front cover of Go Down, Old Hannah
Go Down, Old Hannah
The Living History of African American Texans
By Naomi Mitchell Carrier
University of Texas Press, 2010

Living history is a style of instructive and entertaining performance that seeks to bring history to life with the use of costumes, tools, and reenactments appropriate to a specific time period. Done well, living history performances illuminate human experience in powerful, unforgettable ways.

The fifteen living history plays in this collection were commissioned by museums and historic sites in Texas to show the interdependence of African American experiences and contributions to the living history of Texas. The plays cover subject matter ranging from slave celebrations, family breakups, and running away, to the Civil War, emancipation, and Reconstruction. Each play is research based and performed by Talking Back Living History Theatre as a festival production. These scripts are easily performed, and author Naomi Mitchell Carrier has included production notes in the overviews that precede each play. Lesson plans are also included, which add to the collection's appeal as a classroom tool.

Carrier's talent for bringing historical figures to life is exceptional. The names of most primary characters in these plays are real. By giving them faces, feelings, intelligence, and dignity, Carrier aims to give them new life.

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front cover of Guardians of Living History
Guardians of Living History
An Ethnography of Post-Soviet Memory Making in Estonia
Inge Melchior
Amsterdam University Press, 2020
Guardians of Living History: An Ethnography of Post-Soviet Memory Making in Estonia interrogates how people living in a society with an extremely complicated, violent past, only a short history of independence, and a desire to belong to Europe engage with the past, both within their families and as members of a national community. In line with other scholarship on memory, this book shows that many Estonians desire an established collective story, as they live in a society where their national identity is quite regularly under threat. At the same time however, that same closure is perceived to pose a threat to the survival of Estonian culture and independence. Guardians of Living History provides an intimate insight into the lives of Estonians from the countryside, former deportees, young intellectuals, and memory activists, who all in their own ways act as guardians of a national history: a history which they wish to keep alive, apolitical, and as close to their family stories as possible.
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