front cover of Company Curiosities
Company Curiosities
Nature, Culture and the East India Company, 1600–1874
Arthur MacGregor
Reaktion Books, 2019
In colonial India, a range of administrators, soldiers, surveyors, and others invested large parts of their lives in attempting to inventory and comprehend the vast country, its teeming populations, and their myriad customs and religions. Company Curiosities offers the first overview of the remarkable role of the East India Company and its servants in collecting, cataloging, and transmitting from India to Europe a treasure-house of natural specimens and man-made objects—from craft materials to paintings and sculptures, weapons, costumes, jewels, and ornaments.

For a time, the East India Company’s own India Museum in London led the way in presenting their findings and establishing for a larger public the characteristic features of a subcontinent that would become the heart of Britain’s worldwide empire. Later, when the Great Exhibition and its successors redefined the style and the scale of presentation of the world’s commercial and industrial processes, the Company’s talented curators (now under their new masters, the India Office) continued to play a key role in articulating these materials. Meanwhile, Company employees returning from years of service diffused a taste for all things Indian. Superbly illustrated, Company Curiosities reveals how these diverse players invented the look and feel of India for those who had never ventured abroad.
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logo for University College London
The India Museum Revisited
Arthur MacGregor
University College London, 2023
A full examination of the India Museum’s founding manifesto and evolving ambitions.

The museum of the East India Company formed, for a large part of the nineteenth century, one of the sights of London. In recent years, little has been remembered of it beyond its mere existence, while an assumed negative role has been widely attributed to it on the basis of its position at the heart of one of Britain’s arch-colonialist enterprises.

Extensively illustrated, The India Museum Revisited surveys the contents of its multi-faceted collections—with respect to materials, their manufacture, and original functions on the Indian sub-continent—as well as the collectors who gathered them and the manner in which they were mobilized to various ends within the museum.

From this integrated treatment of documentary and material sources, a more accurate, rounded, and nuanced picture emerges of an institution that contributed in major ways, over a period of eighty years, to the representation of India for a European audience, not only in Britain but through the museum’s involvement in the international exposition movement to audiences on the continent and beyond.
 
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