Best remembered as one of the president's few true intimates, Brooks was also a nationally recognized man of letters, who mingled with the likes of Mark Twain and Bret Harte. Temple draws on archives and papers long thought lost to re-create Brooks's colorful life and relationship with Lincoln. Brooks's closeness to the president made him privy to Lincoln's thoughts on everything from literature to spirituality. Their frank conversations contributed to the wealth of journalism and personal observations that would make Brooks's writings a much-quoted source for historians and biographers of Lincoln.
A carefully researched and well-documented scholarly resource, Lincoln's Confidant is the story of an extraordinary friendship by one of the luminaries of Lincoln scholarship.
Drawing on Bahktinian and feminist theory, Sawin pushes forward our understanding of the interactive roles of ethnographer and subject and in the process gives us a deeper understanding of folk singer and storyteller Bessie Eldreth and her greatest art, herself.
Manuel Antonio Chaves’ life straddled three eras of New Mexican history: he was born (1818) at the tag end of the Spanish colonial period, he grew to manhood in the rough and heady days of the Santa Fe trade during the quarter century of Mexican rule (1821–1846), and he spent his mature years under the territorial regime established by the United States. Manuel Chaves’ long career (died 1889) was interwoven with almost every major historical event which occurred during his adult life—the Texan-Santa Fe Expedition, the Mexican War, the Civil War, skirmishes with Utes, Navajos, and Apaches. He was called El Leoncito, The Little Lion, having earned the name as an Indian fighter. He lived for two years in St. Louis and was a well-travelled man, doing business in New Orleans, New York, and Cuba.
A hundred years ago when men still gathered around campfires and storytelling was a well-developed art, Chaves’ exploits were known to all New Mexicans. But history has a capricious memory and his name became virtually forgotten. Around the turn of the century, Charles F. Lummis’ flowery pen recalled brief attention to Chaves’ life, and in 1927 he appeared as a minor character in Willa Cather’s Death Comes for the Archbishop—but otherwise was virtually forgotten. Alas. Too few of our Spanish frontiersmen have been studied in depth. Manuel Chaves and his life should not be lost. He was one of the legendary but real men who pioneered and built the 19th century Southwest. Howard R. Lamar laments: “The Spanish-American population of New Mexico still lacks a historian.” Marc Simmons’ biography of Manuel Chaves helps fill that gap.
Who is Tom Monaghan?
Is he the four-year-old kid whose father died on Christmas Eve and whose mother sent him to an orphanage and then a juvenile detention home?
Is he the entrepreneurial genius who built Domino's Pizza from a hole-in-the-wall pizzeria in Michigan into an American brand as world-conquering as Ford or Coke?
Is he the religious visionary who sold Domino's for $1 billion to create an orthodox Catholic university, law school, and special interest law firm with the goal of transforming America to reflect his conservative values?
He's all that and more. With extensive interviews with friends and enemies plus unprecedented access to the man himself, but wholly without his authorization, Living the Faith illuminates Tom Monaghan, the man and the myth.
Living the Faithis the much-needed, definitive biography of one of the most fascinating and controversial figures in the realms of American business and religion. Through eighteen hard-boiled chapters, journalist James Leonard follows Monaghan on his path from a heartbroken kid who climbed into his father's coffin to the business tycoon who purchased the world-champion Detroit Tigers and spent a fortune on his own air force, navy, and island to the religious visionary who founded a university to make saints and a public interest law firm to overturn evolution.
A sympathetic but critical perspective of the man and his works, this book is for believers, nonbelievers, and agnostics; for conservatives, liberals, and independents; for the rich, the poor, and the shrinking middle class. Mainly, however, this book is for those who want the facts about Tom Monaghan---and the truth about the effect religion had on one man and the effect that man had on the world.
Everyone knows Jack London for his tales of adventure in Alaska and the Canadian Yukon. With his work translated into more than 100 languages, London is one of the most popular American writers in the world, alongside Mark Twain. Yet for the reader tackling The Call of the Wild or White Fang, or perhaps his most often-anthologized short story “To Build a Fire,” many misconceptions about his life confuse his legacy.
London in His Own Time is based on Jeanne Reesman’s nearly thirty-five years of archival research. The book offers surprising perspectives on Jack London’s many sides by family, friends, fellow struggling young writers, business associates, high school and college classmates, interviewers, editors, coauthors, visitors to his Sonoma Valley Beauty Ranch in Glen Ellen, California, and more.
People who have commented on and discussed the mercurial genius include Joseph Conrad, Theodore Dreiser, Upton Sinclair, Sinclair Lewis, Ambrose Bierce, and Mary Austin, as well as his half-sister, Eliza London Shepard, and his first wife, Elizabeth Bess “Bessie” Maddern London. There are a few Klondike pals he kept in touch with, and some fellow writers such as Cloudesley Johns, but many of those closest to him truly demonstrate his wide range of friends: barman Johnny Heinold; his second wife, Charmian, whom he called “Mate Woman”; his daughters, Joan and Becky; his lover, Anna Strunsky; his closest friends, especially the poet George Sterling; his former crewmate on the Snark, Martin Johnson; and his valet/memoirist, Yoshimatsu Nakata. Reesman also includes dozens of entries from Bay-area socialists, friends in Hawai’i and the South Seas, fellow war correspondents, neighbors like Luther Burbank, and his long-time editor at Macmillan, George Brett.
“What does it mean to be lonely?” Thomas Dumm asks. His inquiry, documented in this book, takes us beyond social circumstances and into the deeper forces that shape our very existence as modern individuals. The modern individual, Dumm suggests, is fundamentally a lonely self. Through reflections on philosophy, political theory, literature, and tragic drama, he proceeds to illuminate a hidden dimension of the human condition. His book shows how loneliness shapes the contemporary division between public and private, our inability to live with each other honestly and in comity, the estranged forms that our intimate relationships assume, and the weakness of our common bonds.
A reading of the relationship between Cordelia and her father in Shakespeare’s King Lear points to the most basic dynamic of modern loneliness—how it is a response to the problem of the “missing mother.” Dumm goes on to explore the most important dimensions of lonely experience—Being, Having, Loving, and Grieving. As the book unfolds, he juxtaposes new interpretations of iconic cultural texts—Moby-Dick, Death of a Salesman, the film Paris, Texas, Emerson’s “Experience,” to name a few—with his own experiences of loneliness, as a son, as a father, and as a grieving husband and widower.
Written with deceptive simplicity, Loneliness as a Way of Life is something rare—an intellectual study that is passionately personal. It challenges us, not to overcome our loneliness, but to learn how to re-inhabit it in a better way. To fail to do so, this book reveals, will only intensify the power that it holds over us.
Thomas Wolfe, one of the giants of twentieth-century American fiction, is also one of the most misunderstood of our major novelists. A man massive in his size, his passions, and his gifts, Wolfe has long been considered something of an unconscious genius, whose undisciplined flow of prose was shaped into novels by his editor, the celebrated Maxwell Perkins.
In this definitive and compelling biography, Pulitzer Prize–winning historian David Herbert Donald dismantles that myth and demonstrates that Wolfe was a boldly aware experimental artist who, like James Joyce, William Faulkner, and John Dos Passos, deliberately pushed at the boundaries of the modern novel. Donald takes a new measure of this complex, tormented man as he reveals Wolfe’s difficult childhood, when he was buffeted between an alcoholic father and a resentful mother; his “magical” years at the University of North Carolina, where his writing talent first flourished; his rise to literary fame after repeated rejection; and the full story of Wolfe’s passionate affair with Aline Bernstein, including their intimate letters.
“Samuel Wilberforce,” writes Standish Meacham, “is best remembered as Soapy Sam, the bishop who debated Huxley on evolution and lost. He always insisted his nickname derived from the fact that though many times in hot water he emerged in every case with clean hands. Others had a less flattering explanation. They believed he was inordinately ambitious and that he trimmed to a line dictated by ambition.”
In this volume Meacham presents the first scholarly biography of Wilberforce, a prominent bishop in the Church of England from 1845 to 1873. Drawing upon source materials only recently made available to scholars, the author traces through correspondence and diaries the life of this outstanding Victorian Churchman, describing at the same time the theological temper of the period. Meacham’s emphasis, however, is on Wilberforce as a human being. He reveals his subject in a variety of roles: as favorite, for a time, of Victoria and Prince Albert; as staunch Churchman; as debater in the House of Lords; as a conscientious bishop traveling from one end of his diocese to the other, exerting his considerable energies to raise church funds, encourage his often dispirited clergy, and admonish his flock; and as a sometimes vigorous adversary of Tractarianism.
During the times in which Wilberforce lived, especially the last decade or so of his life, the old orthodoxies were losing their force and new discoveries and modes of thought were breaking down religious certainties. Meacham describes the spiritual struggle Wilberforce waged against Darwinism and higher criticism. He depicts also the private struggle of an essentially good man against the temptations of power and ambition, and the difficulties entailed in the dual role of Churchman and member of the House of Lords whose associates were almost wholly of the privileged class.
Less cynical than Talleyrand, more imaginative than Metternich, as creative as Guizot, Lord Liverpool was one of the great European conservatives of his age. He served as prime minister for the longest continuous term in nineteenth-century Britain and presided over the triumphant years of the Napoleonic War, the strife-torn era of the “Peterloo” massacre, and the founding of the great liberal free-trade revolution in financial and commercial policy that heralded Victorianism.
Norman Gash’s biography is the first modern reassessment of this misunderstood statesman. Gash places Liverpool within the kaleidoscopic parliamentary politics of the time and shows how he governed with the collective strength and unity of the cabinet. By offering parsimonious administration and enlightened economic policy, Liverpool hoped to preserve the old constitution and prevent both Catholic emancipation and parliamentary reform. Balancing interests and preserving order, Liverpool also contended with the vicissitudes of the still powerful monarchs—the aging and disturbed George III and the capricious and self-indulgent George IV, whose attempted divorce almost toppled the Liverpool administration.
This is not only an account of one of the most professional prime ministers of Great Britain, but also the story of the personal relations that shaped Lord Liverpool and the private life that gave him immense satisfaction. Based on correspondence and Lord Liverpool’s private papers, Gash’s work recasts the history of a turbulent age and its most prominent political figure.
Three of the greatest operas ever written—The Marriage of Figaro, Don Giovanni, and Così fan tutte—join the exquisite music of Wolfgang Amadeus Mozart with the perfectly matched libretti of Lorenzo Da Ponte. Da Ponte’s own long life (1749–1838), however, was more fantastic than any opera plot. A poor Jew who became a Catholic priest; a priest who became a young gambler and rake; a teacher, poet, and librettist of genius who became a Pennsylvania greengrocer; an impoverished immigrant to America who became professor of Italian at Columbia University—wherever Da Ponte went, he arrived a penniless fugitive and made a new and eventful life. Sheila Hodges follows him from the last glittering years of the Venetian Republic to the Vienna of Mozart and Salieri, and from George III’s London to New York City.
“This fine new translation by Timothy Grundy of Anton Wagner's Los Angeles with Edward Dimendberg's lucidly probing introduction constitutes a major contribution to urban history and our understanding of one of the world's most enigmatic and significant cities.”
—Thomas S. Hines, Research Professor of History and Architecture and Urban Design, UCLA
“Edward Dimendberg has done a remarkable job bringing Anton Wagner's classic study of Los Angeles to a wider readership. This landmark publication will enable many strands of urban scholarship to enter into dialogue for the first time.”
—Matthew Gandy, Professor of Geography, University of Cambridge, and author of Natura Urbana: Ecological Constellations in Urban Space (2022)
A veteran journalist’s collection of sportswriting on the blue-collar South.
Most of the stories have been previously published in such national magazines as Sports Illustrated, True, Life, Today’s Health, and Sport. In “White Bread and Baseball,” the author chronicles his own boyhood infatuation with the minor-league Birmingham Barons, while in “Yesterday’s Hero” he details the sad end of a former All-American football player named Bob Suffridge, a portrait of a lion in winter. “It’s a Mad, Mad, Mad Whirl” covers nights on the road with the roller derby, and “Saturday Night at Dixie Speedway” captures all the raucous glory of a stock-car dirt track under the hot lights. “Big Night, Big City” tells of an anxious, small-town high school basketball team facing their crucial chance for glory at a state tournament in Atlanta, and the classic “Mister Cobb” details a personal lesson on sliding the young author received from “the greatest player in the history of baseball.”
These stories are often bittersweet, emotional, and mythic: little dramas bearing impact and psychological “size.” Some of them are distinctively “Dixie,” but they ultimately transcend time and place. Frye Gaillard, author of Kyle at 200 MPH: A Sizzling Season in the Petty-NASCAR Dynasty, writes, “For more than 30 years, Paul Hemphill has been one of the finest writers in the South, and I think he proves it again in this collection. He exudes a natural feel for the players and the game, drawing out the real-life themes of struggle and desire, occasional triumph, and the omnipresent possibilities of heartache and failure.”
Antiquity’s satirist supreme.
Lucian (ca. AD 120–190), the satirist from Samosata on the Euphrates, started as an apprentice sculptor, turned to rhetoric and visited Italy and Gaul as a successful traveling lecturer before settling in Athens and developing his original brand of satire. Late in life he fell on hard times and accepted an official post in Egypt.
Although notable for the Attic purity and elegance of his Greek and his literary versatility, Lucian is chiefly famed for the lively, cynical wit of the humorous dialogues in which he satirizes human folly, superstition, and hypocrisy. His aim was to amuse rather than to instruct. Among his best works are A True Story (the tallest of tall tales about a voyage to the moon), Dialogues of the Gods (a “reductio ad absurdum” of traditional mythology), Dialogues of the Dead (on the vanity of human wishes), Philosophies for Sale (great philosophers of the past are auctioned off as slaves), The Fisherman (the degeneracy of modern philosophers), The Carousal or Symposium (philosophers misbehave at a party), Timon (the problems of being rich), Twice Accused (Lucian’s defense of his literary career) and (if by Lucian) The Ass (the amusing adventures of a man who is turned into an ass).
The Loeb Classical Library edition of Lucian is in eight volumes.
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