front cover of The Last Days of Mandelstam
The Last Days of Mandelstam
Vénus Khoury-Ghata
Seagull Books, 2020
The year is 1938. The great Russian poet and essayist Osip Mandelstam is forty-seven years old and is dying in a transit camp near Vladivostok after having been arrested by Stalin’s government during the repression of the 1930s and sent into exile with his wife. Stalin, “the Kremlin mountaineer, murderer, and peasant-slayer,” is undoubtedly responsible for his fatal decline. From the depths of his prison cell, lost in a world full of ghosts, Mandelstam sees scenes from his life pass before him: constant hunger, living hand to mouth, relying on the assistance of sympathetic friends, shunned by others, four decades of creation and struggle, alongside his beloved wife Nadezhda, and his contemporaries Anna Akhmatova, Marina Tsvetaeva, Boris Pasternak, and many others.

With her sensitive prose and innate sense of drama, French-Lebanese writer Vénus Khoury-Ghata brings Mandelstam back to life and allows him to have the last word—proving that literature is one of the surest means to fight against barbarism.
 
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front cover of Mandelstam, Blok, and the Boundaries of Mythopoetic Symbolism
Mandelstam, Blok, and the Boundaries of Mythopoetic Symbolism
Stuart Goldberg
The Ohio State University Press

“Mandelstam had no teacher,” marveled Anna Akhmatova, reflecting on his early maturity and singularity. But Mandelstam himself spoke of the need and even duty to study a poet’s literary roots. So how did this consummately complex, compelling, multi-resonant poet navigate and exploit the burden of the Russian Symbolist movement from which he emerged? How did this process change and augment his poetry?

Through a series of illuminating readings, Stuart Goldberg explores the ongoing role that the poetry of Russian Symbolism played in Osip Mandelstam’s creative life, laying bare the poet’s productive play with distance and immediacy in his assimilation of the Symbolist heritage. At the same time, Mandelstam, Blok, and the Boundaries of Mythopoetic Symbolism presents the first coherent narrative of the poet’s fraught relationship with Alexander Blok, the most powerful poetic voice among the Symbolists. This dialogue, which was largely one-sided, extended beyond poetic intertext into the realms of poetics, charisma, and personality.
 
Goldberg’s study pushes theoretical boundaries, exploring the juncture between pragmatics and intertext, adapting and challenging Bloom’s anxiety of influence theory, and, ultimately, tracing a shift in the nature of sincerity and authenticity that divided poetic generations.
 
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