Arizona have been repeatedly robbed of their way of life. History has recorded more than three centuries of speculative failures that never amounted to much but left dispossessed people in their wake. This book seeks to excavate those failures, to examine the new social spaces the schemers struggled to create and the existing social spaces they destroyed.
Landscapes of Fraud explores how the penetration of the evolving capitalist world-system created and destroyed communities in the Upper Santa Cruz Valley of Arizona from the late 1600s to the 1970s. Thomas Sheridan has melded history, anthropology, and critical geography to create a penetrating view of greed and power and their lasting effect on those left powerless.
Sheridan first examines how O’odham culture was fragmented by the arrival of the Spanish, telling how autonomous communities moving across landscapes in seasonal rounds were reduced to a mission world of subordination. Sheridan then considers the fate of the Tumacácori grant and Baca Float No. 3, another land grant. He tells the unbroken story of land fraud from Manuel María Gándara’s purchase of the “abandoned” Tumacácori grant at public auction in 1844 through the bankruptcy of the shady real estate developers who had fraudulently promoted housing projects at Rio Rico during the 1960s and ’70s.
As the Upper Santa Cruz Valley underwent a wrenching transition from a landscape of community to a landscape of fraud, the betrayal of the O’odham became complete when land, that most elemental form of human space, was transformed from a communal resource into a commodity bought and sold for its future value. Today, Mission Tumacácori stands as a romantic icon of the past while the landscapes that supported it lay buried under speculative schemes that continue to haunt our history.
After emancipation in 1851, the African descendants living in the extra-humid rainforests of the Pacific coast of Colombia attained levels of autonomy hardly equaled anywhere else in the Americas. This autonomy rested on their access to a diverse environment—including small strips of fertile soils, mines, forests, rivers, and wetlands—that contributed to their subsistence and allowed them to procure gold, platinum, rubber, and vegetable ivory for export.
Afro-Colombian slave labor had produced the largest share of gold in the colony of New Granada. After the abolishment of slavery, some free people left the mining areas and settled elsewhere along the coast, making this the largest area of Latin America in which black people predominate into the present day. However, this economy and society, which lived off the extraction of natural resources, was presided over by a very small white commercial elite living in the region’s ports, where they sought to create an urban environment that would shelter them from the jungle.
Landscapes of Freedom reconstructs a nonplantation postemancipation trajectory that sheds light on how environmental conditions and management influenced the experience of freedom. It also points at the problematic associations between autonomy and marginality that have shaped the history of Afro-America. By focusing on racialized landscapes, Leal offers a nuanced and important approach to understanding the history of Latin America.
Landscapes of Hope
Brian McCammack Harvard University Press, 2017 Library of Congress F548.9.N4M325 2017 | Dewey Decimal 305.896073077311
In the first interdisciplinary history to frame the African American Great Migration as an environmental experience, Brian McCammack travels to Chicago’s parks and beaches as well as farms and forests of the rural Midwest, where African Americans retreated to relax and reconnect with southern identities and lifestyles they had left behind.
Landscape is a powerful factor in the operation of memory because of the associations narrators make between the local landscape and the events of the stories they tell. Ancestors and mythological events often become fixed in a specific landscape and act as timeless reference points.
In conventional anthropological literature, "landscape" is the term applied to the meaning local people bestow on their cultural and physical surroundings. In this work, the authors explore the cultural and physical landscapes an individual or cultural group has constructed to define the origins or beginnings of that cultural group as revealed through shared or traditional memory. The cultural landscapes of origins in diverse sites throughout the Americas are investigated through multidisciplinary research, not only to reveal the belief system and mythologies but also to place these origin beliefs in context and relationship to each other. In a continual interaction between the past, present, and future, time is subordinate to place, and history, as defined in Western academic terms, does not exist.
Landscapes of Power and Identity is a groundbreaking comparative history of two colonies on the frontiers of the Spanish empire—the Sonora region of northwestern Mexico and the Chiquitos region of eastern Bolivia’s lowlands—from the late colonial period through the middle of the nineteenth century. An innovative combination of environmental and cultural history, this book reflects Cynthia Radding’s more than two decades of research on Mexico and Bolivia and her consideration of the relationships between human societies and the geographic landscapes they inhabit and create. At first glance, Sonora and Chiquitos are quite different: one a scrub-covered desert, the other a tropical rainforest of the greater Amazonian and Paraguayan river basins. Yet the regions are similar in many ways. Both were located far from the centers of colonial authority, organized into Jesuit missions and linked to the principal mining centers of New Spain and the Andes, and then absorbed into nation-states in the nineteenth century. In each area, the indigenous communities encountered European governors, missionaries, slave hunters, merchants, miners, and ranchers.
Radding’s comparative approach illuminates what happened when similar institutions of imperial governance, commerce, and religion were planted in different physical and cultural environments. She draws on archival documents, published reports by missionaries and travelers, and previous histories as well as ecological studies and ethnographies. She also considers cultural artifacts, including archaeological remains, architecture, liturgical music, and religious dances. Radding demonstrates how colonial encounters were conditioned by both the local landscape and cultural expectations; how the colonizers and colonized understood notions of territory and property; how religion formed the cultural practices and historical memories of the Sonoran and Chiquitano peoples; and how the conflict between the indigenous communities and the surrounding creole societies developed in new directions well into the nineteenth century.
In Landscapes of Power Dana E. Powell examines the rise and fall of the controversial Desert Rock Power Plant initiative in New Mexico to trace the political conflicts surrounding native sovereignty and contemporary energy development on Navajo (Diné) Nation land. Powell's historical and ethnographic account shows how the coal-fired power plant project's defeat provided the basis for redefining the legacies of colonialism, mineral extraction, and environmentalism. Examining the labor of activists, artists, politicians, elders, technicians, and others, Powell emphasizes the generative potential of Navajo resistance to articulate a vision of autonomy in the face of twenty-first-century colonial conditions. Ultimately, Powell situates local Navajo struggles over energy technology and infrastructure within broader sociocultural life, debates over global climate change, and tribal, federal, and global politics of extraction.
In the 1100s most Pueblo peoples lived in small, dispersed settlements and moved frequently, but by the mid-1400s they had aggregated into large villages. The majority of these villages were still occupied at Spanish contact and conquest, by which time most Pueblo peoples had completely transformed their perception and experience of village life. Other changes were taking place on a broader regional scale, and the migrations from the Colorado Plateau and the transformation of Chaco initiated myriad changes in ritual organization and practice.
Landscapes of Social Transformation in the Salinas Province and the Eastern Pueblo World investigates relationships between diverse regional and local changes in the Rio Grande and Salinas areas from 1100 to 1500 C.E. The contributing authors draw on the results of sixteen seasons of archaeological survey and excavation in the Salinas Province of central New Mexico. The chapters offer cross-scale analyses to compare broad perspectives in well-researched southwestern culture changes to the finer details of stability and transformation in Salinas. This stability—which was unusual in the Pueblo Southwest—from the 1100s until its abandonment in the 1670s provides an interesting contrast to migration-based transformations studied elsewhere in the Rio Grande region.
Tiffany C. Clark
William M. Graves
Cynthia L. Herhahn
Jeannette L. Mobley-Tanaka
Alison E. Rautman
Katherine A. Spielmann
During the 1980s, El Salvador's violent civil war captured the world's attention. In the years since, the country has undergone dramatic changes. Landscapes of Struggle offers a broad, interdisciplinary assessment of El Salvador from the late nineteenth century to the present, focusing on the ways local politics have shaped the development of the nation.
Proceeding chronologically, these essays-by historians, political scientists, sociologists, and anthropologists-explore the political, social, and cultural dynamics governing the Salvadoran experience, including the crucial roles of land, the military, and ethnicity; the effects of the civil war; and recent transformations, such as the growth of a large Salvadoran diaspora in the United States. Taken together, they provide a fully realized portrait of El Salvador's troublesome past, transformative present, and uncertain future.
In a life dedicated to studying and writing about Nazism and the Holocaust, Otto Dov Kulka has set to one side his experiences as a child inmate at Auschwitz. Breaking years of silence, Kulka brings together the personal and historical in a devastating, at times poetic, account of the concentration camps and the private mythology he constructed.
“What does it mean to see the American landscape in a secular way?” asks Nicolas Howe at the outset of this innovative, ambitious, and wide-ranging book. It’s a surprising question because of what it implies: we usually aren’t seeing American landscapes through a non-religious lens, but rather as inflected by complicated, little-examined concepts of the sacred.
Fusing geography, legal scholarship, and religion in a potent analysis, Howe shows how seemingly routine questions about how to look at a sunrise or a plateau or how to assess what a mountain is both physically and ideologically, lead to complex arguments about the nature of religious experience and its implications for our lives as citizens. In American society—nominally secular but committed to permitting a diversity of religious beliefs and expressions—such questions become all the more fraught and can lead to difficult, often unsatisfying compromises regarding how to interpret and inhabit our public lands and spaces. A serious commitment to secularism, Howe shows, forces us to confront the profound challenges of true religious diversity in ways that often will have their ultimate expression in our built environment. This provocative exploration of some of the fundamental aspects of American life will help us see the land, law, and society anew.
In 1975, German readers were introduced to the Rheinlandschaften, a collection of stunning images of the Rhineland captured in the first half of the twentieth century by photographer August Sander (1876–1964). This fresh edition, now in English, brings Sander’s work to a new audience and into our own time.
These photographs showcase a variety of scenes, from a sunrise over Cologne to the slopes of the Rhine valley. The Rhine River flows through many of these pictures, its dynamic curves and lively current leading the eye through an intriguing mix of natural and urban landscapes. A new essay by art historian Wolfgang Kemp provides context for Sander’s work while introducing his contemporaries, including the writer Hans Ludwig Mathar and the painter Franz M. Jansen. Also explored are the ties between Sander’s landscapes and his portrait photography, which is celebrated worldwide. Crucially, Kemp highlights the need to consider the Rhineland’s unique political situation in the 1920s and 1930s for any discussion of Sander’s artistic approach.
Shining welcome light on the full range of Sander’s practice, this book offers a glorious journey through the landscapes that most affected him.
A hard-hitting look at the story behind California's famous scenery.
The beauty of the California landscape is integral to its place in the imagination of generations of people around the world. In The Lie of the Land, geographer Don Mitchell looks at the human costs associated with this famous scenery. Through an account of the labor history of the state, Mitchell examines the material and ideological struggles over living and working conditions that played a large part in the construction of the contemporary California landscape.
The Lie of the Land examines the way the California landscape was built on the backs of migrant workers, focusing on migratory labor and agribusiness before World War II. The book relates the historical geography of California to the processes of labor that made it, discussing not only significant strikes but also on the everyday existence of migrant workers in the labor camps, fields, and "Hoovervilles" where they lived. Mitchell places class struggle at the heart of social development, demonstrating concretely how farm workers affected their social and material environment, as well as exploring how farm owners responded to their workers' efforts to improve their living and working conditions. Mitchell also places "reformers" in context, revealing the actual nature of their role in relation to migrant workers' efforts-that of undermining the struggle for genuine social change. In addition, this volume captures the significance of the changing composition of the agricultural workforce, particularly in racial terms, as the class struggle evolved over a period of decades.
Mitchell has written a narrative history that describes the intimate connection between landscape representations and the material form of geography. The Lie of the Land places people squarely in the middle of the landscapes they inhabit, shedding light on the complex and seemingly contradictory interactions between progressive state agents, radical workers, and California growers as they seek to remake the land in their own image.
"It is important that the story of the migrant workers is told and Mitchell tells it well." Transactions/Area
"The Lie of the Land opens up new and rich possibilities to help prod our thinking about the processes involved in understanding the changing morphology of landscape. This is an important book. Mitchell's lucid examination of the role of migrant workers in shaping and reshaping California's agricultural landscapes brings new meaning to the creation of the sometimes sublime, yet always complex, rural landscapes in places like the Salinas Valley, the Central Valley, and the Imperial Valley. For many historical geographers and others fortunate enough to read this book, the vision and study of landscape evolution will never be the same." Historical Geography
"For anyone wishing to go beyond such movies and novels that do address Californian labour history before the Second World War, this is an excellent integration of all too often disparate approaches and materials. It should be required reading far beyond the confines of labour history." Labour History Review
"The Lie of the Land is an important contribution to the study of landscape, to cultural geography, and more generally to critical geography. The book should be held up as a model for students and researchers in the field." Environment & Planning A
"In The Lie of the Land, Don Mitchell represents a new, interdisciplinary, cultural geography, using such disparate fields as art history and labor history. He looks at migrant workers in California from the Wheatland riot of 1913 to the Bracero Program of 1942." Western Historical Quarterly
"What he discovers is that the image of California as an agricultural Eden, as initially witnessed by John Steinbeck's Joad family in The Grapes of Wrath, never matches the reality of a land that is tightly controlled by corporate growers, a land that exploits the labor of waves of migratory workers from the late 19th century on. Mitchell looks behind the pastoral charm of fertile fields and neatly tended farmhouses to reveal the brutal working conditions and squalid living conditions of the migratory camps. Along the way, he acquaints the reader with a century of labor history and the fact that Anglos, Filipinos, Japanese and Chicanos have all taken their turn at working--and fighting against--the California agricultural landscape."
Journal of the West
"Mitchell, who teaches geography at the University of Colorado at Boulder, describes the labor struggles of the migrants with clarity and grace. The Lie of the Land is, in many ways, a valuable contribution to the study of California labor relations." Los Angeles Reader
"Amidst the array of studies about California agriculture, geographer Don Mitchell offers a singular analysis. His study is a carefully researched and closely reasoned interpretation of the interaction between the place, the people, and the agricultural plenitude which together, he contends, have contributed to the evolving morphology of the California landscape." Agricultural History
Don Mitchell is assistant professor of geography at the University of Colorado at Boulder.
Before the 1930s, landscapes of the American Southwest represented the migrant’s dream of a stable and bountiful homeland. Around the time of the Great Depression, however, the Southwest suddenly became integrated into a much larger economic and cultural system. Audrey Goodman examines how—since that time—these southwestern landscapes have come to reveal the resulting fragmentation of identity and community.
Through analyzing a variety of texts and images, Goodman illuminates the ways that modern forces such as militarization, environmental degradation, internal migration, and an increased border patrol presence have shattered the perception of a secure homeland in the Southwest. The deceptive natural beauty of the Southwest deserts shields a dark history of trauma and decimation that has remained as a shadow on the region’s psyche. The first to really synthesize such wide-ranging material about the effects of the atomic age in the Southwest, Goodman realizes the value of combined visual and verbal art and uses it to put forth her own original ideas about reconstructing a new sense of homeland.
Lost Homelands reminds us of the adversity and dislocation suffered by people of the Southwest by looking at the ways that artists, photographers, filmmakers, and writers have grappled with these problems for decades. In assessing the ruination of the region, however, Goodman argues that those same artists and writers have begun to reassemble a new sense of homeland from these fragments.
Mercury and the Making of California, Andrew Johnston’s multidisciplinary examination of the history and cultural landscapes of California’s mercury-mining industry, raises mercury to its rightful place alongside gold and silver in the development of the American West.
Gold and silver could not be refined without mercury; therefore, its production and use were vital to securing power and wealth in the West. The first industrialized mining in California, mercury mining had its own particular organization, structure, and built environments. These were formed within the Spanish Empire, subsequently transformed by British imperial ambitions, and eventually manipulated by American bankers and investors. In California mercury mining also depended on a workforce differentiated by race and ethnicity. The landscapes of work and camp and the relations among the many groups involved in the industry—Mexicans, Chileans, Spanish, English, Irish, Cornish, American, and Chinese—form a crucial chapter in the complex history of race and ethnicity in the American West.
This pioneering study explicates the mutual structuring of the built environments of the mercury-mining industry and the emergence of California’s ethnic communities. Combining rich documentary sources with a close examination of the existing physical landscape, Johnston explores both the detail of everyday work and life in the mines and the larger economic and social structures in which mercury mining was enmeshed, revealing the significance of mercury mining for Western history.
"Thoughtfully documenting the voice and emotions of many who might otherwise remain unheard, Hemalata Dandekar provides in-depth accounts and insights, underpinned by quietly rigorous analysis, about family interactions and the perceptions, understandings, and memories of family members . . . a tribute to the indomitability of the human spirit as an enduring force in sustaining farm life on the Michigan farms."
---Anatole Senkevitch, Jr., Taubman College of Architecture and Urban Planning, University of Michigan
Michigan's family farms form the backbone of the state. One need only see the Centennial Farm signs that dot the sides of the state's country roads to understand that. Hemalata Dandekar shows in her new book just how connected those family farm buildings are to the families that inhabit them.
Fifteen family-farm case studies display farm buildings' relationship to the land they sit on, their function on the farm, the materials they're made with, the farm enterprises themselves, and the families who own them. Photographs, plans, elevations, and sections of exemplary traditional farm buildings show the aesthetic and architectural qualities of those types of buildings across the state.
The ways in which the buildings serve the productive activities of the farm, shelter and nourish the people and livestock, yield a living, and enable the aspirations of farm people are shown in the words and photographs of the farmers themselves. The buildings form a window into the lives of Michigan's family farms and into the hearts and minds of the people who have lived and worked on them their entire lives.
Hemalata C. Dandekar is Department Head of City and Regional Planning at California Polytechnic State University. She specializes in urbanization, urban-rural linkages, rural development, and gender and housing. She developed her love of Michigan farmers and farm architecture during her years as a student and professor at the Urban Planning program of the A. Alfred Taubman College of Architecture and Urban Planning at the University of Michigan. She was Director of the Center for South and Southeast Asian Studies and Associate Vice President for Research at the University of Michigan.
This richly illustrated collection of essays, reissued in paperback with a new foreword by Karen L. Cox, examines Confederate memorials from Monument Avenue to Stone Mountain and explores how each monument, with its associated public rituals, testifies to the romanticized narrative of the American Civil War known as the Lost Cause. Several of the fourteen essays highlight the creative leading role played by women’s groups in memorialization, while others explore the alternative ways in which people outside white southern culture wrote their very different histories on the southern landscape. The contributors – who include Karen L. Cox, Richard Guy Wilson, Catherine W. Bishir, W. Fitzhugh Brundage, and William M.S. Ramussen – trace the origins, objectives, and changing consequences of Confederate monuments over time and the dynamics of individuals and organizations that sponsored them. Thus these essays extend the growing literature on the rhetoric of the Lost Cause by shifting the focus to the realm of the visual. They are especially relevant in the present day when Confederate symbols and monuments continue to play a central role in a public – and often emotionally charged – debate about how the South’s past should be remembered.
Motor City Green is a history of green spaces in metropolitan Detroit from the late nineteenth- to early twenty-first century. The book focuses primarily on the history of gardens and parks in the city of Detroit and its suburbs in southeast Michigan. Cialdella argues Detroit residents used green space to address problems created by the city’s industrial rise and decline, and racial segregation and economic inequality. As the city’s social landscape became increasingly uncontrollable, Detroiters turned to parks, gardens, yards, and other outdoor spaces to relieve the negative social and environmental consequences of industrial capitalism. Motor City Green looks to the past to demonstrate how today’s urban gardens in Detroit evolved from, but are also distinct from, other urban gardens and green spaces in the city’s past.
My Wrangell Mountains
Ruedi Homberger University of Alaska Press, 2011 Library of Congress F912.W72H66 2011 | Dewey Decimal 979.83
High atop cascading waterfalls and deep within the lush green depths of the valleys, Swiss photographer Ruedi Homberger has for more than twenty years captured in photographs the majestic beauty of eastern Alaska’s Wrangell Mountain range. In addition to summiting some of the Wrangells’ loftiest peaks, Homberger has in recent years incorporated a technically challenging new approach into his work. Flying above the mountains in a small plane, Homberger literally goes to new heights to reveal a series of stunning aerial views.
The first book-length collection of photographs focusing exclusively on the Wrangell-Saint Elias National Park and Preserve, My Wrangell Mountains offers readers a rare opportunity to “stand among the giants.” Included in this magnificent oversized volume are nearly three hundred full-color photographs and an accompanying selection of sketches by award-winning illustrator Jon Van Zyle.
Nearly 30 million acres of the Northern Forest stretch across New York, Vermont, New Hampshire, and Maine. Within this broad area live roughly a million residents whose lives are intimately associated with the forest ecosystem and whose individual stories are closely linked to the region’s cultural and environmental history. The fourteen engaging essays in Nature and Culture in the Northern Forest effectively explore the relationships among place, work, and community in this complex landscape. Together they serve as a stimulating introduction to the interdisciplinary study of this unique region.
Each of the four sections views through a different lens the interconnections between place and people. The essayists in “Encounters” have their hiking boots on as they focus on personal encounters with flora and fauna of the region. The energizing accounts in “Teaching and Learning” question our assumptions about education and scholarship by proposing invigorating collaborations between teachers and students in ways determined by the land itself, not by the abstractions of pedagogy. With the freshness of Thoreau’s irreverence, the authors in “Rethinking Place” look at key figures in the forest’s literary and cultural development to help us think about the affiliations between place and citizenship. In “Nature as Commodity,” three essayists consider the ways that writers from the nineteenth and early twentieth centuries thought about nature as a product and, thus, how their conclusions bear on the contemporary retailing of place.
The writers in Nature and Culture in the Northern Forest reveal the rich affinities between a specific place and the literature, thought, and other cultural expressions it has nurtured. Their insightful and stimulating connections exemplify adventurous bioregional thinking that encompasses both natural and cultural realities while staying rooted in the particular landscape of some of the Northeast’s wildest forests and oldest settlements.
Is Italy il bel paese—the beautiful country—where tourists spend their vacations looking for art, history, and scenery? Or is it a land whose beauty has been cursed by humanity’s greed and nature’s cruelty? The answer is largely a matter of narrative and the narrator’s vision of Italy. The fifteen essays in Nature and History in Modern Italy investigate that nation’s long experience in managing domesticated rather than wild natures and offer insight into these conflicting visions. Italians shaped their land in the most literal sense, producing the landscape, sculpting its heritage, embedding memory in nature, and rendering the two different visions inseparable. The interplay of Italy’s rich human history and its dramatic natural diversity is a subject with broad appeal to a wide range of readers.
A Negotiated Landscape examines the transformation of San Francisco’s iconic waterfront from the eve of its decline in 1950 to the turn of the millennium. What was once a major shipping port is now best known for leisure and entertainment.
To understand this landscape Jasper Rubin not only explores the built environment but also the major forces that have been at work in its redevelopment. While factors such as new transportation technology and economic restructuring have been essential to the process and character of the waterfront’s transformation, the impact of local, grassroots efforts by planners, activists, and boosters have been equally critical.
The first edition of A Negotiated Landscape won the 2012 prize for best book in planning history from the International Planning History Society. Much has changed in the five years since that edition was published. For this second edition, Rubin provides a new concluding chapter that updates the progress of planning on San Francisco’s waterfront and examines debates over the newest visions for its development.
Ralph Waldo Emerson once said that “all history becomes subjective,” that, in fact, “properly there is no history, only biography.” Today, Emerson’s observation is hardly revolutionary for archaeologists; it has become conventional wisdom that the present is a battleground where interpretations of the events and meanings of the past are constantly being disputed. What were the major events? Whose lives did these events impact, and how? Who were the key players? What was their legacy? We know all too well that the answers to these questions can vary considerably depending on what political, social, or personal agenda is driving the response.
Despite our keen eye for discerning historical spin doctors operating today, it has been only in recent years that archaeologists have begun exploring in detail how the past was used in the past itself. This volume of ten original works brings critical insight to this frequently overlooked dimension of earlier societies. Drawing on the concepts of identity, memory, and landscape, the contributors show how these points of entry can lead to substantially new accounts of how people understood their lives and why things changed as they did.
Chapters include the archaeologies of the eastern Mediterranean, including Mesopotamia, Iran, Greece, and Rome; prehistoric Greece; Achaemenid and Hellenistic Armenia; Athens in the Roman period; Nubia and Egypt; medieval South India; and northern Maya Quintana Roo. The contributors show how and why, in each society, certain versions of the past were promoted while others were aggressively forgotten for the purpose of promoting innovation, gaining political advantage, or creating a new group identity.
Commentaries by leading scholars Lynn Meskell and Jack Davis blend with newer voices to create a unique set of essays that is diverse but interrelated, exceptionally researched, and novel in its perspectives. CONTENTS
1. Peering into the Palimpsest: An Introduction to the Volume
2. Collecting, Defacing, Reinscribing (and Otherwise Performing) Memory in the Ancient World
Catherine Lyon Crawford
3. Unforgettable Landscapes: Attachments to the Past in Hellenistic Armenia
4. Mortuary Studies, Memory, and the Mycenaean Polity
5. Identity under Construction in Roman Athens
6. Inscribing the Napatan Landscape: Architecture and Royal Identity
7. Negotiated Pasts and the Memorialized Present in Ancient India: Chalukyas of Vatapi
8. Creating, Transforming, Rejecting, and Reinterpreting Ancient Maya Urban Landscapes: Insights from Lagartera and Margarita
Laura P. Villamil
9. Back to the Future: From the Past in the Present to the Past in the Past
10. Memory Groups and the State: Erasing the Past and Inscribing the Present in the Landscapes of the Mediterranean and Near East
Jack L. Davis
From the earliest memorials used by Native Americans to the elaborate structures of the present day, Richard Veit and Mark Nonestied use grave markers to take an off-beat look at New Jersey’s history that is both fascinating and unique.
New Jersey Cemeteries and Tombstones presents a culturally diverse account of New Jersey’s historic burial places from High Point to Cape May and from the banks of the Delaware to the ocean-washed Shore, to explain what cemeteries tell us about people and the communities in which they lived. The evidence ranges from somber seventeenth-century decorations such as hourglasses and skulls that denoted the brevity of colonial life, to modern times where memorials, such as a life-size granite Mercedes Benz, reflect the materialism of the new millennium. Also considered are contemporary novelties such as pet cemeteries and what they reveal about today’s culture. To tell their story the authors visited more than 1,000 burial grounds and interviewed numerous monument dealers and cemetarians.
This richly illustrated book is essential reading for history buffs and indeed anyone who has ever wandered inquisitively through their local cemeteries.
National parks are the places that present ideas of nature to Americans: Zion, Yosemite, Grand Canyon, Yellowstone bring to mind quintessential and awe-inspiring wilderness. By examining how rhetoric—particularly visual rhetoric—has worked to shape our views of nature and the “natural” place of humans, Observation Points offers insights into questions of representation, including the formation of national identity.
As Thomas Patin reveals, the term “nature” is artificial and unstable, in need of constant maintenance and reconstruction. The process of stabilizing its representation, he notes, is unavoidably political. America’s national parks and monuments show how visual rhetoric operates to naturalize and stabilize representations of the environment. As contributors demonstrate, visual rhetoric is often transparent, structuring experience while remaining hidden in plain sight. Scenic overlooks and turnouts frame views for tourists. Visitor centers, with their display cases and photographs and orientation films, provide their own points of view—literally and figuratively. Guidebooks, brochures, and other publications present still other ways of seeing. At the same time, images of America’s “natural” world have long been employed for nationalist and capitalist ends, linking expansionism with American greatness and the “natural” triumph of European Americans over Native Americans.
The essays collected here cover a wide array of subjects, including park architecture, landscape painting, public ceremonies, and techniques of display. Contributors are from an equally broad range of disciplines—art history, geography, museum studies, political science, American studies, and many other fields. Together they advance a provocative new visual genealogy of representation.
Contributors: Robert M. Bednar, Southwestern U, Georgetown, Texas; Teresa Bergman, U of the Pacific; Albert Boime, UCLA; William Chaloupka, Colorado State U; Gregory Clark, Brigham Young U; Stephen Germic, Rocky Mountain College; Gareth John, St. Cloud State U, Minnesota; Mark Neumann, Northern Arizona U; Peter Peters, Maastricht U; Cindy Spurlock, Appalachian State U; David A. Tschida, U of Wisconsin, Eau Claire; Sabine Wilke, U of Washington.
Bringing together historians of science and medicine with environmental historians, and adding more contemporary vantage points from geography, anthropology, and sociology, Osiris Volume 19: Landscapes of Exposure offers an unprecedented interdisciplinary depiction of how, over the nineteenth and twentieth centuries, scientists and lay people have generated methods for connecting health and place, disease and ecology, calculation and risk.
In Pastoral and Monumental, Donald C. Jackson chronicles America’s longtime fascination with dams as represented on picture postcards from the late nineteenth to the mid-twentieth century. Through over four hundred images, Jackson documents the remarkable transformation of dams and their significance to the environment and culture of America.
Initially, dams were portrayed in pastoral settings on postcards that might jokingly proclaim them as “a dam pretty place.” But scenes of flood damage, dam collapses, and other disasters also captured people’s attention. Later, images of New Deal projects, such as the Hoover Dam, Grand Coulee Dam, and Norris Dam, symbolized America’s rise from the Great Depression through monumental public works and technological innovation. Jackson relates the practical applications of dams, describing their use in irrigation, navigation, flood control, hydroelectric power, milling, mining, and manufacturing. He chronicles changing construction techniques, from small timber mill dams to those more massive and more critical to a society dependent on instant access to electricity and potable water.
Concurrent to the evolution of dam technology, Jackson recounts the rise of a postcard culture that was fueled by advances in printing, photography, lowered postal rates, and America’s fascination with visual imagery. In 1910, almost one billion postcards were mailed through the U.S. Postal Service, and for a period of over fifty years, postcards featuring dams were “all the rage.” Whether displaying the charms of an old mill, the aftermath of a devastating flood, or the construction of a colossal gravity dam, these postcards were a testament to how people perceived dams as structures of both beauty and technological power.
Since precolonial times, agriculture has been deeply woven into the fabric of Pennsylvania’s history and culture. Pennsylvania Farming presents the first history of Pennsylvania agriculture in than more sixty years and offers a completely new perspective. Sally McMurry goes beyond a strictly economic approach and considers the diverse forces that helped shape the farming landscape, from physical factors to cultural repertoires to labor systems. Above all, the people who created and worked on Pennsylvania’s farms are placed at the center of attention. More than 150 photographs inform the interpretation, which offers a sweeping look at the evolution of Pennsylvania’s agricultural landscapes right up to the present day.
People, Plants, and Landscapes showcases the potential of modern paleoethnobotany, an interdisciplinary field that explores the interactions between human beings and plants by examining archaeological evidence. Using different methods and theoretical approaches, the essays in this work apply botanical knowledge to studies of archaeological plant remains and apply paleoethnobotany to nonarchaeological sources of evidence. The resulting techniques often lie beyond the traditional boundaries of either archaeology or botany.
With this ground-breaking work, the technically and methodologically enhanced paleoethnobotany of the 1990s has joined forces with ecological and evolutionary theory to forge explanations of changing relationships between human and plant populations.
Contents and Contributors:
The Shaping of Modern Paleoethnobotany, Patty Jo Watson
New Perspectives on the Paleoethnobotany of the Newt Kash Shelter, Kristen J. Gremillion
A 3,000-Year-Old Cache of Crop Seeds from Marble Bluff, Arkansas, Gayle J. Fritz
Evolutionary Changes Associated with the Domestication of Cucurbita pepo: Evidence from Eastern Kentucky, C. Wesley Cowan
Anthropogenesis in Prehistoric Northeastern Japan, Gary W. Crawford
Between Farmstead and Center: The Natural and Social Landscape of Moundville, C. Margaret Scarry and Vincas P. Steponaitis
An Evolutionary Ecology Perspective on Diet Choice, Risk, and Plant Domestication, Bruce Winterhalder and Carol Goland
The Ecological Structure and Behavioral Implications of Mast Exploitation Strategies, Paul S. Gardner
Changing Strategies of Indian Field Location in the Early Historic Southeast, Gregory A. Waselkov
Interregional Patterns of Land Use and Plant Management in Native North America, Julia E. Hammett
East Germany’s Socialist Unity Party aimed to placate a public well aware of the higher standards of living enjoyed elsewhere by encouraging them to participate in outdoor activities and take vacations in the countryside. Scott Moranda considers East Germany’s rural landscapes from the perspective of both technical experts (landscape architects, biologists, and physicians) who hoped to dictate how vacationers interacted with nature, and the vacationers themselves, whose outdoor experience shaped their understanding of environmental change. As authorities eliminated traditional tourist and nature conservation organizations, dissident conservationists demanded better protection of natural spaces. At the same time, many East Germans shared their government’s expectations for economic development that had real consequences for the land. By the 1980s, environmentalists saw themselves as outsiders struggling against the state and a public that had embraced mainstream ideas about limitless economic growth and material pleasures.
Commissioned by the Haggerty Museum of Art at Marquette University to create an artwork reflecting on the importance of freshwater, Milwaukee-based photographer Kevin J. Miyazaki embarked on a two-week, 1,800-mile drive around Lake Michigan. He traveled its perimeter, through Wisconsin, Illinois, Indiana, and Michigan, to produce what he calls “a contemporary portrait of Lake Michigan.” Miyazaki set up his portable studio on beaches, in parks, on boat docks, and in backyards, photographing those he met along the way. From residents, environmental scientists, and artists to a Native American water rights advocate, surfers, and commercial fishermen, Lake Michigan holds a powerful place in the life of each. Many shared their thoughts with him on why this body of water is important to all.
Miyazaki also photographed the water as he went, creating waterscapes of the ever-changing lake affected by weather and time. Perimeter gathers these images together, creating a diverse portrait of both people and a place, encapsulating Lake Michigan’s significance to those who are drawn to it.
In 1875, after being acquitted for the murder of his wife’s lover, Eadweard Muybridge spent a year photographing along the Central American Pacific Coast, particularly in Guatemala and Panamá. Upon his return to California in 1876, he published a very limited number of albums of the photographs (11 are known), each of which was unique in size and scope. In 2007, photographer Byron Wolfe (born 1967) tracked down and cataloged every known Muybridge Central American photograph. Then, with cultural geographer Scott Brady, he traveled to many of Muybridge’s sites to rephotograph them. Through photographic collage, interpretive rephotography, illustrations and essays, this book examines an exceptionally rare series by Muybridge. Also included is a catalogue of every known Muybridge Central American picture.
In A Photographer’s Guide to Ohio Ian Adams, Ohio’s foremost landscape photographer, guides you to some of the most photogenic sites in the Buckeye State.
With 3,600 buildings on the National Register of Historic Places, more than 120 state parks and nature preserves, and the world’s largest Amish community, Ohio’s photographic subjects are nearly endless. In more than 150 color photographs, Adams shows you how to capture the beauty of the seasons when photographing Ohio’s scenic vistas, nature preserves, waterfalls, public gardens, historic barns and bridges, landmark buildings, and town murals. Accompanied by regional maps, each entry includes clear directions and GPS locations, related websites, and historical facts about the area, as well as Adams’s detailed suggestions for capturing the best images. Both beginners and experienced photographers will find expert guidance in Adams’s clear advice on digital landscape photography and will be inspired to create their own stunning Ohio scenic images.
In eight brilliant essays, Fox explores many of the major playas of the American West , examining locations as diverse as Nellis Air Force Base and Frenchman Flat, where the federal government has tested experimental aircraft and atomic weaponry; the Great Salt Lake Desert, where land-speed records have been broken; and the Black Rock Desert of Northern Nevada, site of the colorful Burning Man arts festival. He analyzes the geological and climatological conditions that created the playas and the historical role that playas played in the exploration and settlement of the West. And he offers lucid and keenly perceptive discussions of the ways that artists have responded to the playas, from the ancient makers of geoglyphs to the work of contemporary artists who have found inspiration in these enigmatic spaces, including earthworks builder Michael Heizer, photographer Richard Misrach, and painter Michael Moore. The ensemble is a compelling combination of natural history, philosophy, and art criticism, a thoughtful meditation on humankind's aversion to and fascination with the void.
This distinctive book is the first to address the topic of landscape archaeology in early states from a truly global perspective. It provides an excellent introduction to—and overview of—the discipline today. The volume grew out of the Fifth Biennial Meeting of the Complex Societies Group, whose theme, States and the Landscape, paid tribute to the work of Robert McC. Adams. When Adams began publishing in the 1960s, the interdependence of cities and their countrysides, and the information revealed through the spatial patterning of communities, went largely unrecognized. Today, as this useful collection makes clear, these interpretive insights are fundamental to all archaeologists who investigate the roles of complex polities in their landscapes.
Polities and Power features detailed studies from an intentionally disparate array of regions, including Mesoamerica, Andean South America, southwestern Asia, East Africa, and the Indian subcontinent. Each chapter or pair of chapters is followed by a critical commentary. In concert, these studies strive to infer social, political, and economic meaning from archaeologically discerned landscapes associated with societies that incorporate some expression of state authority. The contributions engage a variety of themes, including the significance of landscapes as they condition and reflect complex polities; the interplay of natural and cultural elements in defining landscapes of state; archaeological landscapes as ever-dynamic entities; and archaeological landscapes as recursive structures, reflected in palimpsests of human activity.
Individually, many of these contributions are provocative, even controversial. Taken together, they reveal the contours of landscape archaeology at this particular evolutionary moment.
In Real Places, Grady Clay presents the American landscape in a completely fresh and untypical way. Rather than look at locations, he studies constructed, imaginative sites. Clay explores the fascination of "Fall Color Country," or "Lover's Lane." What draws people to these "generic" landscapes and keeps them coming back literally and figuratively time and time again? Real Places catalogs and describes a unique cross-section of America, emphasizing the beauty and intrigue of these hidden gems. Heavily illustrated with maps and photographs depicting the everyday as well as the bizarre, Clay's entertaining Baedeker allows us to see in a new way what has always been "right before our eyes."
"This book provides a language for the architecture of everyday life."—Ross Miller, Chicago Tribune
"Spirited observations and capsule histories."—Suzanne Stephens, New York Times Book Review
"Compelling. . . . Included here are many nuggets of insight and illumination."—Brad Knickerbocker, Christian Science Monitor
"An amusing and touching book about the reality we Americans have captured in our language."—Boston Sunday Globe
The name Black Hawk permeates the built environment in the upper midwestern United States. It has been appropriated for everything from fitness clubs to used car dealerships. Makataimeshekiakiak, the Sauk Indian war leader whose name loosely translates to “Black Hawk,” surrendered in 1832 after hundreds of his fellow tribal members were slaughtered at the Bad Axe Massacre. Re-Collecting Black Hawk examines the phenomena of this appropriation in the physical landscape, and the deeply rooted sentiments it evokes among Native Americans and descendants of European settlers. Nearly 170 original photographs are presented and juxtaposed with texts that reveal and complicate the significance of the imagery. Contributors include tribal officials, scholars, activists, and others including George Thurman, the principal chief of the Sac and Fox Nation and a direct descendant of Black Hawk. These image-text encounters offer visions of both the past and present and the shaping of memory through landscapes that reach beyond their material presence into spaces of cultural and political power. As we witness, the evocation of Black Hawk serves as a painful reminder, a forced deference, and a veiled attempt to wipe away the guilt of past atrocities. Re-Collecting Black Hawk also points toward the future. By simultaneously unsettling and reconstructing the midwestern landscape, it envisions new modes of peaceful and just coexistence and suggests alternative ways of inhabiting the landscape.
In Reflecting a Prairie Town Drake Hokanson takes a prolonged look at a common place in an uncommon fashion. He presents Peterson, Iowa, through a singular combination of words and images, a remarkable synthesis of history, geography, direct observation, climatology, botany, oral history, archaeology, agricultural science, literature, geology, photography, and even a bit of astronomy. This vernacular landscape study is lavishly illustrated with photographs taken by the author, including stunning panoramic views.
The fundamental truth of experience on this continent has always lain in the challenges and opportunities of space. Place mattered because we were so few before the immensity of the land. But place at the same time rooted us in that immensity. Even now our appreciation for place is not quite dead; locked in our urban environments we continue to crave a “view,” be it of mountains, forests, or prairies. These “views” crop up unexpectedly as photographic murals in office buildings or posters in dentists' offices. It is to this stifled sense of the importance of place that Hokanson speaks; he invites us to remember and to be revitalized.
The magic of Reflecting a Prairie Town is the revelation that Peterson, Iowa, is a small town that is also uncannily large. In capturing the essence of this one place Hokanson helps us to understand our own worlds better—he asks the simple questions many of us would like to ask were we given the opportunity. To enter this book is to come back to a place we have never really seen before.
A photographic diary of a small Midwestern farm and the family who’ve made it their home
In Roshara Journal, father-and-son team Jerry and Steve Apps share the monthly happenings at their family’s farm in central Wisconsin. Featuring Steve’s stunning photos and fifty years of Jerry’s journal entries, Roshara Journal captures the changes—both from month to month and over the decades—on the landscape and farmstead.
The Apps family has owned Roshara since 1966. There they nurture a prairie restoration and pine plantation, maintain a large garden that feeds three generations, observe wildlife species by the dozens, and support a population of endangered butterflies. In documenting life on this piece of land, Jerry and Steve remind us how, despite the pace and challenges of modern life, the seasons continue to influence our lives in ways large and small. Jerry explains that his journal entries become much more than mere observations: "It seems that when I write about something—a bur oak tree, for example—that old tree becomes a part of me. . . . Writing takes me to a place that goes beyond observation and understanding, a place filled with feeling and meaning."
In the tradition of Bernd Heinrich in Maine, Barry Lopez in the Canadian Arctic, and Aldo Leopold just an hour down the road in Baraboo, Jerry and Steve Apps combine observation, experience, and reflection to tell a profound story about one place in the world.
Wade Davis has been called "a rare combination of scientist, scholar, poet and passionate defender of all of life's diversity." In Shadows in the Sun, he brings all of those gifts to bear on a fascinating examination of indigenous cultures and the interactions between human societies and the natural world.
Ranging from the British Columbian wilderness to the jungles of the Amazon and the polar ice of the Arctic Circle, Shadows in the Sun is a testament to a world where spirits still stalk the land and seize the human heart. Its essays and stories, though distilled from travels in widely separated parts of the world, are fundamentally about landscape and character, the wisdom of lives drawn directly from the land, the hunger of those who seek to rediscover such understanding, and the consequences of failure.
As Davis explains, "To know that other, vastly different cultures exist is to remember that our world does not exist in some absolute sense but rather is just one model of reality. The Penan in the forests of Borneo, the Vodoun acolytes in Haiti, the jaguar Shaman of Venezuela, teach us that there are other options, other possibilities, other ways of thinking and interacting with the earth." Shadows in the Sun considers those possibilities, and explores their implications for our world.
Signs orient, inform, persuade, and regulate. They help give meaning to our natural and human-built environment, to landscape and place. In Signs in America’s Auto Age, cultural geographer John Jakle and historian Keith Sculle explore the ways in which we take meaning from outdoor signs and assign meaning to our surroundings—the ways we “read” landscape. With an emphasis on how the use of signs changed as the nation’s geography reorganized around the coming of the automobile, Jakle and Sculle consider the vast array of signs that have evolved since the beginning of the twentieth century.
Offering a rare look into the lives of enslaved peoples and slave masters in early New England, Slavery in the Age of Reason analyzes the results of extensive archaeological excavations at the Isaac Royall House and Slave Quarters, a National Historic Landmark and museum in Medford, Massachusetts.
Isaac Royall (1677-1739) was the largest slave owner in Massachusetts in the mid- eighteenth century, and in this book the Royall family and their slaves become the central characters in a compelling cultural-historical narrative. The family's ties to both Massachusetts and Antigua provide a comparative perspective on the transcontinental development of modern ideologies of individualism, colonialism, slavery, and race.
Alexandra A. Chan examines the critical role of material culture in the construction, mediation, and maintenance of social identities and relationships between slaves and masters at the farm. She explores landscapes and artifacts discovered at the site not just as inanimate objects or “cultural leftovers,” but rather as physical embodiments of the assumptions, attitudes, and values of the people who built, shaped, or used them. These material things, she argues, provide a portal into the mind-set of people long gone-not just of the Royall family who controlled much of the material world at the farm, but also of the enslaved, who made up the majority of inhabitants at the site, and who left few other records of their experience.
Using traditional archaeological techniques and analysis, as well as theoretical per- spectives and representational styles of post-processualist schools of thought, Slavery in the Age of Reason is an innovative volume that portrays the Royall family and the people they enslaved “from the inside out.” It should put to rest any lingering myth that the peculiar institution was any less harsh or complex when found in the North.
Alexandra A.Chan currently works in cultural resource management as an archaeolog- ical consultant and principal investigator. As assistant professor of anthropology at Vassar College, 2001-2004, she also developed numerous courses in historical archaeology, archaeological ethics, comparative colonialism, and the archaeology of early African America. She was the project director of the excavations at the Isaac Royall House and Slave Quarters in Medford, Massachusetts, 2000-2001, and continues to serve on the Academic Advisory Council of the museum.
Planting and transplanting, seeding and reshaping—landscaping practices that emerged in the eighteenth century—are inextricable from the contested terrain of empire within which they operated. From the plantations of the “nabobs” to the island gardens of narrative fiction, from William Beckford’s estate at Fonthill to Marie Antoinette’s ornamented farm, Sowing Empire considers imperial relandscaping—its patriarchal organization, heterosexual reproduction, and slavery—and how it contributed to the construction of imperial power. At the same time, the book shows how these picturesque landscapes and sugar plantations contained within them the seeds of resistance—how, for instance, slave gardens and the Afro-Caribbean practice of Vodou threatened authority and created new possibilities for once again transforming the landscape.In an ambitious work of wide-ranging literary, visual, and historical allusion, Jill H. Casid examines how landscaping functioned in an imperial mode that defined and remade the “heartlands” of nations as well as the contact zones and colonial peripheries in the West and East Indies. Revealing the colonial landscape as far more than an agricultural system—as a means of regulating national, sexual, and gender identities—Casid also traces how the circulation of plants and hybridity influenced agriculture and landscaping on European soil and how colonial contacts materially shaped what we take as “European.”Utilizing a wide range of both visual and written sources—maps, literature, and travel writing—this book is interdisciplinary in its methodology and in its scope. Sowing Empire explores how postcolonial and queer studies can alter art history and visual studies and, in turn, what close attention to the visual may offer to both postcolonial theorizing and historically and materially based colonial cultural studies.Jill H. Casid is assistant professor of art history and part of the developing transdisciplinary program in visual culture studies at the University of Wisconsin, Madison.
In The State of Southern Illinois: An Illustrated History, Herbert K. Russell offers fresh interpretations of a number of important aspects of Southern Illinois history. Focusing on the area known as “Egypt,” the region south of U.S. Route 50 from Salem south to Cairo, he begins his book with the earliest geologic formations and follows Southern Illinois’s history into the twenty-first century. The volume is richly illustrated with maps and photographs, mostly in color, that highlight the informative and straightforward text.
Perhaps most notable is the author’s use of dozens of heretofore neglected sources to dispel the myth that Southern Illinois is merely an extension of Dixie. He corrects the popular impressions that slavery was introduced by early settlers from the South and that a majority of Southern Illinoisans wished to secede. Furthermore, he presents the first in-depth discussion of twelve pre–Civil War, free black communities located in the region. He also identifies the roles coal mining, labor violence, gangsters, and the media played in establishing the area’s image. He concludes optimistically, unveiling a twenty-first-century Southern Illinois filled with myriad attractions and opportunities for citizens and tourists alike.
The State of Southern Illinois is the most accurate all-encompassing volume of history on this unique area that often regards itself as a state within a state. It offers an entirely new perspective on race relations, provides insightful information on the cultural divide between north and south in Illinois, and pays tribute to an often neglected and misunderstood region of this multidimensional state, all against a stunning visual backdrop.
Superior Achievement from the Illinois State Historical Society, 2013
In this second edition of their classic text, Klyza and Trombulak use the lens of interconnectedness to examine the geological, ecological, and cultural forces that came together to produce contemporary Vermont. They assess the changing landscape and its inhabitants from its pre-human evolution up to the present, with special focus on forests, open terrestrial habitats, and the aquatic environment. This edition features a new chapter covering from 1995 to 2013 and a thoroughly revised chapter on the futures of Vermont, which include discussions of Tropical Storm Irene, climate change, eco-regional planning, and the resurgence of interest in local food and energy production. Integrating key themes of ecological change into a historical narrative, this book imparts specific information about Vermont, speculates on its future, and fosters an appreciation of the complex synergy of forces that shaped this region. This volume will interest scholars, students, and Vermonters intrigued by the state’s long-term natural and human history.
On the road to Survival City, Tom Vanderbilt maps the visible and invisible legacies of the cold war, exhuming the blueprints for the apocalypse we once envisioned and chronicling a time when we all lived at ground zero. In this road trip among ruined missile silos, atomic storage bunkers, and secret test sites, a lost battleground emerges amid the architecture of the 1950s, accompanied by Walter Cotten’s stunning photographs. Survival City looks deep into the national soul, unearthing the dreams and fears that drove us during the latter half of the twentieth century.
“A crucial and dazzling book, masterful, and for me at least, intoxicating.”—Dave Eggers
“A genuinely engaging book, perhaps because [Vanderbilt] is skillful at conveying his own sense of engagement to the reader.”—Los Angeles Times
“A retracing of Dr. Strangelove as ordinary life.”—Greil Marcus, Bookforum
This Vast Book of Nature is a careful, engaging, accessible, and wide-ranging account of the ways in which the White Mountains of northern New Hampshire---and, by implication, other wild places---have been written into being by different visitors, residents, and developers from the post-Revolutionary era to the days of high tourism at the beginning of the twentieth century. Drawing on tourist brochures, travel accounts, pictorial representations, fiction and poetry, local histories, journals, and newspapers, Pavel Cenkl gauges how Americans have arranged space for political and economic purposes and identified it as having value beyond the economic. Starting with an exploration of Jeremy Belknap’s 1784 expedition to Mount Washington, which Cenkl links to the origins of tourism in the White Mountains, to the transformation of touristic and residential relationships to landscape, This Vast Book of Nature explores the ways competing visions of the landscape have transformed the White Mountains culturally and physically, through settlement, development, and---most recently---preservation, a process that continues today.
A Thousand Pieces of Paradise is an ecological history of property and a cultural history of rural ecosystems set in one of Wisconsin's most famous regions, the Kickapoo Valley. While examining the national war on soil erosion in the 1930s, a controversial real estate development scheme, Amish land settlement, a U.S. Army Corps of Engineers dam project, and Native American efforts to assert longstanding land claims, Lynne Heasley traces the historical development of modern American property debates within ever-more diverse rural landscapes and cultures. Heasley argues that the way public discourse has framed environmental debates hides the full shape our system of property has taken in rural communities and landscapes. She shows how democratic and fluid visions of property-based on community relationships-have coexisted alongside individualistic visions of property rights. In this environmental biography of a landscape and its people lie powerful lessons for rural communities seeking to understand and reconcile competing values about land and their place in it.
The first comprehensive analysis of a strategically located ceremonial center on the island of Puerto Rico.
The prehistoric civic-ceremonial center of Tibes is located on the southern coast of Puerto Rico, just north of the modern coastal city of Ponce. Protected on two sides by a river, and on the other two sides by hills, this approximately 10.5-acre site remains as fertile and productive today as when first occupied over 2,000 years ago. Such a rich region would have been a choice location for native peoples because of the diversity in all resources, from land, air, and sea--and also symbolically crucial as a liminal space within the landscape. It may have been regarded as a space charged with numen or cosmic energy where different parts of the cosmos (natural vs. supernatural, or world of the living vs. world of the dead) overlap. Archaeological evidence reveals a long occupation, about 1,000 years, possibly followed by an extensive period of sporadic ceremonial use after the site itself was practically abandoned.
In this volume, nineteen Caribbeanists, across a wide academic spectrum, examine the geophysical, paleoethnobotanical, faunal, lithics, base rock, osteology, bone chemistry and nutrition, social landscape, and ceremonial constructs employed at Tibes. These scholars provide a concise, well-presented, comprehensive analysis of the evidence for local level changes in household economy, internal organization, accessibility to economic, religious, and symbolic resources related to the development and internal operation of socially stratified societies in the Caribbean.
In Visions of the Black Belt, Robin McDonald and Valerie Pope Burnes offer a richly illustrated tour of the Black Belt, the fertile arc that represents the cultural efflorescence of Alabama’s heartland. Like knowledgeable friends, McDonald and Burnes guide readers through the Black Belt’s towns and architecture and introduce the region’s great panoply of citizens, farmers, craftspeople, cooks, writers, and musicians.
A constellation of Black Belt towns arose during Alabama’s territorial decades, communities like Selma, Camden, Eutaw, Tuskegee, Greenville, and many more. Visions of the Black Belt recounts their stories and others, such as Demopolis’s founding by exiles from Napoleon’s France. As an escarpment of clouds scuds across an indigo sky, the ruins of Alabama’s lost capital of Cahaba reveal the secrets of its lost squares. Also on this picturesque tour are the Black Belt’s homes, from artless cabins wreathed in fern to ozymandian manses wrapped by stately columns, such as Kirkwood and Reverie.
Among the emblematic houses of worship lovingly photographed in Visions of the Black Belt is Prairieville’s St. Andrew’s Episcopal Church, noted for its “carpenter gothic” style. Also reflecting the region’s history of faith are poignant graveyards such as Greenville’s Pioneer Cemetery with its homespun memorials of seashell-and-concrete and the elegant marbles clad in ebon lichen of Selma's Live Oak Cemetery.
In photos and text, McDonald and Burnes bring to life the layers of history that shaped the Black Belt’s tastes, sounds, and colors. Their gastronomic discoveries include the picant crawfish of the Faunsdale Bar & Grill and GainesRidge Dining Club’s famed Black Bottom pie. They bring the sounds of the Black Belt to life by presenting a wide range of musicians and musical events, from bona fide blues and soul masters to Eutaw’s Black Belt Roots Festival.
Including two maps and more than 370 full-color photographs, Visions of the Black Belt offers a timeless message of faith, determination, and the rich simplicity of living in harmony with the rhythms of the land and nature.
Published in Cooperation with the Black Belt Treasures Cultural Arts Center, Camden, Alabama
Stone walls, concrete walls, chain-link walls, border walls: we live in a world of walls. Walls mark sacred space and embody earthly power. They maintain peace and cause war. They enforce separation and create unity. They express identity and build community. Yard to nation, city to self, walls define and dissect our lives. And, for Thomas Oles, it is time to broaden our ideas of what they can—and must—do.
In Walls, Oles shows how our minds and our politics are shaped by–and shape–our divisions in the landscape. He traces the rich array of practices and meanings connected to the making and marking of boundaries across history and prehistory, and he describes how these practices have declined in recent centuries. The consequence, he argues, is all around us in the contemporary landscape, riven by walls shoddy in material and mean in spirit. Yet even today, Oles demonstrates, every wall remains potentially an opening, a stage, that critical place in the landscape where people present themselves and define their obligations to one another. In an evocative epilogue, Oles brings to life a society of productive, intentional, and ethical enclosure—one that will leave readers more hopeful about the divided landscapes of the future.
South Africa is recognized as a site of both political turmoil and natural beauty, and yet little work has been done in connecting these defining national characteristics. Washed with Sun achieves this conjunction in its multidisciplinary study of South Africa as a space at once natural and constructed. Weaving together practical, aesthetic, and ideological analyses, Jeremy Foster examines the role of landscape in forming the cultural iconographies and spatialities that shaped the imaginary geography of emerging nationhood. Looking in particular at the years following the British victory in the second Boer War, from 1902 to 1930, Foster discusses the influence of painting, writing, architecture, and photography on the construction of a shared, romanticized landscape subjectivity that was perceived as inseparable from “being South African,” and thus helped forge the imagined community of white South Africa.
In its innovative approach to South Africa's history, Washed with Sun breaks important new ground, combining the persuasive theory of cultural geography with the material specificity of landscape history.
The landscapes of the American Southwest—the Grand Canyon, Monument Valley, the Sedona red rocks—have long filled humans with wonder about nature. This is the home of Lowell Observatory, where astronomers first discovered evidence that the universe is expanding; Meteor Crater, where Apollo astronauts trained for the moon; and Native American tribes with their own ancient, rich ways of relating to the cosmos. With the personal, poetic style of the very best literary nature writing, Don Lago explores how these landscapes have offered humans a deeper sense of connection with the universe. While most nature writing never leaves the ground, Lago is one of the few writers who has applied it to the universe, seeking ties between humans and the astronomical forces that gave us birth.
Nowhere else in the world is the link between earth and sky so powerful. Lago witnesses a solar eclipse over the Grand Canyon, climbs primeval volcanos, and sees the universe in tree rings. Through ageless Native American ceremonies, modern telescopes, and even dreams of flying saucers, Lago, who is not only a poet but a true philosopher of science, strives to find order and meaning in the world and brings out the Southwest’s beauty and mystery.
The fastest animal on earth dive-bombs him from the skies. A young black bear bounds up a mountain trail a few yards away. Poisonous snakes swirl at his feet. A thousand bats careen past his head in a pitch-black roost. Pods of dolphins swim right past him by the scores. Who? Experienced naturalist David Wheeler. Where? In Wild New Jersey, of course.
Wild New Jersey invites readers along Wheeler’s whirlwind year-long tour of the most ecologically diverse state for its size in America. Along with the expert guidance of charismatic wildlife biologists and local conservationists, he explores mountains, valleys, beaches, pine barrens, caves, rivers, marshlands, and more—breathtaking landscapes and the state’s Noah’s Ark of fascinating creatures.
This isn’t your ordinary ride on the Jersey Turnpike. Fasten your seatbelts and join Wheeler as he . . .
Kayaks through the Meadowlands under the watchful eye of the Empire State Building,
Pans for cretaceous fossils in a hidden brook once home to mastodons and giant sloths,
Rides a fishing boat in the frigid snows of winter on a high-seas quest for Atlantic puffins,
Trudges through the eerie darkness of a bog on a mysterious night hike,
Dogsleds across the windswept alpine slopes in the haunts of the porcupine and bobcat.
With Wheeler’s compelling narrative, in-depth background details, and eye for revealing the offbeat, you can count this as the first nature book to paint the extraordinary picture of New Jersey’s unlikely wilderness in all its glory. Come along for all the adventure and insight in Wild New Jersey!
For better or worse, the view through a car's windshield has redefined how we see the world around us. In some cases, such as the American parkway, the view from the road was the be-all and end-all of the highway; in others, such as the Italian autostrada, the view of a fast, efficient transportation machine celebrating either Fascism or its absence was the goal. These varied environments are neither necessary nor accidental but the outcomes of historical negotiations, and whether we abhor them or take delight in them, they have become part of the fabric of human existence.
The World beyond the Windshield: Roads and Landscapes in the United States and Europe is the first systematic, comparative look at these landscapes. By looking at examples from the United States and Europe, the chapters in this volume explore the relationship between the road and the landscape thatit traverses, cuts through, defines, despoils, and enhances. The authors analyze the Washington Beltway and the Blue Ridge Parkway, as well as iconic roads in Italy, Nazi Germany, East Germany, and Great Britain. This is a story of the transatlantic exchange of ideas about environment and technology and of the national and nationalistic appropriations of such landscaping.
Pioneer photographer William Henry Jackson’s photographs from the 1871 Hayden Survey were instrumental in persuading Congress to designate Yellowstone as a national park—America’s first and greatest experiment in the preservation of an extraordinary landscape. Yellowstone National Park: Through the Lens of Time is an extended visual essay presenting Jackson’s images paired with breathtaking color rephotographs of each view from photojournalist Bradly J. Boner. These contemporary comparisons to Jackson’s originals reveal just how well that experiment has stood the test of time.
Yellowstone is always changing. The Grand Canyon is getting deeper and wider as the Yellowstone River carves a chasm into the earth. The flows of the great hot springs at Mammoth are creating new layers of delicate, colorful cascades and leaving the old terraces to crumble in decay. Roads, bridges, and pathways wind through the park, and there are restaurants, campgrounds, and hotels. Yet even with the impact of humanity, Yellowstone remains remarkably intact, evidence that the effort to preserve and sustain the park for future generations has been a success.
Combining more than 100 gorgeous “then and now” sets of photographs—the first complete published collection of Jackson’s images from the 1871 Hayden Survey and a result of Boner's three years of work rephotographing them—with history, extensive notes, and personal tales, Yellowstone National Park: Through the Lens of Time pays homage to the park’s early history and its present state, and offers a glimpse into the future. The great experiment of Yellowstone—which captivates millions of visitors from all corners of the globe each year—has transcended generations and should be maintained for generations to come.
The University Press of Colorado and the author gratefully acknowledge the generous contributions of the many donors to the Kickstarter campaign supporting the publication of this book.
The mountains of southwestern Pennsylvania provide the setting for the most popular whitewater in America: the Youghiogheny River at Ohiopyle. People from all over the nation come to run the rapids, while others simply enjoy the natural beauty of Ohiopyle State Park. But this Appalachian river has many faces as it flows from its source among the scattered mountain farms of western Maryland to its confluence with the Monongahela in the industrial outskirts of Pittsburgh. Though always a home to people who cherish their mountain roots, the region’s river offers recreation for millions of Americans.
By canoe, raft, van, and on foot, Tim Palmer explores the river from its highest spring to its industrial end. He writes about the people - afternoon visitors and eigth-generation natives - and about their pasts and their hopes, about the shaping of the land, and the land’s inevitable shaping of them.
The author chronicles the rise of the five Ohiopyle rafting companies that host 80,000 visitors each year and then takes the reader on one of these outfitted voyages. Finally, Palmer paddles beyond the Appalachians to the river’s urban end near Pittsburgh. Strip mining, land development, and recreation management are examined with a consciousness that asks, What will happen to this remarkable but threatened place?