The First Comprehensive Historical Investigation into the Conway Cabal, the Attempt to Remove George Washington from Command
In the spring of 1778, General George Washington wrote to his friend Landon Carter about a rumored “disposition in the Northern Officers to see me superceded in my Command.” This was as candid a statement as the general ever made about the so-called “Conway Cabal” of patriot officers and politicians critical of his leadership. Most early historians of the Revolution took the threat to Washington seriously, but by the mid-twentieth century interpretations had reversed, with the plot—if one existed—posing no real danger to the commander-in-chief. Yet, as historian Mark Edward Lender reveals in his compelling Cabal! The Plot Against General Washington, clues found in original new research provide a more comprehensive understanding of the personalities and political maneuverings of those involved in the Cabal, and the real nature of the challenge to Washington.
    Rather than the “classic Cabal” of Generals Horatio Gates, Thomas Mifflin, and Thomas Conway in a plot to remove Washington quickly, the threat to Washington’s command was a gradual administrative attempt by the Board of War and political allies to take over the war effort. Reorganized in late 1777 under the leadership of Mifflin, with Gates assuming the board presidency in January 1778, the Board of War sought authority to determine military policy and strategic goals, all training, organizational, personnel, and logistical functions, and even the assignment of theater commanders. Had they succeeded, Washington’s title of commander-in-chief would have been utterly hollow. The Cabal tested Washington as few other things did during the war and perhaps tempered him into the man we remember today. Washington adroitly navigated the challenges to his leadership, meeting and defeating every attempt to curtail his authority. His response revealed a leadership style that saw him safely through the war, and gave him overwhelming support from his countrymen to become their first president.

A New Edition of the Eyewitness Account that Introduced Readers to the Experience of the Continental Army 
“About sunset we made a stand, when I was wounded, having a Ball with the Wad shot through my left forearm & the fuse set my coat and shirt on fire.” So wrote Major Joseph Bloomfield in his journal on September 11, 1777, describing his experiences during the hard-fought battle of Brandywine. Bloomfield was an officer in the 3rd New Jersey Regiment from 1776 to 1779. His service took him from Fort Stanwix to Fort Ticonderoga in New York, to the battle of Brandywine in Pennsylvania, and to the battle of Monmouth in his native state. He later served as governor of New Jersey from 1801 to 1812. A compassionate officer admired by his men, Bloomfield carefully recounted the hardships of military campaigns—the swings of morale, the shortage of supplies, the ever-present illnesses—and the intensity of combat. Of special interest are Bloomfield’s important notes on the culture and behavior of the Iroquois tribes known collectively as the Six Nations, which played a crucial role in revolutionary New York.
   Unpublished and all but unknown when the first edition—skillfully edited by historians Mark Edward Lender and Joseph Kirby Martin—appeared, Bloomfield’s wartime journal was praised for providing both scholars and general readers with new information on the Continental soldier; the revolution’s impact on society; warfare in New York, New Jersey, and Pennsylvania; and the motives and actions of the revolutionary generation. Soldiers and civilians, Patriots and Tories, come alive in this fascinating eyewitness narrative. This new edition of Citizen Soldier: The Revolutionary War Journal of Joseph Bloomfield—the first in thirty-five years—includes a new introduction and bibliographic essay by the editors. 
 

Understanding the Course of the War for American independence through Geographical Regions
Identifying discrete geographical areas in order to better understand a conflict that moves across hundreds of thou­sands of square miles of land and water, such as the American Civil War and World War II, has been a valuable historical method. During this time of greater study of the war that made America, the authors of Theaters of the American Revolution take this approach for the first time. The result is a stimulating volume that will allow readers to see how the war flowed from region to region from 1775 to 1781, beginning in the Northern colonies and Canada, through the dark months in the Middle colonies, to a shift to the South and culmination at Yorktown. Simultaneously, the war raged up and down the western frontier, with the Patriots working to keep the British and their Indian allies from disrupting the main battle armies to the east. Equally important was the war at sea, where American privateers and a fledgling navy attempted to harass the British; but with the entrance of France to the conflict, the control of the sea took a much more balanced—and important— aspect. With specially commissioned maps and colorful descriptions of eighteenth century American terrain, settle­ments, and cities, as well as key battles, Theaters of the American Revolution provides an ideal introduction to understanding one of the most important wars in world history in its totality.

Contents
Introduction • James Kirby Martin and David L. Preston
The Northern Theater • James Kirby Martin
The Middle Theater • Edward G. Lengel and Mark Edward Lender
The Southern Theater • Jim Piecuch
The Western Theater • Mark Edward Lender
The Naval Theater • Charles Neimeyer