front cover of Grass Widow
Grass Widow
Making My Way in Depression Alabama
Viola Goode Liddell
University of Alabama Press, 2004

An engaging account of one woman’s overcoming the Depression and small town mores.

Viola Goode Liddell’s short memoir tells the story of her return to Alabama in search of a husband and a new life. Thirty years old and recently divorced, Liddell comes back to her home state—with her young son—determined to survive, during the depths of the Depression. Liddell narrates the obstacles she faces as a single mother in the 1930s Deep South with self-deprecating humor and a confessional tone that reveal both her intelligence and her unapologetic ambitions.

Unable to earn, borrow, or beg enough money to support herself and her child, Liddell uses her family connections to secure a teaching position in Camden, Alabama. Even though an older sister’s status within the community helps her land the job, Liddell is warned that she must be very careful as she navigates the tricky social terrain of small town life, particularly when it comes to men. A commentary on the plight of women of the time is woven into the narrative as Liddell recounts her experience of being refused a loan at the local bank by her own brother-in-law.

Despite all the restrictions on her behavior and the crushing reality that she has become "the biggest nuisance in the family" because of her past, Liddell cheerfully and successfully builds a new life of respectability and hope.

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front cover of With a Southern Accent
With a Southern Accent
Viola Goode Liddell
University of Alabama Press, 1982

Two generations of Alabamians will welcome the reappearance of this classic: those who loved it when it was published to national acclaim in 1948 and who have missed it during the many years it has been out of print, and those who have enjoyed Viola Goode Liddell’s follow-up success, A Place of Springs, and eagerly seek more from her pen.

            A Book-of-the-Month Club selection when first published, With a Southern Accent belongs on the shelves of all those who have wearied of the labels and want to meet the people of yesterday’s South.
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