front cover of Donald Seldin
Donald Seldin
The Maestro of Medicine
By Raymond S. Greenberg
University of Texas Press, 2020

No one would have blamed Donald Seldin for running away. When he arrived at Southwestern Medical College in 1951, it was a collection of hastily repurposed military shacks creaking in the wind. On practically day one he became chair of the department of medicine—when the only other full-time professors departed.

By the time he stepped down thirty-six years later, Seldin had transformed a sleepy medical college into the University of Texas Southwestern Medical Center—a powerhouse of research and patient care and an anchor of the city of Dallas. Raymond Greenberg, a physician-scholar, tells Seldin's story of perseverance and intellectual triumph. Drawing on interviews with Seldin's trainees and colleagues—and on Seldin's own words—Greenberg chronicles the life of the Brooklyn boy who became one of Texas's foremost citizens and taught decades of men and women to heal. A pioneering nephrologist, Seldin devoted his career to developing the specialty; educating students, residents, and fellows; caring for patients; and nurturing basic research.

Seldin was a wildcatter in the best sense. He declined the comfortable prestige of Harvard and Yale and instead embraced a worthy challenge with an unflagging sense of mission. Graceful and richly detailed, The Maestro of Medicine captures an inspiring life of achievement and service.

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front cover of Fritz Reiner, Maestro and Martinet
Fritz Reiner, Maestro and Martinet
Kenneth Morgan
University of Illinois Press, 2010

This award-winning book, now available in paperback, is the first solid appraisal of the legendary career of the eminent Hungarian-born conductor Fritz Reiner (1888-1963). Personally enigmatic and often described as difficult to work with, he was nevertheless renowned for the dynamic galvanization of the orchestras he led, a nearly unrivaled technical ability, and high professional standards. Reiner's influence in the United States began in the early 1920s and lasted until his death. Reiner was also deeply committed to serious music in American life, especially through the promotion of new scores. In Fritz Reiner, Maestro and Martinet, Kenneth Morgan paints a very real portrait of a man who was both his own worst enemy and one of the true titans of his profession.

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Maestro
Love Sonnets
Roger Armbrust
Parkhurst Brothers, Inc., 2021
Roger Armbrust’s collection of 55 poems represents an extended love song for the world’s great classical composers. Many of the sonnets envision history’s maestros at some phase of their extraordinary lives. A few of the verses are celebrations of life which include a reverent mention of a master. Taken together, they convey the poet’s deep respect for these geniuses and the creative process. In one sonnet, he writes of Mendelssohn:
 
Sense of presence leading to reverence,
not so much awaking as reverie
evolving to understanding, essence
of living within all.
 
Armbrust conveys this mood of reverence, reverie, and understanding throughout this collection.
 
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front cover of The Maestro, the Magistrate and the Mathematician
The Maestro, the Magistrate and the Mathematician
A Novel
Tendai Huchu
Ohio University Press, 2016
The Hairdresser of Harare, which the New York Times Book Review called “a fresh and moving account of contemporary Zimbabwe,” announced Tendai Huchu as a shrewd and funny social commentator. In The Maestro, the Magistrate & the Mathematician, Huchu expands his focus from Zimbabwe to the lives of expatriates in Edinburgh, Scotland. The novel follows three Zimbabwean men as they struggle to find places for themselves in Scotland. As he wanders Edinburgh with his Walkman on a constant loop of the music of home, the Magistrate—a former judge, now a health aide—tries to find meaning in new memories. The depressed and quixotic Maestro—gone AWOL from his job stocking shelves at a grocery store—escapes into books. And the youthful Mathematician enjoys a carefree and hedonistic graduate school life, until he can no longer ignore the struggles of his fellow expatriates. In this novel of ideas, Huchu deploys satire to thoughtful end in what is quickly becoming his signature mode. Shying from neither the political nor the personal, he creates a humorous but increasingly somber picture of love, loss, belonging, and politics in the Zimbabwean diaspora.
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