front cover of On Site, In Sound
On Site, In Sound
Performance Geographies in América Latina
Kirstie A. Dorr
Duke University Press, 2018
In On Site, In Sound Kirstie A. Dorr examines the spatiality of sound and the ways in which the sonic is bound up in perceptions and constructions of geographic space. Focusing on the hemispheric circulation of South American musical cultures, Dorr shows how sonic production and spatial formation are mutually constitutive, thereby pointing to how people can use music and sound to challenge and transform dominant conceptions and configurations of place. Whether tracing how the evolution of the Peruvian folk song "El Condor Pasa" redefined the boundaries between national/international and rural/urban, or how a pan-Latin American performance center in San Francisco provided a venue through which to challenge gentrification, Dorr highlights how South American musicians and activists created new and alternative networks of cultural exchange and geopolitical belonging throughout the hemisphere. In linking geography with musical sound, Dorr demonstrates that place is more than the location where sound is produced and circulated; it is a constructed and contested domain through which social actors exert political influence.
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On the Latin Language, Volume I
Books 5–7
Varro
Harvard University Press

Ancient Roman word lore.

Varro (M. Terentius), 116–27 BC, of Reate, renowned for his vast learning, was an antiquarian, historian, philologist, student of science, agriculturist, and poet. He was a republican who was reconciled to Julius Caesar and was marked out by him to supervise an intended national library.

Of Varro’s more than seventy works involving hundreds of volumes we have only his treatise On Agriculture (in LCL 283) and part of his monumental achievement De Lingua Latina (On the Latin Language), a work typical of its author’s interest not only in antiquarian matters but also in the collection of scientific facts. Originally it consisted of twenty-five books in three parts: etymology of Latin words (Books 1–7); their inflections and other changes (Books 8–13); and syntax (Books 14–25). Of the whole work survive (somewhat imperfectly) Books 5–10. These are from the section (Books 4–6) that applied etymology to words of time and place and to poetic expressions; the section (Books 7–9) on analogy as it occurs in word formation; and the section (Books 10–12) that applied analogy to word derivation. Varro’s work contains much that is of very great value to the study of the Latin language.

The Loeb Classical Library edition of On the Latin Language is in two volumes.

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On the Latin Language, Volume II
Books 8–10 and Fragments
Varro
Harvard University Press

Ancient Roman word lore.

Varro (M. Terentius), 116–27 BC, of Reate, renowned for his vast learning, was an antiquarian, historian, philologist, student of science, agriculturist, and poet. He was a republican who was reconciled to Julius Caesar and was marked out by him to supervise an intended national library.

Of Varro’s more than seventy works involving hundreds of volumes we have only his treatise On Agriculture (in LCL 283) and part of his monumental achievement De Lingua Latina (On the Latin Language), a work typical of its author’s interest not only in antiquarian matters but also in the collection of scientific facts. Originally it consisted of twenty-five books in three parts: etymology of Latin words (Books 1–7); their inflections and other changes (Books 8–13); and syntax (Books 14–25). Of the whole work survive (somewhat imperfectly) Books 5–10. These are from the section (Books 4–6) that applied etymology to words of time and place and to poetic expressions; the section (Books 7–9) on analogy as it occurs in word formation; and the section (Books 10–12) that applied analogy to word derivation. Varro’s work contains much that is of very great value to the study of the Latin language.

The Loeb Classical Library edition of On the Latin Language is in two volumes.

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front cover of Ossa Latinitatis Sola Ad Mentem Reginaldi Rationemque
Ossa Latinitatis Sola Ad Mentem Reginaldi Rationemque
Reginaldus Thomas Foster
Catholic University of America Press, 2016
From the first encounter with the Latin language to its full presentation, the objective of Ossa Latinitatis Sola is to get people into immediate contact with and understanding of Latin authors, and for these encounters to grow into a love and use of the entire language in all its literary types and periods of time and authors of the past 2,300 years.
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Ossa Ostensa
A Proven System for Demystifying Latin, Book 2
Laura Pooley
Catholic University of America Press, 2023
Ossa Ostensa is the world’s first comprehensive example of how to teach and learn the Latin language using the unique teaching system of the internationally recognized authority Reginald Foster. Laura Pooley – prize-winning graduate of the University of Oxford and currently a supervisor at the University of Cambridge, brings to life the year she spent in Rome studying Latin with Reginaldus. His inspiring and transformative method of teaching combines with Laura’s twenty years of teaching experience to produce concise and crystal-clear explanations of the language. The three ‘experiences’ of Latin: beginners, intermediates and advanced, are divided between three user-friendly workbooks. Each workbook comprises around thirty lessons, where the language is presented in hand-out form requiring very little modification by prospective teachers. Each language area is then illustrated by translated reading examples. After each lesson, Laura provides translation practice targeted to the taught content. These Latin passages are divided into Classical and Post-Classical literature, to appeal to the interests of all Latin students. Not only that, but each passage is accompanied by teaching questions and translation hints, the mainstay of Reginaldus’ classroom persona and pedagogy so famously encapsulated in his Ludi. Students therefore can exercise recent language content and develop deep and spontaneous fluency in the Latin language. Enjoy continuing your experience of learning with Reginaldus with book 2 of the Ossa Ostensa series, where the significant language areas of participles and subjunctives are met for the first time.
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Ossa Ostensa
A proven system for demystifying Latin, Book One
Laura Pooley
Catholic University of America Press, 2021
Ossa Ostensa is the world’s first comprehensive example of how to teach and learn the Latin language using the unique teaching system of the internationally recognized authority Reginald Foster. Laura Pooley – prize-winning graduate of the University of Oxford and currently a supervisor at the University of Cambridge, brings to life the year she spent in Rome studying Latin with Reginaldus. His inspiring and transformative method of teaching combines with Laura’s twenty years of teaching experience to produce concise and crystal-clear explanations of the language. The three ‘experiences’ of Latin: beginners, intermediates and advanced, are divided between three user-friendly workbooks. Each workbook comprises around thirty lessons, where the language is presented in hand-out form requiring very little modification by prospective teachers. Each language area is then illustrated by translated reading examples. After each lesson, Laura provides translation practice targeted to the taught content. These Latin passages are divided into Classical and Post-Classical literature, to appeal to the interests of all Latin students. Not only that, but each passage is accompanied by teaching questions and translation hints, the mainstay of Reginaldus’ classroom persona and pedagogy so famously encapsulated in his Ludi. Students therefore can exercise recent language content and develop deep and spontaneous fluency in the Latin language. For the first time, the experience of learning with Reginaldus is available to everyone.
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front cover of Ossium Carnes Multae e Marci Tullii Ciceronis Epistulis / The Bones’ Meats Abundant from the Epistles of Marcus Tullius Cicero
Ossium Carnes Multae e Marci Tullii Ciceronis Epistulis / The Bones’ Meats Abundant from the Epistles of Marcus Tullius Cicero
Reginaldus Thomas Foster
Catholic University of America Press, 2021
Beginners and experts alike will find a complete immersion into the workings and nature of the Latin language embodied in the incomparable, insuperable epistles of the great Marcus Tullius Cicero, something which other commentators pass over or scorn. This second volume puts “meat on the bones” of the Latin language presented in the first volume: Ossa Latinitatis Sola: The Mere Bones of Latin. The personal letters of Cicero provide ample meat to enflesh the skeletal structure of the language, thus the title: Ossium Carnes Multae: The Bones’ Meats Abundant from the epistles of Marcus Tullius Cicero. Part 1 presents 51 complete letters from the Tyrell-Purser text. Facing each letter is an image of its oldest manuscript edition as early as the ninth century, which are preserved and guarded in the Medicea Laurentiana library in Florence, Italy, witnessing to the human hand preserving this monument of world heritage for over two millennia. Part 2 follows with a most careful rendition into English of Tully’s living, telephone-like Latin discourse. A thorough treatment and explanation of noteworthy elements of his natural talk follows with numerous references to the Encounters in Volume I. All this has students, learners, teachers, experts of the Latin language in mind and is humbly designed to deepen the understanding and appreciation of specific expressions and peculiarities of Cicero’s language itself. Part 3 provides 500 sentences consisting of from 1 to 5 words and suited for the beginnings or continuation of Latin conversations: 200 declarations, 100 questions, 100 exclamations, 100 injunctions drawn from his letters. The volume is amply indexed. All this has been done to enhance the study and use of Latin, to popularize Cicero’s correspondence, to prepare the reader for Volume III which will deal again with the letters and their usefulness for Latin conversation.
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Oye Como Va!
Hybridity and Identity in Latino Popular Music
Deborah Pacini Hernandez
Temple University Press, 2009

Listen Up! When the New York-born Tito Puente composed "Oye Como Va!" in the 1960s, his popular song was called "Latin" even though it was a fusion of Afro-Cuban and New York Latino musical influences. A decade later, Carlos Santana, a Mexican immigrant, blended Puente’s tune with rock and roll, which brought it to the attention of national audiences. Like Puente and Santana, Latino/a musicians have always blended musics from their homelands with other sounds in our multicultural society, challenging ideas of what "Latin" music is or ought to be. Waves of immigrants further complicate the picture as they continue to bring their distinctive musical styles to the U.S.—from merengue and bachata to cumbia and reggaeton.

In Oye Como Va!, Deborah Pacini Hernandez traces the trajectories of various U.S. Latino musical forms in a globalizing world, examining how the blending of Latin music reflects Latino/a American lives connecting across nations. Exploring the simultaneously powerful, vexing, and stimulating relationship between hybridity, music, and identity, Oye Como Va! asserts that this potent combination is a signature of the U.S. Latino/a experience.

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