front cover of Observation Points
Observation Points
The Visual Poetics of National Parks
Thomas Patin
University of Minnesota Press, 2012

National parks are the places that present ideas of nature to Americans: Zion, Yosemite, Grand Canyon, Yellowstone bring to mind quintessential and awe-inspiring wilderness. By examining how rhetoric—particularly visual rhetoric—has worked to shape our views of nature and the “natural” place of humans, Observation Points offers insights into questions of representation, including the formation of national identity.

As Thomas Patin reveals, the term “nature” is artificial and unstable, in need of constant maintenance and reconstruction. The process of stabilizing its representation, he notes, is unavoidably political. America’s national parks and monuments show how visual rhetoric operates to naturalize and stabilize representations of the environment. As contributors demonstrate, visual rhetoric is often transparent, structuring experience while remaining hidden in plain sight. Scenic overlooks and turnouts frame views for tourists. Visitor centers, with their display cases and photographs and orientation films, provide their own points of view—literally and figuratively. Guidebooks, brochures, and other publications present still other ways of seeing. At the same time, images of America’s “natural” world have long been employed for nationalist and capitalist ends, linking expansionism with American greatness and the “natural” triumph of European Americans over Native Americans.

The essays collected here cover a wide array of subjects, including park architecture, landscape painting, public ceremonies, and techniques of display. Contributors are from an equally broad range of disciplines—art history, geography, museum studies, political science, American studies, and many other fields. Together they advance a provocative new visual genealogy of representation.

Contributors: Robert M. Bednar, Southwestern U, Georgetown, Texas; Teresa Bergman, U of the Pacific; Albert Boime, UCLA; William Chaloupka, Colorado State U; Gregory Clark, Brigham Young U; Stephen Germic, Rocky Mountain College; Gareth John, St. Cloud State U, Minnesota; Mark Neumann, Northern Arizona U; Peter Peters, Maastricht U; Cindy Spurlock, Appalachian State U; David A. Tschida, U of Wisconsin, Eau Claire; Sabine Wilke, U of Washington.

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front cover of On The Rim
On The Rim
Looking for the Grand Canyon
Mark Neumann
University of Minnesota Press, 2001

Why do nearly five million people  travel to the Grand Canyon each year? Mark Neumann answers this question with a book as compelling as the panoramic vistas of the canyon. In On the Rim, he describes how the Grand Canyon became an internationally renowned tourist attraction and cultural icon, and delves into the meanings the place holds for the individuals who live, work, and travel there.

Weaving history, ethnography, documentary photography, and autobiography, Neumann exposes the roots—the personal and social dimensions—of America’s pursuit of leisure. He shows how people visiting the Grand Canyon create their own experiences, even while they are affected by one hundred years of social history and cultural expectations. On the Rim examines the lines between progress and nostalgia, science and spirituality, nature and culture, authenticity and mass production, and work and leisure—all of which crisscross the tourist experience.

To support his argument, Neumann uses evidence from tourist registers and Park Service records, first-person narratives, interviews, and scenes from television shows, Hollywood movies, and popular novels. Heavily illustrated with historical and contemporary photographs, the narrative shifts back and forth between early descriptions of the canyon and modern tourist stories, the past illuminating the present at every step.

From Albert Einstein’s visit and the hunt for the fugitive Danny Horning to the everyday experiences of local Native Americans, park rangers, and vacationing families, Neumann reminds us that every trip to the Grand Canyon is a complex journey, fueled by shared expectations but always open to the possibility of surprise. On the Rim is a multilayered, nuanced study of the place and its many visitors.

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front cover of Osiris, Volume 19
Osiris, Volume 19
Landscapes of Exposure: Knowledge and Illness in Modern Environments
Edited by Gregg Mitman, Michelle Murphy, and Christopher Sellers
University of Chicago Press, 2004
Bringing together historians of science and medicine with environmental historians, and adding more contemporary vantage points from geography, anthropology, and sociology, Osiris Volume 19: Landscapes of Exposure offers an unprecedented interdisciplinary depiction of how, over the nineteenth and twentieth centuries, scientists and lay people have generated methods for connecting health and place, disease and ecology, calculation and risk.
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