front cover of In the House of the Serpent Handler
In the House of the Serpent Handler
A Story of Faith and Fleeting Fame in the Age of Social Media
Julia C. Duin
University of Tennessee Press, 2017

In the House of the Serpent Handler offers an intimate and engrossing look at the latest generation of Pentecostal believers who “take up” venomous snakes as a test of their religious faith. Focusing on several preachers and their families in six Appalachian states, journalist Julia C. Duin explores the impact that such twenty-first-century phenomena as social media and “reality television” have had on rituals long practiced in obscurity.

As Duin reveals, the mortal snakebite suffered by pastor Mack Wolford in 2012 marked the passing of the torch to younger preachers Jamie Coots and Andrew Hamblin, who were featured in the 2013 series Snake Salvation on the National Geographic Channel. Seeing their participation in the show as a way of publicizing their faith and thus winning converts, Coots and Hamblin attempted to reinvent the snake-handling tradition for a modern audience. The use of the internet, particularly Facebook, became another key part of their strategy to spread their particular brand of Christianity. However, Coots’s own death in 2014 was widely reported after the TV series was canceled, while Hamblin, who emerges as the central figure in the book, was arrested and tried after a shooting incident involving his estranged wife. His hopes of becoming a serpent-handling superstar seemingly dashed, Hamblin spent several months in prison, emerging more determined than ever to keep to the faith. By the end of the narrative, he has begun a new church where he can pass on the tradition to yet another generation.

Duin’s thorough, sympathetic reporting and lively style bring the ecstatic church services she witnessed vividly to life, and through interviews and quotations from the principals’ Facebook postings, she has allowed them to express their beliefs and reveal their everyday lives in their own words. She also gives the reader an up-close view of how a reporter pursues a story and the various difficulties encountered along the way. Together these elements frame a striking picture: the young practitioners of a century-old custom—one so often dismissed as bizarre by outsiders—adjusting to the challenges of the new millennium.

Julia C. Duin, the former religion editor for the Washington Times, has published articles in the Washington Post, the Wall Street Journal and other national publications. She is the author of five previous books, including, most recently, Days of Fire and Glory: The Rise and Fall of a Charismatic Community.

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In the House of the Serpent Handler
A Story of Faith and Fleeting Fame in the Age of Social Media
Julia C. Duin
University of Tennessee Press, 2017
Duin examines several families in Appalachia who attend churches that practice the handling of venomous snakes as part of their old-time religion. In the face of the deaths of members, they soldier on with the goal of proselytizing up and coming generations. Pastors and church members speak for themselves in her book about their work of bringing their traditions to the public—like their earlier attempt--the TV series Snake Salvation. They enlist social networking in their attempt to capture converts. Upon the death of yet another member, the life of the last Pastor standing took on a definite downward trajectory that included prison time. No matter, he remains determined to take their death-defying tradition to others. Annotation ©2018 Ringgold, Inc., Portland, OR (protoview.com)
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front cover of Native American Log Cabins in the Southeast
Native American Log Cabins in the Southeast
Gregory A. Waselkov
University of Tennessee Press, 2019
Southeastern Native American forms of domestic architecture underwent multiple transitions between the mid-eighteenth to early nineteenth centuries. In Native American Log Cabins in the Southeast, Gregory A. Waselkov and ten colleagues track the origins of Native American cabins, structures that incorporated a range of features borrowed from indigenous post-in ground building traditions, Euroamerican horizontal notched-log construction, and elements introduced by Africans and African Americans. Grounded in archaeological investigation, their essays illuminate the distinctive cabin forms developed by various southeastern Native groups, including the Cherokee, Creek, Choctaw, and Catawba peoples.
            In a rapidly changing social, economic, and political landscape at the frontiers of an expansionist United States, the log cabin, a northern European house form, proved equally adaptable to the needs of settlers, slaves, and Native peoples. Each found ways to make log cabins their own. Beneath these deceptively simple hewn facades, indigenous principles of correctness guided southeastern Indians’ uses of interior cabin space, creations of raised clay hearths, and maintenance of pits that gave occupants access to the regenerative properties of the Beneath World. The chapters in this volume make important contributions toward a better understanding of houses and households in the Native Southeast by marshalling new data, methods, and theory to address an important but understudied phenomenon.
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front cover of Seven Summers
Seven Summers
A Naturalist Homesteads in the Modern West
Julia Corbett
University of Utah Press, 2013

Seven Summers is the story of a naturalist-turned-professor who flees city life each summer with her pets and power tools to pursue her lifelong dream—building a cabin in the Wyoming woods. With little money and even less experience, she learns that creating a sanctuary on her mountain meadow requires ample doses of faith, patience, and luck. This mighty task also involves a gradual and sometimes painful acquisition of flexibility and humility in the midst of great determination and naive enthusiasm.

For Corbett, homesteading is not about wresting a living from the land, but respecting and immersing herself in it—observing owls and cranes, witnessing seasons and cycles, and learning the rhythms of wind and weather in her woods and meadow. The process changes her in unexpected ways, just as it did for women homesteaders more than a century ago. The more she works with wood, the more she understands the importance of “going with the grain” in wood as well as in life. She must learn to let go, to move through loss and grief, to trust her voice, and to balance independence and dependence. Corbett also gains a better understanding of her fellow Wyomingites, a mix of ranchers, builders, gas workers, and developers, who share a love of place but often hold decidedly different values. This beautifully written memoir will appeal to readers who appreciate stories of the western landscape, independent women, or the appreciation of the natural world.

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front cover of The War Against The Beavers
The War Against The Beavers
Learning to Be Wild in the North Woods
Verena Andermatt Conley
University of Minnesota Press, 2005
A lifelong city dweller, Verena Andermatt Conley had long harbored romantic ideals about the natural world and dreamed of a wilderness retreat for herself and her husband, Tom. When a sizable tract of land along the Vermillion River on the edge of Minnesota's Boundary Waters - complete with two primitive log cabins - became available, they jumped at the chance to own a piece of paradise.The War against the Beavers is a wry and funny account of two people's ten-year apprenticeship in backwoods living, from their arrival as literal babes in the woods to their education in the ways of nature as they face plagues of insects, fungus, storms, and droughts, and embark on a lengthy campaign to eradicate a colony of beavers that threatens the peace and beauty of their forest refuge. It is only the coming of a mechanized and much more menacing threat - bulldozers and other heavy machinery clear-cutting the woods - that restores perspective to the obsessed cabin dwellers.
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