Estonia, Latvia, and Lithuania are often grouped together as the Baltic States, but these three Eastern European countries, tied together historically, are quite different. Although each is struggling to find its place within Europe and fighting to preserve its own identity, the idea of the Baltic States is a façade. In this book, Aldis Purs dispels the myth of a single, coherent Baltic identity, presenting a radical new view of the region.

The Salaspils camp near Riga, which was operated during the Nazi occupation of Latvia, has long been the subject ofcontrovery. Around 23,000 people were imprisoned there: half were political prisoners, labor resisters and convicted soldiers, the rest prisoners from special operations against civilians in Belarus, Russia and the Latgale region of Latvia. The death toll in the camp, including the number of Jews who died during construction, is well over 3,000 people.

Despite the relatively small size of this camp, it became a model for Russian remembrance policy. Soviet propaganda claimed that up to 100,000 prisoners were killed there, charged that children were used to extract blood, and greatly exaggerated the extent of the persecution of imprisoned lawbreakers and political dissidents . Salaspils became a myth in Russian-speaking society in Latvia that served to reinforce Soviet narratives of the “Great Patriotic War.”

The three authors drew on sources from the archives of Latvia, Germany and Russia and critically analyzed oral testimonies and earlier research to create a comprehensive account of the Salaspils camp in Nazi-occupied Latvia. Their book furthers the understanding of processes of deformation of collective memory and the techniques of memory politics from the Cold War to the present. 

In just over a century, Latvia has transitioned from imperial periphery to nation-state, then Soviet republic, and finally following the collapse of the Soviet Union to an independent republic. Defining Latvia brings together the latest research on the multiple social, political, and cultural contexts of Latvia throughout this turbulent period. Its ten chapters are written by leading political scientists, historians, and area studies specialists from across Europe and North America.

The volume moves beyond an exclusively political context to incorporate a variety of social and cultural perspectives, ranging from the experiences of Latvian mapmakers in the Russian Empire, to the participation of Latvians in the Wehrmacht and Red Army during World War II, Latvian national communism, and the development of extremist politics following Latvia’s accession to the European Union. Other chapters address developing trends in the fields of history and political science, including the history of antisemitism, memory, language politics, photography, and political extremism.

Based on the book’s temporal span from the nineteenth century to the present, the authors and editors of Defining Latvia understand the construction of Latvian identity as a continuous and interconnected process across significant political and ideological ruptures.

In December 1941, German police and their local collaborators shot 2,749 Jews at the beach in Šķēde, near Liepāja, Latvia. Twelve photographs were taken at the scene. These now-infamous images show people in extreme distress, sometimes without clothing. Some capture the very moments when women and children confronted their imminent deaths, while others show their dead bodies. They are nearly unbearable to look at—so why should we? Framing the Holocaust offers a multidimensional response to this question.

While photographs are central to our memory of modern historical events, they often inhabit an ambivalent intellectual space. What separates the sincere desire to understand from voyeuristic curiosity? Comprehending atrocity photographs requires viewers to place themselves in the very positions of the perpetrators who took the images. When we engage with these photographs, do we risk replicating the original violence? In this tightly organized book, scholars of history, photography, language, gender, photojournalism, and pedagogy examine the images of the Šķēde atrocity along with other difficult images, giving historical, political, and ethical depth to the acts of looking and interpreting.

With a foreword by Edward Anders, who narrowly escaped the December 1941 shooting, Framing the Holocaust represents an original approach to an iconic series of Holocaust photographs. This book will contribute to compelling debates in the emerging field of visual history, including the challenges and responsibilities of using photographs to teach about atrocity.