front cover of Circa 1600
Circa 1600
A Revolution of Style in Italian Painting
S. J. Freedberg
Harvard University Press, 1983
A distinguished art historian examines a radical change in style that occurred around 1600, a change that turned the whole course of Italian painting—and, through its influence, the painting of other European countries as well—from the Mannerism of the late sixteenth century to the grand achievements of the Baroque. The principal authors of the change were three artists of North Italian origin: Annibale Carracci, Caravaggio, and Ludovico Carracci. S. J. Freedberg defines the particular qualities of each artist’s work and traces the intellectual, visual, and technical evolution of their style.
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Mannerism
The Crisis of the Renaissance and the Origin of Modern Art
Arnold Hauser
Harvard University Press, 1986
Arnold Hauser sees Mannerism—the expressionistic, anti-natural, anti-classical style prevalent in the sixteenth century—as a revolution in the history of art; a revolution with major repercussions for modern art. The noted Viennese culture critic here, as in The Social History of Art and The Philosophy of Art History, looks at developments in art in the context of social, economic, and intellectual history. His analysis of specific works of art is illustrated with 322 reproductions.
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The School of Prague
Thomas DaCosta Kaufmann
University of Chicago Press, 1988
The School of Prague provides both a much-needed catalogue raisonné of painting in Rudolfine Prague and a significant reassessment of Renaissance art theory and practice. Thomas DaCosta Kaufmann masterfully reconstructs the Prague court, discussing the "mannerist" art it patronized and the artists who were active in it.
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